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The Book Aims At The Inner Soul And Accordingly The Essays Are Centered Around Music As A Cosmic Energy And Its Role And Functions In The Game Plan Of Creation. Discovers Music As A Spiritual Activity. Also Contains Poetic Quotes Reflecting The Spirit Of Bauls Of Bengal.
Throughout their 600-year history the Bauls of Bengal, India have kept no official scriptures. Their esoteric spiritual teachings on the use of breath, sex and devotion are encoded in the words of their songs/poems. This is a translation of 204 songs, including an extensive introduction to the history and faith of the Bauls, and the composition of their music. Includes a CD of authentic Baul artists, recorded over the last forty years -- an exquisite presentation of a rarely documented genre.
This book, written by a team of experts from many countries, provides a comprehensive account of the ways in which translation has brought the major literature of the world into English-speaking culture. Part I discusses theoretical issues and gives an overview of the history of translation into English. Part II, the bulk of the work, arranged by language of origin, offers critical discussions, with bibliographies, of the translation history of specific texts (e.g. the Koran, the Kalevala), authors (e.g. Lucretius, Dostoevsky), genres (e.g. Chinese poetry, twentieth-century Italian prose) and national literatures (e.g. Hungarian, Afrikaans).
This specially commissioned reader of the key written and oral texts by spiritual teachers from India, from the Rig Veda (3500 BC) to the present day, covers all the major traditions: Buddhism, Jainism, Hinduism, Islam, Sikhism and new Indian religions.
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This Book Represents A Compilation Of Selected Essays, All Centered Around The Theme Of Baul Music In The Context Of Man`S Continous Endeavour For Realisation Of The Highest Truth.
Vivid sketches and interpretations of two Hindu deities: the amorous, irresistibly beautiful Krishna and the black, fearsome goddess Kali. The book traces the history and describes the mythology of both deities.
"This is the first book in over a thousand years to approach the Mahābhārata and the Harivaṃśa via rasa theory. It argues that both texts put adbhutarasa, the "mood of wonder," to work as their dominant rasa, in a way that takes readers from their heroes' rollicking adventures to the text's profoundest moments. Two Kashmiris, Ānandavardhana (9th century) and Abhinavagupta (10th century), launched such inquiry, claiming that the Mahābhārata's dominant rasa was śāntarasa, the "mood of peace." Both worked the Harivaṃśa as a related text into their argument, which emphasized peace along with dispassion and the quest for liberation. Although they used some textual highjinks to make t...
Essays In The Volume Centre Around Music And Other Performing Traditions And Part Of The Devotional Practice With Emphasis An Vaishnava Liturgy In Northern India. The Focus Is On The Significance Of Music, Dance And Acting In The Vaisnava Theology. Includes Coloured Illustrations.