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Kant's Conception of Freedom
Traces the development of Kant's views on free will from earlier writings through the three Critiques and beyond.
The Poverty of Conceptual Truth
R. Lanier Anderson presents a new account of Kant's distinction between analytic and synthetic judgments, and provides it with a clear basis within traditional logic. He reconstructs compelling claims about the syntheticity of elementary mathematics, and re-animates Kant's arguments against traditional metaphysics in the Critique of Pure Reason.
Tufala Gavman
The stories of thirty-eight men and four women, Melanesians, Britons, French, Australia and New Zealanders, all of whom played a part in the formative years of what was to become the Republic of Vanuatu.
Lectures on Metaphysics
This volume contains the first translation into English of notes from Kant's lectures on metaphysics.
Evil
Thirteen original essays examine the conceptual history of evil in the west: from ancient Hebrew literature and Greek drama to Darwinism and Holocaust theory. Thirteen reflections contextualize the philosophical developments by looking at evil through the eyes of animals, poets, mystics, witches, librettists, film directors, and tech executives.
Realizing Reason
Danielle Macbeth offers a new account of mathematical practice as a mode of inquiry into objective truth, and argues that understanding the nature of mathematical practice provides us with the resources to develop a radically new conception of ourselves and our capacity for knowledge of objective truth.
The Aesthetic in Kant
Kant's Critique of the Power of Judgment is widely held to be the seminal work of modern aesthetics. In recent years it has been the focus of intense interest and debate not only in philosophy but also in literary theory and all disciplines concerned with the aesthetic. The Aesthetic in Kant is a new reading of Kant's problematic text. It draws upon the great volume of recent philosophical work on this classic text and on the context of eighteenth century aesthetics. Kant's work is used as a basis on which to construct a radical alternative to the antinomy of taste - the basic problem of the aesthetic. In Kant's account is a theory of the aesthetic that, far from establishing its 'disinterested' nature, instead makes it symptomatic of what Kant himself describes as the ineradicable human tendency to entertain 'fantastic desires'.
Holiness
Stephen Barton has commissioned social scientists, philosophers of religion, feminists, biblical scholars, historians, moral theologians and systematic theologians - international experts from a wide range of theological and related disciplines - to reflect on "holiness."The book is divided into four parts: the idea of holiness, holiness and scripture, holiness and Christian tradition, and holiness and contemporary issues. The contributions are inter-denominational and inter-religious. There is nothing comparable on "holiness" available at present, so this collection fills a significant gap in the literature. Its comprehensive range and its interdisciplinary style will make it an important resource for students and scholars in theology, church history, ethics and religious studies.
The Concept of Religious Passion
The concept of religious passion is examined according to the teachings of that great Father of Modern Reason, Immanuel Kant, both as a philosophical concept and with respect to its place in Ethics, specifically Kantian ethics. Kant=s strong aversion to religious passion is presented in view of the Enlightenment movement and Reason versus the Emotions argument.
