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The Assyrians
An accessible guide to the history of the Assyrian empire from the perspective of its powerful elites. At the height of its power near 660 BC, the Assyrian empire, centered in northern Iraq, wielded dominance from Egypt to Iran. This vast region was ruled by a series of kings who demonstrated their power with magnificent palaces adorned by sculptures depicting rituals, battles, and hunts. Established by military might, the empire thrived under the guidance of scholars who interpreted divine will and administrators who relocated tens of thousands of people to serve the state. This book relates the history of Assyria through the lens of its royal family and the officials who commissioned its buildings, art, and literature—each a critical part of the foundation for the later Babylonian and Persian empires.
Testing the Canon of Ancient Near Eastern Art and Archaeology
This volume addresses and problematizes the formation and transformation of the ancient Near Eastern art historical and archaeological canon. The 'canon' is defined as an established list of objects, monuments, buildings, and sites that are considered to be most representative of the ancient Near East. In "testing" this canon, this project takes stock of the current canon, its origins, endurance, and prospects. Boundaries and typologies are examined, technologies of canon production are investigated, and heritage perspectives on contemporary culture offer a key to the future.
Moving on from Ebla, I Crossed the Euphrates: an Assyrian Day in Honour of Paolo Matthiae
'Moving on from Ebla, I crossed the Euphrates' collects six articles by leading international scholars on the culture of the Assyrian world as a homage to Paolo Matthiae on the occasion of his 80th birthday. Paolo Matthiae is known internationally for the discovery of the site of ancient Ebla in Syria, but he also wrote groundbreaking books and scientific contributions about the Assyrians, predominantly from an art historical perspective. The articles deal with different aspects of this culture, with innovative and sometimes unexpected points of view, including the reception of some elements of the Assyrian culture in the contemporary world.
6 ICAANE
.".. 6th International Congress of the Archaeology of the Ancient Near East held in Rome on May 5th-10th, 2008 (www.6icaane.it)"--Foreword.
Scribal Culture in Ancient Egypt
This Element seeks to characterize the scribal culture in ancient Egypt through its textual acts, which were of prime importance in this culture: writing, list-making, drawing, and copying.
Assyria to Iberia
The exhibition "Assyria to Iberia at the Dawn of the Classical Age" (The Metropolitan Museum of Art, New York, 2014) offered a comprehensive overview of art and cultural exchange in an era of vast imperial and mercantile expansion. The twenty-seven essays in this volume are based on the symposium and lectures that took place in conjunction with the exhibition. Written by an international group of scholars from a wide variety of disciplines, they include reports of new archaeological discoveries, illuminating interpretations of material culture, and innovative investigations of literary, historical, and political aspects of the interactions that shaped art and culture in the in the early first millennium B.C. Taken together, these essays explore the cultural encounters of diverse populations interacting through trade, travel, and migration, as well as war and displacement, in the ancient world. Assyria to Iberia: Art and Culture in the Iron Age contributes significantly to our understanding of the epoch-making exchanges that spanned the Near East and the Mediterranean and exerted immense influence in the centuries that followed.
Defining the Sacred
Religion is a phenomenon that is inseparable from human society. It brings about a set of emotional, ideological and practical elements that are pervasive in the social fabric of any society and characterizable by a number of features. These include the establishment of intermediaries in the relationship between humans and the divine; the construction of ceremonial places for worshipping the gods and practicing ritual performances; and the creation ritual paraphernalia. Investigating the religious dimensions of ancient societies encounters problems in defining such elements, especially with regard to societies that lack textual evidences and has tended to lead towards the identification of d...
Proceedings of the 4th International Congress of the Archaeology of the Ancient Near East, 29 March - 3 April 2004, Freie Universität Berlin: The reconstruction of environment : natural resources and human interrelations through time ; art history : visual communication
The Congress hosted 611 registered participants from 38 countries. Its aim was to be an international forum for scholars and demands of Near Eastern Archaeology. From the four sections of the Congress, Vol. I: 1) The Reconstruction of Environment. Natural Resources and Human Interrelation through Time, 2) Visual Communication, [Vol. II: 3) Social and Cultural Transformation: The Archaeology of Transitional Periods and Dark Ages, 4) Archaeological Field Reports (Excavations, Surveys, Conservation) ISBN 978344705757-8].Together these volumes unite 77 contributions on about 1100 pages. They are arranged according to the sections. The rst three will be introduced by the key lectures which were given by Tony Wilkinson, Winfried Orthmann, and Roger Matthews. The resumes of these sections were provided by Wendy Matthews, Dominik Bonatz, and Diederik J.W. Meijer. The contributions cover many aspects of the main themes through time, from the Neolithic to the Hellenistic / Roman period, and offer interdisciplinary approaches to complex archaeological problems.
Critical Approaches to Ancient Near Eastern Art
This volume assembles more than 30 articles focusing on the visual, material, and environmental arts of the Ancient Near East. Specific case studies range temporally from the fourth millennium up to the Hellenistic period and geographically from Iran to the eastern Mediterranean. Contributions apply innovative theoretical and methodological approaches to archaeological evidence and critically examine the historiography of the discipline itself. Not intended to be comprehensive, the volume instead captures a cross-section of the field of Ancient Near Eastern art history as its stands in the second decade of the twenty-first century. The volume will be of value to scholars working in the Ancient Near East as well as others interested in newer art historical and anthropological approaches to visual culture.
The Architecture of Late Assyrian Royal Palaces
The Late Assyrian Empire (c. 900 - 612 BCE) was the first state to rule over the major centres of the Middle East, and the Late Assyrian court inhabited some of the most monumental palaces of its time. The Architecture of Late Assyrian Royal Palaces is the first volume to provide an in-depth analysis of Late Assyrian palatial architecture, offering a general introduction to all key royal palaces in the major centres of the empire: Assur, Kaluhu, Dur-Sharruken, and Nineveh. Where previous research has often focused on the duality between public and private realms, this volume redefines the cultural principles governing these palaces and proposes a new historical framework, analysing the spatial organization of the palace community which placed the king front and centre. It brings together the architecture of such palaces as currently understood within the broader framework of textual and art-historical sources, and argues that architectural changes were guided by a need to accommodate ever larger groups as the empire grew in size.
