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Filipinos in Stockton
The first Filipino settlers arrived in Stockton, California, around 1898, and through most of the 20th century, this city was home to the largest community of Filipinos outside the Philippines. Because countless Filipinos worked in, passed through, and settled here, it became the crossroads of Filipino America. Yet immigrants were greeted with signs that read "Positively No Filipinos Allowed" and were segregated to a four-block area centered on Lafayette and El Dorado Streets, which they called "Little Manila." In the 1970s, redevelopment and the Crosstown Freeway decimated the Little Manila neighborhood. Despite these barriers, Filipino Americans have created a vibrant ethnic community and a rich cultural legacy. Filipino immigrants and their descendants have shaped the history, culture, and economy of the San Joaquin Delta area.
Journey for Justice
This book, written by historian Dawn Bohulano Mabalon with writer Gayle Romasanta, richly illustrated by Andre Sibayan, tells the story of Larry Itliong's lifelong fight for a farmworkers union, and the birth of one of the most significant American social movements of all time, the farmworker's struggle, and its most enduring union, the United Farm Workers.
Tomorrow's Memories
Angeles Monrayo (1912–2000) began her diary on January 10, 1924, a few months before she and her father and older brother moved from a sugar plantation in Waipahu to Pablo Manlapit’s strike camp in Honolulu. Here for the first time is a young Filipino girl’s view of life in Hawaii and central California in the first decades of the twentieth century—a significant and often turbulent period for immigrant and migrant labor in both settings. Angeles’ vivid, simple language takes us into the heart of an early Filipino family as its members come to terms with poverty and racism and struggle to build new lives in a new world. But even as Angeles recounts the hardships of immigrant life, her diary of "everyday things" never lets us forget that she and the people around her went to school and church, enjoyed music and dancing, told jokes, went to the movies, and fell in love. Essays by Jonathan Okamura and Dawn Mabalon enlarge on Angeles’ account of early working-class Filipinos and situate her experience in the larger history of Filipino migration to the United States.
Positively No Filipinos Allowed
Essays challenging conventional narratives of Filipino American history and culture.
Growing Up Brown
"I may have been like other boys, but there was a major difference -- my family included 80 to 100 single young men residing in a Filipino farm-labor camp. It was as a ‘campo’ boy that I first learned of my ancestral roots and the sometimes tortuous path that Filipinos took in sailing halfway around the world to the promise that was America. It was as a campo boy that I first learned the values of family, community, hard work, and education. As a campo boy, I also began to see the two faces of America, a place where Filipinos were at once welcomed and excluded, were considered equal and were discriminated against. It was a place where the values of fairness and freedom often fell short w...
California Dreaming
California Dreaming is a multi-genre collection featuring works by Asian American artists based in California. Exploring the places of “Asian America” through the migration and circulation of the arts, this volume highlights creative processes and the flow of objects to understand the rendering of California’s imaginary. Here, “California” is interpreted as both a specific locale and an identity marker that moves, linking the state’s cultural imaginary, labor, and economy with Asia Pacific, the Americas, and the world. Together, the works in this collection shift previous models and studies of the “Golden State” as the embodiment of “frontier mentality” and the discourse ...
Bitter Roots
This account of five generations of one family's life in America could simply be called an historical drama--the "characters" are all people who lived and breathed and walked the earth of China and California, from the 1850s to the present day. It is my hope and intention that these fact-based stories will enlighten, encourage and inspire whoever reads them: students, historians, Asian Americans and all other peoples of different races who may recognize themselves or their families in this drama--in short, we human beings who inhabit our world with skins of different shades, and languages made of different sounds, but with minds and hearts aligned to what is good and true in life, taught to us by our mothers and fathers, aunties and uncles, brothers and sisters and family friends, down through the generations. -- Bruce Quan, Jr.
The Debut
Cultural Writing. Screenplay. Asian American American Studies. Directed by Gene Cajayon and written by Cajayon and John Manal Castro, THE DEBUT has triumphed at film festivals. This volume features the companion screenplay by Cajayon and Castro - including scenes dropped from the final cut - full-color images from the film, and an account by historian Dawn Bohulano Mabalon of Cajayon's struggle to represent Filipino Americans on the big screen. More than the story of an ambitious and promising director, it is a record of a community supporting one of its own. It's great! ... this is thumbs up! Roger Ebert at the 2000 Hawaii International Film Festival
Making a Non-White America
What happens in a society so diverse that no ethnic group can call itself the majority? Exploring a question that has profound relevance for the nation as a whole, this study looks closely at eclectic neighborhoods in California where multiple minorities constituted the majority during formative years of the twentieth century. In a lively account, woven throughout with vivid voices and experiences drawn from interviews, ethnic newspapers, and memoirs, Allison Varzally examines everyday interactions among the Asian, Mexican, African, Native, and Jewish Americans, and others who lived side by side. What she finds is that in shared city spaces across California, these diverse groups mixed and mingled as students, lovers, worshippers, workers, and family members and, along the way, expanded and reconfigured ethnic and racial categories in new directions.
Eating Asian America
"Fully of provocation and insight." - Cathy J. Schlund-Vials, author of War, Genocide, and Justice
