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"Throughout history, the religious imagination has attempted to control nothing so much as our bodies: what they are and what they mean; what we do with them, with whom, and under what circumstances; how they may be displayed-or, more commonly, how they must be hidden. Religious belief and mandate affect how our bodies are used in ritual practice, as well as how we use them to identify and marginalize threatening religious Others. This book examines how horror culture treats religious bodies that have stepped (or been pushed) out of their 'proper' place. Unlike most books on religion and horror, This book explores the dark spaces where sex, sexual representation, and the sexual body come tog...
Scholars of religion have begun to explore horror and the monstrous, not only within the confines of the biblical text or the traditions of religion, but also as they proliferate into popular culture. This exploration emerges from what has long been present in horror: an engagement with the same questions that animate religious thought – questions about the nature of the divine, humanity's place in the universe, the distribution of justice, and what it means to live a good life, among many others. Such exploration often involves a theological conversation. Theology and Horror: Explorations of the Dark Religious Imagination pursues questions regarding non-physical realities, spaces where both divinity and horror dwell. Through an exploration of theology and horror, the contributors explore how questions of spirituality, divinity, and religious structures are raised, complicated, and even sometimes answered (at least partially) by works of horror.
With Reading the Obscene, Jordan Carroll reveals new insights about the editors who fought the most famous anti-censorship battles of the twentieth century. While many critics have interpreted obscenity as a form of populist protest, Reading the Obscene shows that the editors who worked to dismantle censorship often catered to elite audiences composed primarily of white men in the professional-managerial class. As Carroll argues, transgressive editors, such as H. L. Mencken at the Smart Set and the American Mercury, William Gaines and Al Feldstein at EC Comics, Hugh Hefner at Playboy, Lawrence Ferlinghetti at City Lights Books, and Barney Rosset at Grove Press, taught their readers to approa...
In November 1994, one of history's most diabolical serial-killers is beaten to death by another inmate in the prison where he was serving fifteen consecutive life sentences. Jeffrey Dahmer is dead. Or is he? Two weeks after the madman's body is buried, another cannibalistic murder spree begins. Fingerprints, DNA, and modus operandi all link Dahmer to the hideous crimes. Homicide cop Helen Closs is certain it's all a hoax or a clever copycat...until the night her own phone rings, and Jeffrey Dahmer himself begins to speak... Dahmer's Not Dead is the latest collaborative effort by acclaimed horror novelist Edward Lee and serial-killer expert Elizabeth Steffen. Don't expect the same explicit hardcore horror that Edward Lee is so well-known for. Instead, Dahmer's Not Dead is a brilliant and technically accurate police-procedural thriller on par with the best crime novelists working today.
"Not for the faint of heart or weak of stomach, the 19 stories in this new best-of annual anthology feature episodes of graphic gore and violence—including torture, dismemberment, self-mutilation, and home abortion—that are designed to push buttons as well as boundaries...strictly for hardcore horror fans."—Publishers Weekly Excerpt from the Introduction: Editors Randy Chandler and Cheryl Mullenax put the call out to horror writers and editors of extreme stories, the hardcore stuff that breaks boundaries and trashes taboos, the transgressive tales you can't "unread" (as Chuck Palahniuk says). We staked out our territory and nailed this to the wall to guide us: YEAR'S BEST HARDEST HORRO...
The gothic, particularly in its contemporary incarnations, is often constructed around largely disembodied concepts such as spectrality or the haunted. Body Gothic offers a counter-narrative that reinstates the importance of viscerality to the gothic mode. It argues that contemporary discourses surrounding our bodies are crucial to our understanding of the social messages in fictional mutilation and of the pleasures we may derive from it. This book considers a number of literary and cinematic movements that have, over the past three decades, purposely turned the body into a meaningful gothic topos. Each chapter in Body Gothic is dedicated to a different corporeal subgenre: splatterpunk, body...
BEFORE HOSTEL...BEFORE SAW..THERE WAS SURVIVOR... It was supposed to be a romantic weekend getaway. Lisa was looking forward to spending time alone with her husband-and telling him that they are going to have a baby. Instead, it becomes a nightmare when her husband is arrested and Lisa is kidnapped. But the kidnappers aren't asking for ransom. They want Lisa herself. They're going to make her a star-in a snuff film. What they have in mind for Lisa is unspeakable. They plan to torture and murder her as graphically and brutally as possible, and to capture it all on film. If they have their way, Lisa's death will be truly horrifying...but even more horrifying is what Lisa will do to survive... Deadite Press is proud to present the classic hardcore horror novel by J. F. Gonzalez. Now a new generation of readers will ask - how far would you go to survive?
Terror Scribes is a satisfyingly diverse anthology, furnished with nebulous, original tales guaranteed to set your teeth on edge and give you bouts of gooseflesh. From the home-grown talent of Sue Phillips to prolific US gore-hound Deb Hoag, from the satirists to the psychopaths to the traditionalists, from demonic possession of celebrities to masturbating werewolves, from hair-raising fairytales to disturbing accounts of everyday terror, you will shiver and gasp and question. We are not oblivious to the fear Terror Scribes will evoke. Quite the contrary, we're advocates of it . . .
With zombies taking over the cities, a group of humans escapes the carnage by taking a small Coast Guard ship out to sea, but there's no getting away—even in the wide ocean.
Welcome to Hopkins Bend, the remote little Tennessee town where the backwoods inhabitants are cannibals and the local law operates a sex-trafficking ring. Unlucky travelers are frequently ensnared in the town's sinister web. Some are held captive and tortured while others face even more gruesome fates. And beneath it all is the town's darkest secret, the curse of the depraved and mutated Kincher clan. Includes Depraved II: The In-Between-Quel, a short story that reveals the grisly fate of two characters from the novel. The story is as spectacularly gory as the novel itself.