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Sex and the City
Examines the full run of Sex and the City and its production background, place in television history, innovations to the genre, and reception.
Crime Watching
Real-crime TV is a significant television genre. Presenting an analysis of real-crime and crime drama, this book explores contemporary TV ethics, and aims to place the genre in its many contexts. It also examines real-crime TV's ideological and aesthetic frameworks.
The Audience Studies Reader
Key writings exploring questions of reception, interpretation and interactivity. The fan audience, the active audience, gender and audience, nation and ethnicity, internet audiences.
The Cinema of Kathryn Bigelow
"Kathryn Bigelow is one of Hollywood's most significant female film-makers, well known in popular terms for films such as 'Near dark', 'Blue steel' and 'Point break', yet remaining relatively unexplored in academia... Placing particular emphasis on 'Strange days', her most ambitious and controversial picture to date, this collection explores Bigelow's role within New Hollywood as a film-maker that blurs genre conventions, reinscribes gender identities and produces a breathless cinema of attractions." -- Back cover.
Understanding Reality Television
Tracing the history of reality TV from Candid Camera to The Osbournes, Understanding Reality Television examines a range of programmes which claim to depict 'real life'.
Female Celebrity and Ageing
Female Celebrity and Ageing: Back in the Spotlight interrogates the myriad ways in which celebrity culture constructs highly visible ideologies of femininity and ageing, and how ageing female celebrities have negotiated the media in a variety of industrial, historical and national contexts. In the era when the ‘baby boomers’ have started drawing their pensions, the boundaries of what constitutes ‘old age’ have never seemed more fluid, and ageing has never been presented by advertisers and marketers in a more dynamic fashion. However, the fact remains that ageing is still widely feared, and growing old is an inherently gendered process, in which ageing women are paradoxically both ren...
Nancy Meyers
Nancy Meyers is acknowledged as the most commercially successful woman filmmaker of all time, described by Daphne Merkin in The New York Times on the release of It's Complicated as "a singular figure in Hollywood – [she] may, in fact, be the most powerful female writer-director-producer currently working". Yet Meyers remains a director who, alongside being widely dismissed by critics, has been largely absent in scholarly accounts both of contemporary Hollywood cinema, and of feminism and film. Despite Meyers' impressive track record for turning a profit (including the biggest box-office return ever achieved by a woman filmmaker at that timefor What Women Want in 2000), and a multifaceted c...
Women, Violence, and the Media
Provocative collection of essays designed to give students an understanding of media representations of women's experience of violence and to educate a new generation to recognize and critique media images of women
Prime Suspect
April 7 1991 saw the broadcast of the first instalment of Prime Suspect, a new crime series by screenwriter Lynda La Plante, starring Helen Mirren as DCI Jane Tennison. The drama focused on the desperate efforts of the Metropolitan Police to catch and convict a serial killer targeting women in a series of particularly gruesome attacks, while Tennison battles male colleagues who resent her taking charge of the case. Over seven series, Prime Suspect went on to tackle issues such as racism, homophobia and child abuse, establishing La Plante as a leading TV dramatist; winning multiple industry accolades for its stars and production team (including a clutch of BAFTAs and EMMYs) and gaining distri...
Crime Watching
In recent years, reality TV formats have proliferated on television. One of the most significant and controversial strands within this has been the growth of 'real crime TV'. Encapsulating everything from crime appeal shows to reconstruction programmes and actuality footage shows, real crime TV now plays a major role in our television schedules, filling countless hours of air-time every week. "Crime Watching" examines the spectacular growth of real crime TV. Of these programmes, the BBC's "Crimewatch UK" is Britain's best known (in small part due to the tragedy of presenter Jill Dando's death). The book argues that the birth of the BBC's "Crimewatch UK" in 1984 was a key transitional moment ...
