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Interior/Design
L’interior design è oggi un campo espanso di pratiche e discorsi, caratterizzato da vivaci riflessioni teoriche e da produttive intersezioni con diversi saperi e competenze. Fra i termini interior e design si apre uno spazio concettuale e operativo attraversato da sempre nuove sperimentazioni e interpretazioni. Questo volume ne traccia alcune avvalendosi della voce di studiosi, ricercatori, educatori e professionisti internazionali, dando particolare attenzione a temi quali: l’interiority, lo spazio pubblico e la dimensione civica; il dialogo interdisciplinare, dalle neuroscienze all’urbanistica; l’evoluzione dell’exhibition design; la didattica e l’educazione.
Ghost Tarot
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Exhibiting Italian Art in the United States from Futurism to Arte Povera
This volume explores how Italian institutions, dealers, critics, and artists constructed a modern national identity for Italy by exporting – literally and figuratively – contemporary art to the United States in key moments between 1929 and 1969. From artist Fortunato Depero opening his Futurist House in New York City to critic Germano Celant launching Arte Povera in the United States, Raffaele Bedarida examines the thick web of individuals and cultural environments beyond the two more canonical movements that shaped this project. By interrogating standard narratives of Italian Fascist propaganda on the one hand and American Cold War imperialism on the other, this book establishes a more ...
Florence, Berlin and Beyond: Late Nineteenth-Century Art Markets and their Social Networks
Recent and increasing interest in art market studies—the dealers, mediators, advisors, taste makers, artists, etc.—indicate that the transaction of art and decorative art is anything but linear. Taking as its point of departure two of the most active agents of the late nineteenth century, Wilhelm von Bode and Stefano Bardini, the essays in this volume also look beyond, to other art market individuals and their vast and frequently interconnected, social and professional networks. Newly told history taken from rich business, epistolary and photographic archives, these essays examine the art market, within a broader and more complex context. In doing so, they offer new areas of inquiry for mapping of works of art as they were exchanged over time and place.
