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Anna and Magnus have a happy marriage, but when, in a moment of madness, Anna has a brief fling with Erik, a man she met at a work conference, she lives to regret more than just her infidelity. Erik is a disturbed individual who goes to extreme lengths to get Anna's attention, including kidnapping her ten-year-old daughter and attacking her mother. Before she knows it, Anna's life is in the grip of this psychopathic stalker and she must try desperately to escape his clutches before it's too late...
"In 21st century Britain, what does it mean to be working class? This book asks 24 working class writers to examine the issue as it relates to them. Examining representation, literature, sexuality, gender, art, employment, poverty, childhood, culture and politics, this book is a broad and firsthand account of what it means to be drawn from the bottom of Britain's archaic, but persistent, class structure."--Provided by publisher.
In this stunningly original debut novel that will appeal to readers of The Power or Never Let Me Go, a synthetic woman—created solely to serve her human “Husband”—slowly comes to the realization that her Husband is far less invested in her well-being than she is in his . . . sending her on a harrowing emotional journey of self-realization as she asks herself: WHAT IS LOVE—OR CONSENT—IF YOU'RE PROGRAMMED TO OBEY? Sylv.ie is a fully sentient robot, designed to cater to her Husband's every whim. She lives alone on the top floor of his luxurious home, her existence barely tolerated by his human wife and concealed from their child. Between her Husband's visits, deeply curious about th...
Karen Havelin's Please Read This Leaflet Carefully is a life told in reverse and a subversion of what we expect from stories of illness. Having been diagnosed with endometriosis in her twenties, we follow Laura Fjellstad in her struggle to live a normal life across New York, Paris and Oslo, fuelled by her belief that to survive her chronic illness ......
This annotated resource by veteran children's book reviewer Isaacs surveys the best 250 nonfiction/informational titles for ages 3 through 10, helping librarians make informed collection development and purchasing decisions.
Revision of the author's thesis (doctoral)--University of California, Berkeley, 2016, under the title: Pilot zones: the new urban environment of twentieth century Britain.
At a time that feels unprecedented in British politics – with unlawful prorogations of parliament, casual race-baiting by senior politicians, and a climate crisis that continues to be ignored – it’s easy to think these are uncharted waters for us, as a democracy. But Britain has seen political crises and far-right extremism before, just as it has witnessed regressive, heavy-handed governments. Much worse has been done, or allowed to be done, in the name of the people and eventually, those same people have called it out, stood up, resisted. In this new collection of fictions and essays, spanning two millennia of British protest, authors, historians and activists re-imagine twenty acts o...
An incredible fourth book in the horror anthology series which Booklist called "Highly recommended for longstanding horror fans and those readers who may not think horror is for them. There is something for everyone in this one." Darkness Beckons is the fourth volume in the non-themed horror series of entirely original stories, showcasing the very best short fiction that the genre has to offer, and edited by Mark Morris. This new anthology contains 20 original horror stories, 16 of which have been commissioned from some of the top names in the genre, and 4 of which have been selected from the 100s of stories sent to Flame Tree during a 2-week open submissions window. A terrifying cocktail of...
SOMETHING HAS FALLEN AWAY. We have lost a part of ourselves, our history, what we once were. That something, when we encounter it again, look it straight in the eyes, disgusts us, makes us retch. This is the horror of the abject. Following the success of Comma’s award-winning New Uncanny anthology, The New Abject invites leading authors to respond to two parallel theories of the abject – Julia Kristeva’s theory of the psychoanalytic, intimate abject, and Georges Bataille’s societal equivalent – with visceral stories of modern unease. As we become ever-more isolated by social media bubbles, or the demands for social distancing, our moral gag-reflex is increasingly sensitised, and our ability to tolerate difference, or ‘the other’, atrophies. Like all good horror writing, these stories remind us that exposure to what unsettles us, even in small doses, is always better than pretending it doesn’t exist. After all, we can never be wholly free of that which belongs to us.