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This ethnography of violence in Jamaica repudiates cultural explanations for violence, arguing that its roots lie in deep racialized and gendered inequalities produced in imperial slave economies.
DIVAn ethnographic study of cultural policy in Jamaica as seen from above and below in relation to race, class, and nation./div
Kamari Maxine Clarke and Deborah A. Thomas argue that a firm grasp of globalization requires an understanding of how race has constituted, and been constituted by, global transformations. Focusing attention on race as an analytic category, this state-of-the-art collection of essays explores the changing meanings of blackness in the context of globalization. It illuminates the connections between contemporary global processes of racialization and transnational circulations set in motion by imperialism and slavery; between popular culture and global conceptions of blackness; and between the work of anthropologists, policymakers, religious revivalists, and activists and the solidification and g...
This book examines the treatment of space and narrative in a selection of classic films including My Darling Clementine, It's a Wonderful Life, and Vertigo. Deborah Thomas employs a variety of arguments in exploring the reading of space and its meaning in Hollywood cinema and film generally. Topics covered include the importance of space in defining genre (such as the necessity of an urban landscape for a gangster film to be a gangster film); the ambiguity of offscreen space and spectatorship (how an audience reads an unseen but inferred setting), and the use of spatially disruptive cinematic techniques such as flashback to construct meaning.
With chapters that incorporate additional perspectives on social vulnerability, this second edition focuses on the social construction of disasters, demonstrating how the characteristics of an event are not the only reason that tragedies unfurl. It incorporates disaster case studies to illustrate concepts, relevant and seminal literature, and the most recent data available. In addition to highlighting the U.S. context, it integrates a global approach and includes numerous international case studies. The book highlights recent policy changes and current disaster management approaches and infuses the concept of community resilience and building capacity throughout the text.
In a time of intense uncertainty, social strife, and ecological upheaval, what does it take to envision the world as it yet may be? The field of anthropology, Anand Pandian argues, has resources essential for this critical and imaginative task. Anthropology is no stranger to injustice and exploitation. Still, its methods can reveal unseen dimensions of the world at hand and radical experience as the seed of a humanity yet to come. A Possible Anthropology is an ethnography of anthropologists at work: canonical figures like Bronislaw Malinowski and Claude Lévi-Strauss, ethnographic storytellers like Zora Neale Hurston and Ursula K. Le Guin, contemporary scholars like Jane Guyer and Michael Jackson, and artists and indigenous activists inspired by the field. In their company, Pandian explores the moral and political horizons of anthropological inquiry, the creative and transformative potential of an experimental practice.
From the elegant outfits of the 1930s to the Hollywood-inspired evening gowns of the 1950s, from the psychedelic patterns and micro-minis of the 1960s to the bold and bohemian styles of the 1970s, this book charts the evolution of Australian fashion through the pages of Australian icon The Australian Women’s Weekly. This trip through The Weekly’s first 50 years reveals how the evolution of fashion in Australia was also a reflection of changing times. Featuring beautiful illustrations from the magazine on every page, this book is for anyone who loves fashion.
When Squashy Grandma's teeth get stuck behind the radiator, Abbie calls the Very Odd Job Man. Matt Platt and his even odder daughter Perdita invite Abbie to the Hair Museum, where history has hairstyles and fish have beards. Drawn into a hair-raising hunt for Perdita's mom, Abbie befriends a cast of whacky characters. But waddling in the shadows is a fiendish foe: the white-suited, lemon-haired Dr. Hubris Klench. This quirky tale, full of screwballs and pitfalls, will tickle children, parents, and squashy grandmas alike.
Using language - speaking and understanding it - is a defining ability of human beings, woven into all human activity. It is therefore inevitable that it should be deeply implicated in the design, production and use of buildings. Building legislation, design guides, competition and other briefs, architectural criticism, teaching and scholarly material, and the media all produce their characteristic texts. The authors use texts about such projects as Berlin's new Reichstag, Scotland's new Parliament, and the Auschwitz concentration camp museum to clarify the interaction between texts, design, critical debate and response.
In this contribution to genre studies, Deborah Thomas suggests that there are broad, over-arching melodramatic and comedic modes - and romantic inflections of each - that shape our expectations when we watch a film and are fundamental to an understanding of mainstream American cinema.