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Musts, Maybes, and Nevers
"From James Bond to the Beatles, from Saturday Night Fever to Grease, from Daniel Day-Lewis to Dustin Hoffman, from Steve Martin to Cheech and Chong. As president of United Artists, Paramount, and Columbia, producer of The Jerk, Lenny, and The Crucible, [David Picker's] seen it all, loved it all (well, most of it), and now he's sharing it all. When the show is over you will have learned about the deals, the hits, the flops, the good guys, the bad guys, and all the rest"--Amazon.com.
The Movie Business Book
Tapping experts in an industry experiencing major disruptions, The Movie Business Book is the authoritative, comprehensive sourcebook, covering online micro-budget movies to theatrical tentpoles. This book pulls back the veil of secrecy on producing, marketing, and distributing films, including business models, dealmaking, release windows, revenue streams, studio accounting, DIY online self-distribution and more. First-hand insider accounts serve as primary references involving negotiations, management decisions, workflow, intuition and instinct. The Movie Business Book is an essential guide for those launching or advancing careers in the global media marketplace.
Annual Report
Reports for 1980- include also the Annual report of the National Council on the Arts.
Frame by Frame II
A filmography of Blacks in the film industry
Hip Hop in American Cinema
Hip Hop in American Cinema examines the manner in which American feature films have served as the primary medium for mainstreaming hip hop culture into American society. With their glamorizing portrayals of graffiti writing, break dancing, rap music, clothing, and language, Hollywood movies have established hip hop as a desirable youth movement. This book demonstrates how Hollywood studios and producers have exploited the profitable connection among rappers, soundtracks, and mass audiences. Hip Hop in American Cinema offers valuable information for courses in film studies, popular culture, and American studies.
Hearings
None
Life Through an Aperture
For blockbuster photographer Keith Hamshere it was the humble ukulele, given to him for his ninth birthday, that piqued his interest in the entertainment industry, leading to a long and impressive career in front of and behind the camera. Starting out in the late 1950s as a child actor, Keith decided to add another string to his bow, developing his interest in photography and becoming a society photographer at the heart of Swinging London. Keith's big break came in the mid 1960s, when unit photographer Johnny Jay began working on a new film directed by Stanley Kubrick. Recalling Keith's fascination with photography and his growing popularity, Johnny asked him if he would be interested in hel...
