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Designed for a course in "World Arts: Art, Theatre and Film", and will prove useful to programs at other colleges that have been designed along similar interdisciplinary lines. Contents: THE SPIRITUAL DIMENSION: Selections on Shamanism, Michael Kirby; Everyman, Anonymous; The Blind, Maurice Maeterlinck; THE PORTRAIT: "The Period of Study," Constantin Stanislavsky; Krapp's Last Tape, Samuel Beckett; LOVE FULLFILLED, LOVE THWARTED: A Raisin in the Sun, Lorraine Hansberry; Our Town, Thornton Wilder; ART IN THE SOCIAL CONTEXT: The Trojan Women, Euripides; Fabiola, Eduardo Machado; THE SENSE OF MOVEMENT: Lazzi; The Flying Doctor, Moliere; Futurist Plays; The Jet of Blood, Antonin Artaud; 18 Happenings in 6 Parts; VOCABULARY LISTS: Theatre; Film.
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Since his emergence from the Flemish avant-garde movement of the 1980s, Ivo van Hove's directorial career has crossed international boundaries, challenging established notions of theatre-making. He has brought radical interpretations of the classics to America and organic acting technique to Europe. Ivo van Hove Onstage is the first full English language study of one of theatre's most prominent iconoclasts. It presents a comprehensive, multifaceted account of van Hove's extraordinary work, including key productions, design innovations, his revolutionary approach to text and ambience, and his relationships with specific theatres and companies.
Drama. Translated from the French by David Willinger. Michel de Ghelderode (1898-1962) was a Belgian playwright who is ranked by many as a key member of the international avant-garde, on par with Beckett, Brecht, Ionesco, Genet and Pinter. Writing most of his plays between 1918 and 1937, he wasn't discovered in Europe until after World War II, where he was hailed as the "Belgian Shakespeare," and in America until the 1960's. Both discoveries led to great, though still cult level, popularity. In the early 60's not a week went by without a production of one of Ghelderode's plays happening somewhere in the United States. This unique volume includes three plays--The Siege of Ostend, The Actor Makes His Exit and Transfiguration in the Circus--in their first-ever English translation.
Hugo Claus, generally recognized as the greatest living writer in the Dutch language, became famous in the theater for several early works of particular force and daring. This volume includes three of those remarkable early plays: Bride in the Morning, Sugar, and The Sacrament. All three plays boast unforgettable characters trapped in a world of oppressive social mores. The central figures are all subject to sexual and creative impulses towards objects of forbidden love that bring disapproval and censure crashing in on them, subsequently bringing about their own ruin.
In her extensive Introduction, Lawton has highlighted the historical development of the movement and has related futurism both to the Russian national scene and to avant-garde movements worldwide.
— Matthew Brown developed this project through his founding of TableTopOpera, a group of scholars and performers committed to performing multimedia projects promoting classical music to general audiences. TableTop's production, a reductionist fantasy based on Ariane et Barbe-bleue, played an adaptation of Paul Dukas's original score while panels of P. Craig Russell's popular graphic novel Ariane and Bluebeard, Op. 26 streaked across the auditorium screen. Brown wrote the score and the show was called "a miracle of collaborative creation" thanks to "all editing decisions made in regard not only to Brown's profound knowledge of the epoch and Russell's passion for the opera but of the demandi...
Debussy himself had little regard for Clair de Lune, and scholars have thus far followed suit--until now. Claude Debussy's Clair de Lune is the first book wholly dedicated to an historical, cultural, and analytical investigation of the French composer's famous composition for piano. Author Gurminder Kaur Bhogal explores why, over any other piece in Debussy's repertoire for piano, Clair de Lune achieved stardom in the decades following the composer's death, and how, as the third movement of the Suite Bergamasque, it managed to almost fully eclipse the other movements. Drawing on a broad range of excerpts from classical and popular music, commercials, film, and video games, Bhogal examines the various ways in which listeners have engaged with the piece. She also places it in its proper artistic context, through analysis alongside the poetry of Paul Verlaine and the paintings of Jean-Antoine Watteau. A wide range of aural, visual, and video examples energize the narrative, and demonstrate how Clair de Lune has come to achieve an iconic status within and beyond Debussy's oeuvre.
The "Bath Era" of Mount Clemens is but a memory; however, that rich history still lives through the images on vintage postcards. The fabulous Park, Medea, Arethusa, Colonial, Clementine, Olympia, Eureka, and St. Joseph are among the bath houses featured here with the hotels that catered to the needs of their bathers. Travel back to the days when sipping water at the Springs, enjoying the thrills of Leap the Dips, and cruising the local waterways were normal pastimes.