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The President of Planet Earth
Shortlisted for the 2018 Irish Times Poetry Now Award In his fifth collection of poems, David Wheatley twins his birthplace and his current home, Ireland and Scotland, to engage issues of globalism, identity, and language. He takes inspiration from the Russian Futurist poet Velimir Khlebnikov, self-nominated President of Planet Earth, who in a state of apocalyptic rapture envisioned a new world culture, its rise and its dramatic undoing. In The President of Planet Earth Wheatley brings an experimental sensibility to bear on questions of land and territory, channelling the messianic aspirations of modernism into subversive comedy. We move between Pictish pre-history, the imaginary South American nation of 'Oblivia', and post-independence referendum Scotland. Wheatley marries classical, Gaelic, Scots and continental traditions. He deploys several styles - prose poetry; concrete poetry; translations from Middle Irish, Latin and French; sestinas and sonnets in Scots - to heady effect. The President of Planet Earth refashions language and the world it shapes, devising a transformative poetics.
Spatial Technology and Archaeology
Geographical Information Systems (GIS) and related spatial technologies have a new and powerful role to play in archaeological interpretation. Beginning with a conceptual approach to the representation of space adopted by GIS, this book examines spatial databases; the acquisition and compilation of data; the analytical compilation of data; the anal
Misery Hill
David Wheatley s first collection, Thirst, was widely praised for its restless adventures in time and place. Misery Hill concentrates on what look like more familiar locales. The Dublin street of its title is a derelict site which, in the author s hands, becomes powerfully evocative of the secret and forgotten life of the city. Alternating between Dublin and County Wicklow, Misery Hill interrogates the present in the light of the past, exploring time and memory in poems deeply rooted in the psychic geography of their settings. These range from explorations of family history, politics and love to the title poem s long purgatorial journey through a city uneasily reminiscent of contemporary Dublin.
A Nest on the Waves
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What Is the Grass
“[An] incisive, personal mediation.” —New York Times Book Review Mark Doty has always felt haunted by Walt Whitman’s perennially new American voice, and by his equally radical claims about body and soul. In What Is the Grass, Doty effortlessly blends biography, criticism, and memoir to keep company with Whitman and his Leaves of Grass, tracing the resonances between his own experience and the legendary poet’s life and work.
A History of Irish Women's Poetry
A History of Irish Women's Poetry is a ground-breaking and comprehensive account of Irish women's poetry from earliest times to the present day. It reads Irish women's poetry through many prisms – mythology, gender, history, the nation – and most importantly, close readings of the poetry itself. It covers major figures, such as Máire Mhac an tSaoi, Eavan Boland, Eiléan Ní Chuilleanáin, as well as neglected figures from the past. Writing in both English and Irish is considered, and close attention paid to the many different contexts in which Irish women's poetry has been produced and received, from the anonymous work of the early medieval period, through the bardic age, the coterie poets of Anglo-Ireland, the nationalist balladeers of Young Ireland, the Irish Literary Revival, and the advent of modernity. As capacious as it is diverse, this book is an essential contribution to scholarship in the field.
A Companion to Contemporary British and Irish Poetry, 1960 - 2015
A comprehensive and scholarly review of contemporary British and Irish Poetry With contributions from noted scholars in the field, A Companion to Contemporary British and Irish Poetry, 1960-2015 offers a collection of writings from a diverse group of experts. They explore the richness of individual poets, genres, forms, techniques, traditions, concerns, and institutions that comprise these two distinct but interrelated national poetries. Part of the acclaimed Blackwell Companion to Literature and Culture series, this book contains a comprehensive survey of the most important contemporary Irish and British poetry. The contributors provide new perspectives and positions on the topic. This impo...
The Unaccompanied
'The most popular English poet since Larkin.' Sunday TimesAfter more than a decade and following his celebrated adventures in drama, translation, travel writing and prose poetry, Simon Armitage's eleventh collection of poems heralds a return to his trademark contemporary lyricism. The pieces in this multi-textured and moving volume are set against a backdrop of economic recession and social division, where mass media, the mass market and globalisation have made alienation a commonplace experience and where the solitary imagination drifts and conjures. The Unaccompanied documents a world on the brink, a world of unreliable seasons and unstable coordinates, where Odysseus stalks the aisles of ...
Stravaig
Stravaig: A fiction for voices is a rewrite of Samuel Beckett's great radio play All That Fall, set in rural Aberdeenshire. Where Beckett's text is about two old people and the spectre of death, David Wheatley's text inverts the source material, centering it on two parents with young children. Stravaig, in remarkable style, presents certain obscurities to the reader, such as words or sentences in Scots, and discussion of matters Gaelic. This is a gem of a playscript and a truly sublime book.
