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The Red Knight
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The Book of Haps
"A hap is a Scottish dialect word for a simple shawl or wrap. Haps have a particular association with the Shetland islands... This book explores the story of the hap through five beautifully illustrated essays and thirteen stunning patterns." -- cover, page [4]
Just Ignore Him
'A simply astonishing achievement. The quality, depth, emotional power and terrifying honesty of Alan Davies's story-telling take the breath away' Stephen Fry 'This hugely affecting book is brave, insightful and, at times, funny about things it is hard to be funny about' Jo Brand The story of a life built on sand. In the rain. In this compelling memoir, comedian and actor Alan Davies recalls his boyhood with vivid insight and devastating humour. Shifting between his 1970s upbringing and his life today, Davies moves poignantly from innocence to experience to the clarity of hindsight, always with a keen sense of the absurd. From sibling dynamics, to his voiceless, misunderstood progression thr...
Some New Ambush
Shot through with wit and an aching poignancy, Some New Ambush is the first collection of stories from award winning writer Carys Davies - stories of love, loss, birth, death, betrayal, madness.
In at the Deep End
"A fresh, funny, audacious debut novel about a Bridget Jones-like twenty-something who discovers that she may have simply been looking for love -- and, ahem, pleasure -- in all the wrong places (aka: from men)"--
Aspects of Robertson Davies' Novels
Completing the survey begun in Lams' Cornish Trilogy volume, Aspects of Robertson Davies' Novels discusses the Salterton and Deptford trilogies along with Davies' last two novels, Murther & Walking Spirits and The Cunning Man. The apprentice effort Tempest-Tost and the journeyman's success Leaven of Malice were followed by Davies' first genuinely fine novel, A Mixture of Frailties, the story of a talented Salterton girl who becomes a world-famous soprano. The Deptford trilogy is discussed in terms of Northrop Frye's «confession» form as it appears in Fifth Business, and in variations of that form in The Manticore and World of Wonders. Although Davies' Jungian enthusiasms produced certain flaws to which readers have objected, Murther & Walking Spirits is by no means a failure; it is best understood as an implicit spiritual history of Canada which is adumbrated in the generational experience of a single Canadian family. The Cunning Man concludes Davies' career with a narrative as rewardingly complex as any of the Cornish trilogy novels.
Tad (Read Aloud by Dawn O’Porter)
Sometimes the biggest stories come from the smallest beginnings... Winner of the 2020 Oscar’s Book Prize!
Sedated
A provocative and shocking look at how western society is misunderstanding and mistreating mental illness. Perfect for fans of Empire of Pain and Dope Sick. In Britain alone, more than 20% of the adult population take a psychiatric drug in any one year. This is an increase of over 500% since 1980 and the numbers continue to grow. Yet, despite this prescription epidemic, levels of mental illness of all types have actually increased in number and severity. Using a wealth of studies, interviews with experts, and detailed analysis, Dr James Davies argues that this is because we have fundamentally mischaracterised the problem. Rather than viewing most mental distress as an understandable reaction to wider societal problems, we have embraced a medical model which situates the problem solely within the sufferer and their brain. Urgent and persuasive, Sedated systematically examines why this individualistic view of mental illness has been promoted by successive governments and big business - and why it is so misplaced and dangerous.
Homesick
The story of a personal housing crisis that led to a discovery of the true value of home 'You will marvel at the beauty of this book' George Monbiot 'Incredibly moving' Raynor Winn Aged thirty-one, Catrina Davies was renting a box-room in a house in Bristol, which she shared with four other adults and a child. Working several jobs and never knowing if she could make the rent, she felt like she was breaking apart. Homesick for the landscape of her childhood, in the far west of Cornwall, Catrina decides to give up the box-room and face her demons. As a child, she saw her family and their security torn apart; now, she resolves to make a tiny, dilapidated shed a home of her own. With the freedom to write, surf and make music, Catrina rebuilds the shed and, piece by piece, her own sense of self. This is the story of a personal housing crisis and a country-wide one, grappling with class, economics, mental health and nature.
