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Death in Literature
Death is an inevitable, yet mysterious event. Fiction is one way to imagine and gain knowledge of death. Death is very useful to literature, as it creates plot twists, suspense, mysteries, and emotional effects in narrations. But more importantly, stories about death seem to have an existential importance to our lives. Stories provide fictional encounters with death and give meaning for both death and life. Thus, death is more than a physical or psychological experience in literature; it also highlights existential questions concerning humanity and storytelling. This volume, entitled Death in Literature, approaches death by examining the narratives and spectacles of death, dying and mortalit...
Death in Literature
This volume approaches death by examining the narratives and spectacles of death, dying and mortality in different literary genres. The articles consider literary representations of death from ancient Rome to the Netherlands today, and explore ways of dealing with death and dying.
How the Dead Live
Lily Bloom, an elderly American dying of cancer in a British hospital, retraces her life and then enters a rather banal world of the dead.
The Living and the Dead
To hesitate on the edge of life or to plunge in and risk change -this is the dilemma explored in THE LIVING AND THE DEAD. Patrick White's second novel is set in thirties London and portrays the complex ebb and flow of relationships within the Standish family. Mrs Standish, ageing but still beautiful, is drawn into secret liaisons, while her daughter Eden experiments openly and impulsively with left-wing politics and love affairs. Only the son, Elyot, remains an aloof and scholarly observer - until dramatic events shock him into sudden self-knowledge.
The Lost Art of Reading
The new introduction and afterword bring fresh relevance to this insightful rumination on the act of reading--as a path to critical thinking, individual and political identity, civic engagement, and resistance. The former LA Times book critic expands his short book, rich in ideas, on the consequence of reading to include the considerations of fake news, siloed information, and the connections between critical thinking as the key component of engaged citizenship and resistance. Here is the case for reading as a political act in both public and private gestures, and for the ways it enlarges the world and our frames of reference, all the while keeping us engaged.
THE DEAD (Modern Classics Series)
This carefully crafted ebook: "THE DEAD (Modern Classics Series)" is formatted for your eReader with a functional and detailed table of contents. The story reflects the tension in early 20th Century Ireland in a particular lyrical narrative that echoes in a haunting and melodic way the melancholy of life and death. The story centers on Gabriel Conroy, a university professor, on the night of the Morkan sisters' annual dance and dinner in the first week of January 1904, a celebration of the Feast of the Epiphany. Gabriel, favorite nephew of the sisters, arrives late to the party with his wife Gretta, where he is eagerly received. Gabriel worries about the speech he is to give, especially that ...
Everyone in This Room Will Someday Be Dead
"Gilda, a twenty-something, atheist, animal-loving lesbian, cannot stop ruminating about death. Desperate for relief from her panicky mind and alienated from her repressive family, she responds to a flyer for free therapy at a local Catholic church, and finds herself being greeted by Father Jeff, who assumes she's there for a job interview. Too embarrassed to correct him, Gilda is abruptly hired to replace the recently deceased receptionist Grace. In between trying to memorize the lines to Catholic mass, hiding the fact that she has a new girlfriend, and erecting a dirty dish tower in her crumbling apartment, Gilda strikes up an email correspondence with Grace's old friend. She can't bear to ignore the kindly old woman, who has been trying to reach her friend through the church inbox, but she also can't bring herself to break the bad news. Desperate, she begins impersonating Grace via email. But when the police discover suspicious circumstances surrounding Grace's death, Gilda may have to finally reveal the truth of her mortifying existence."--Amazon.
Loving Literature
Of the many charges laid against contemporary literary scholars, one of the most commonand perhaps the most woundingis that they simply don't love books. And while the most obvious response is that, no, actually the profession of literary studies does acknowledge and address personal attachments to literature, that answer risks obscuring a more fundamental question: Why should they? That question led Deidre Shauna Lynch into the historical and cultural investigation ofLoving Literature. How did it come to be that professional literary scholars are expected not just to study, but tolove literature, and to inculcate that love in generations of students? What Lynch discovers is that books, and ...
Speaking with the Dead
This book deals with the power of literary texts to put us in contact with the past. Many authors, coming from different ages have described this power in terms of 'the conversation with the dead': when we read these texts, we find ourselves conducting a special kind of dialogue with dead authors.
Who Was Changed and Who Was Dead
“Comyns’ novel is deranged in ways that shouldn’t be disclosed.” —Ben Marcus This is the story of the Willoweed family and the English village in which they live. It begins mid-flood, ducks swimming in the drawing-room windows, “quacking their approval” as they sail around the room. “What about my rose beds?” demands Grandmother Willoweed. Her son shouts down her ear-trumpet that the garden is submerged, dead animals everywhere, she will be lucky to get a bunch. Then the miller drowns himself . . . then the butcher slits his throat . . . and a series of gruesome deaths plagues the villagers. The newspaper asks, “Who will be smitten by this fatal madness next?” Through it all, Comyns' unique voice weaves a text as wonderful as it is horrible, as beautiful as it is cruel. Originally published in England in 1954, this “overlooked small masterpiece” is a twisted, tragicomic gem.
