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Pesticide Formulation and Adjuvant Technology
Pesticide Formulation and Adjuvant Technology brings together experts from industry, academia, regulatory offices, and the legal profession to provide a complete and international reference on agrichemical formulations and modern adjuvant technology. Global specialists discuss key topics, from scientific and technical issues to regulatory and legal aspects, including:
We are Nothing and So Can You
An epic of popular revolt, shuttling between the uncertain present and futures both grim and auspicious.
The Right Way to Play Chess
Since its first publication in 1950, The Right Way to Play Chess has taught chess to generations of beginners, taking them to the standard expected of good club players. It gives full details of exactly how to play the game, explains basic theory and includes many examples of play.There are separate chapters on the openings, middle and end games, plus a chapter of master games which illustrate how styles of play have changed over the years. Fully revised and updated by chess expert Richard James, a new chapter shows how to encourage and teach children to play the game.
That Winter the Wolf Came
Renewed poetry of struggle at the intersection of ecological and economic catastrophe--feminist, ferocious, and finally celebratory.
The Radar War
Beskriver radar'ens udviklingshistorie herunder navnlig de tyske resultater og anvendelsen af radar under 2. verdenskrig.
The Artist
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Research Grants
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Red Epic
Red Epic remixes utopian hope and revolutionary terror with soundtrack by Robyn and M.I.A.
Avant-Gardes in Crisis
Avant-Gardes in Crisis claims that the avant-gardes of the late twentieth and early twenty-first centuries are in crisis, in that artmaking both responds to political, economic, and social crises and reveals a crisis of confidence regarding resistance's very possibility. Specifically, this collection casts contemporary avant-gardes as a reaction to a crisis in the reproduction of life that accelerated in the 1970s—a crisis that encompasses living-wage rarity, deadly epidemics, and other aspects of an uneven management of vitality indexed by race, citizenship, gender, sexual orientation, class, and disability. The contributors collectively argue that a minoritarian concept of the avant-garde, one attuned to uneven patterns of resource depletion and infrastructural failure (broadly conceived), clarifies the interplay between art and politics as it has played out, for instance, in discussions of art's autonomy or institutionality. Writ large, this book seeks to restore the historical and political context for the debates on the avant-garde that have raged since the 1970s.
