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Keshari Mitchel the most powerful woman in the American music industry—but also one of the most powerful women in organized crime, and she’s determined to finally extricate herself from the game. Beautiful, Wharton-educated, recording industry mogul Keshari Mitchell is leading a double life. As owner of Larger Than Lyfe Entertainment, a multimillion-dollar record label specializing in platinum-selling hip-hop, R&B, and jazz, she is undeniably the most powerful woman in the American music industry. As second-in-command in The Consortium, one of the most powerful, Black organized crime rings on the West Coast, she also happens to be one of the most powerful and most feared women in the Uni...
Offers a striking new interpretation of Beckett's major fiction, demonstrating how his development as a writer was shaped by shifting twentieth-century ideas about the social function of literature.
After a massive, identity-altering, physical transformation, Keshari Mitchell is back as 'Darian Boudreaux' and aims to take the film industry by storm. She is now the founder and executive producer of Phoenix Films, which has acquired a controversial movie script from an anonymous source. It is about to make a major name for itself with the biopic of the mysterious Keshari Mitchell's life, including details regarding her affiliation with organised crime. Will returning to the US after faking her death turn out to be the biggest mistake of her life?
Ve-Eileh Divrei David: Essays in Semitics, Hebrew Bible and History of Biblical Scholarship, covers the career of S. David Sperling, a well-known and respected Biblical scholar. It is divided into three sections representing the three foci of the author’s work namely, Semitic philology, Bible, and the history of biblical scholarship. The chapters represent a remarkable 40 years of scholarship and convey deep knowledge of a range of topics that is rarely paralleled in today’s scholarship. “These 22 (previously published) essays reflect a lifetime’s contribution to the field of Semitic linguistics and philology ... The treatments are rich in depth, and reflect serious engagement with the issues under discussion ...” -Sandra Jacobs, Journal for the Study of the Old Testament 43.5 (2019)
March, September, and December issues include index digests, and June issue includes cumulative tables and index digest.
Form vs. content, aesthetics vs. politics, modernism vs. realism: these entrenched binaries tend to structure work in early 20th century literary studies even among scholars who seek to undo them. The Persistence of Realism demonstrates how realism's defining concerns – sympathy, class, social determination – animate the work of Henry James, James Joyce, Virginia Woolf, Samuel Beckett and Ralph Ellison. In contrast to the oft-told tale of an aesthetically rich modernism overthrowing realism's social commitments along with its formal structures, Stasi shows how these writers engaged with realism in concrete ways. The domestic novel, naturalist fiction, novels of sentiment, and industrial tales are realist structures that modernist fiction simultaneously preserves and subverts. Putting modernist writers in conversation with the realism that preceded them, The Persistence of Realism demonstrates how modernism's social concerns are inseparable from its formal ones.
Construction projects involve a complex set of relationships, between parties with different professional backgrounds trying to achieve a very complex goal. Under these difficult circumstances, the quality of information on which projects are based should be of the highest possible standard. The line-based, two dimensional drawings on which conventional construction is based render this all but impossible. This is the source of some major shortcomings in the construction industry, and this book focuses on the two most fundamental of these: the failure to deliver projects predictably: to the required quality, on time and within budget; and the failure of most firms in the industry to make a s...
When Steven Soderbergh exploded onto movie screens with sex, lies, and videotape in 1989, it represented more than the arrival of an important new director--it heralded the arrival of an entire generation of important new directors. Quentin Tarantino (Pulp Fiction), Kevin Smith (Dogma), David Fincher (Fight Club), M. Night Shyamalan (The Sixth Sense), Ben Stiller (Reality Bites), Michael Bay (Pearl Harbor), and dozens of others are all members of Generation X, the much talked about but much misunderstood successors to baby boomers. This book is a critical study of the films directed by Gen Xers and how those directors have been influenced by their generational identity. While Generation X as...
Offers a nuanced account of the evangelization in the Americas of the sixteenth century
"Elliott Carter was born four months after Orville Wright demonstrated the Wright Brothers' Flyer to the U.S. Army, and he died two months after the Voyager 1 spacecraft left the heliosphere at the threshold of interstellar space. Carter's remarkable longevity, and the unusual trajectory of his life and work through more than a century of disruptive change, has affected the reception history of his music in ways that we are only beginning to acknowledge. Over the course of a nearly eighty-year-long career, Carter leveraged his advantages and turned obstacles into opportunities with admirable persistence. He chose projects that not only interested him but also fit into the plans for artistic ...