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Praise for Unrepentant ... : "For open-minded religious leaders, there are nuggets of enlightenment in this ecumenical array."--Publishers Weekly "Surprisingly readable as well as informative." - San Francisco Chronicle "A significant body of knowledge." - Theology Today "Publishers' catalogues are full of books on the church's view of homosexuality; Comstock here offers gay views of the church. Given the often hostile environment, he asks why gay people stay in religious institutions. Using social scientific methods, he summarizes thirty-six surveys of gay attitudes toward religious communities, including Jewish, Buddhist, Muslim, and Native American traditions. He adds data from his survey...
50 year since founding the University of Texas, they have witnessed major evolutions in the world of publishing.
No detailed description available for "Lord I'm Coming Home".
Life histories are a class of oral data distinct from memoirs, autobiography, and conventional history in multiple ways. It is a way to lay out the felt experience of events in people’s everyday lives and not simply the statement of historical facts. As narrated pieces, life histories possess the unique voice of the individuals. Collecting data through life histories enables the interviewer-interviewee to develop a special bond that has the capacity to empower both in different ways. Subject Lessons examines the use of and value in using one’s life history as research within the social sciences.
An unprecedented number of folklorists are addressing issues of class, race, gender, and sexuality in academic and public spaces in the US, raising the question: How can folklorists contribute to these contemporary political affairs? Since the nature of folkloristics transcends binaries, can it help others develop critical personal narratives? Advancing Folkloristics covers topics such as queer, feminist, and postcolonial scholarship in folkloristics. Contributors investigate how to apply folkloristic approaches in nonfolklore classrooms, how to maintain a folklorist identity without a "folklorist" job title, and how to use folkloristic knowledge to interact with others outside of the discipline. The chapters, which range from theoretical reorientations to personal experiences of folklore work, all demonstrate the kinds of work folklorists are well-suited to and promote the areas in which folkloristics is poised to expand and excel. Advancing Folkloristics presents a clear picture of folklore studies today and articulates how it must adapt in the future.
In Now I Know Only So Far, sociolinguist and ethnopoetic scholar Dell Hymes examines the power and significance of Native North American literatures and how they can best be approached and appreciated. Such narratives, Hymes argues, are ways of making sense of the world. To truly comprehend the importance and durability of these narratives, one must investigate the ways of thinking expressed in these texts?the cultural sensibilities also deeply affected by storytellers? particular experiences and mastery of form. ø Included here are seminal overviews and reflections on the history and potential of the field of ethnopoetics. Native North American stories from areas ranging from the Northwest...
Folklore: The Basics is an engaging guide to the practice and interpretation of folklore. Taking examples from around the world, it explores the role of folklore in expressing fundamental human needs, desires, and anxieties that often are often not revealed through other means. Providing a clear framework for approaching the study of folklore, it introduces the reader to methodologies for identifying, documenting, interpreting and applying key information about folklore and its relevance to modern life. From the Brothers Grimm to Internet Memes, it addresses such topics as: What is folklore? How do we study it? Why does folklore matter? How does folklore relate to elite culture? Is folklore changing in a digital age? With case studies, suggestions for reading and a glossary of key terminology, Folklore: The Basics supports readers in becoming familiar with folkloric traditions and interpret cultural expression. It is an essential read for anyone approaching the study of folklore for the first time.
Over the last three decades, millions of people have slipped through a loophole in the American dream and become downwardly mobile as a result of downsizing, plant closings, mergers, and divorce: the middle-aged computer executive laid off during an industry crisis, blue-collar workers phased out of the post-industrial economy, middle managers whose positions have been phased out, and once-affluent housewives stranded with children and a huge mortgage as the result of divorce. Anthropologist Katherine S. Newman interviewed a wide range of men, women, and children who experienced a precipitous fall from middle-class status, and her book documents their stories. For the 1999 edition, Newman has provided a new preface and updated the extensive data on job loss and downward mobility in the American middle class, documenting its persistence, even in times of prosperity.
Since the 19th century, the women of Gee s Bend in southern Alabama have created stunning, vibrant quilts. Beautifully illustrated with 110 color illustrations, The Quilts of Gee s Bend includes a historical overview of the two hundred years of extraordinary quilt-making in this African-American community, its people, and their art-making tradition. This book is being.released in conjunction with a national exhibition tour including The Museum of Fine Art, Houston, and the Whitney Museum of American Art."
Morris dancing, one of the more peculiar of the English folk customs, has been greatly misunderstood. In The History of Morris Dancing, 1458-1750 John Forrest analyses a wealth of evidence to show that Morris dancing does not, as is often assumed, have pagan or ancient origins. He examines early documentation to draw Morris traditions into the wide area of communal custom and public celebrations, showing the passage of dance ideas between groups previously considered folklorically distinct. Careful, detailed and encyclopaedic, The History of Morris Dancing, 1458-1750, is an essential reference work for specialists in English drama and social historians of the period, as well as offering fascinating insight for those who enjoy Morris dancing.