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Straight
Based on the motion picture Humpday (written & directed in 2009 by Lynn Shelton), Straight is a razor-sharp new comedy from acclaimed writer D. C. Moore about male friendship, sexuality and how the two things can be blurred more easily than one might think . . . Lewis and Waldorf were inseparable at university. Ten years on and a lot has changed. In the middle of a drunken night out, they make a bet that will take their friendship to whole new level. You'll never look at your best friend in the same way again . . . Adapted for the stage by award-winning writer D. C. Moore, author of Town, Honest, Alaska, and The Empire (all published by Methuen Drama) Straight premieres in the Crucible Lyceum Studio, directed by Richard Wilson.
Alaska
Produced as a programme text for the world premiere of the work at the Royal Court Theatre's Theatre Upstairs, Alaska explores the life and lies of Frank. Frank is an ordinary bloke who likes smoking, history and playing House of the Dead 3. He can put up with his job on a cinema kiosk until a new supervisor arrives who is younger than him. And Asian. The conflict that arises provokes a spiral of lies and eventual violence that uncovers Frank's façade and raises questions about identity and race in modern Britain.
The Empire
"Patch you up, all nice like, splint, bandage your leg. All very civilized actually. But then. Then. We hand you over." Helmand in the height of summer. Gary, a British soldier, and Hafizullah, his Afghan colleague, guard an injured young prisoner, Zia, found in the heat of battle. Gary wants answers, Hafizullah just wants to make it through the day and Zia thinks there has been a big mistake. Surrounded by intense heat and violence, the characters' moral codes are tested to the limit. DC Moore's second play dissects the politics of occupation, home and abroad. With both painful and witty insight, he explores some of the lengths humanity is stretched to under the circumstances of war. The strong characterisation enjoys a healthy dose of humanity and the politically-charged subject is handled with subtlety and atypical nuances. The Empire is an amusing and sometime shocking insight into life in the Afghanistan war.
DC Universe by Alan Moore
Don't miss this comprehensive collection featuring the World's Greatest Super-Heroes as interpreted by one of the most acclaimed authors in comics! The work of Alan Moore (WATCHMEN, V FOR VENDETTA, THE LEAGUE OF EXTRAORDINARY GENTLEMEN) in the DC Universe during the 1980s is considered a benchmark for great stories with fresh approaches to iconic characters. Collected in this volume are all of Moore's Superman and Batman stories, including 'Whatever Happened to the Man of Tomorrow?' BATMAN: THE KILLING JOKE, and so much more. Collects ACTION COMICS #584, BATMAN ANNUAL #11, DC COMICS PRESENTS #85, DETECTIVE COMICS #549-550, GREEN LANTERN #188, THE OMEGA MEN #26-27, SECRET ORIGINS #10, SUPERMAN #423, TALES OF THE GREEN LANTERN CORPS ANNUAL #2 & 3, SUPERMAN ANNUAL #11 and VIGILANTE #17-18.
Whitfield Lovell
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'Town' and 'Honest'
DC Moore's Northampton-based play Townis coupled with his hard-hitting, hilarious monologue Honest.
Romare Bearden
Between 1952 and about 1963 Romare Bearden created a large body of abstract watercolors, oil painting, and collages. Some titled, some not, they range in height from over seven feet to just under three inches. Exhibited with success at the time of their execution, these artworks are little know today, yet they directly inform the collages for which he is now best known and that he begain creating in the mid-1960's, such as Melon Season. This essay is not intended to be biographically comprehensive but rather to establish a chronology for the period during which Bearden produced the abstractions, to fill in missing factual information, and to bookend this decade of his production, front and back. Romare Bearden : Abstraction tells the story of a historically neglected but extraordinary and critically important period of time and body of work. -- from author.
Common
Common is a dark and disturbing journey into the carnivalesque world of early-Industrial Britain, exploring the personal and public traumas in the period of the enclosure. Written with verve and wit by Olivier Award-nominated and Writers' Guild Award-winning playwright DC Moore, it tells the story of Mary, a woman who has returned to the village of her birth after years of grifting a living on the edge of respectable London society. She is there to confront old enemies and rekindle a former love. But there's trouble in the air as the local Lord struggles to extend the reach of his power by reclaiming the common-land as his personal fiefdom. Will Mary be able to win over those she lost before? Or will the violence of the time seep over into even the purest of missions? Common is an epic, funny and uncanny history play which examines the period of the enclosure, asking what does community mean and if there can ever be resolution in the intractable battle between individual desires and the common good. Common received its world premiere on the Olivier stage of the National Theatre, London, in a coproduction with Headlong, in May 2017.
Another Place
It's forty million miles. Two and a half years, yeah? It takes a radiowave - right? Travelling at the speed of fucking light, 13 minutes, to get back from Mars. So . . . if anything goes wrong - anything at all - out there . . . they're really . . . they're on their own, you know? When Earth is the loneliest planet, where else is there to go? Paul is a specialist in cognitive behaviour, tasked with designing a twenty-year mission to Mars. Daniel is a husband and new father struggling with the reality of marriage and the monotony of everyday life. Nat is a twin sister, disillusioned by the world's obsession with space travel and sorry that she didn't say goodbye. And Amy asks a lot of questions . . . Following his critically acclaimed The Empire at the Royal Court, and The Swan at the National Theatre, DC Moore's Another Place is a compelling play about our obsession to uncover the secrets of space, and the tragedy of what we leave behind. Full of dark humour, razor-sharp wit and intricately portrayed characters, this is a gripping play about what it means to be human. Another Place received its world premiere at the Theatre Royal Plymouth on 6 November 2014.
