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Literary Trauma
Examines representations of political, psychological, and sexual violence in seven novels by American women.
Women and Trauma in the Works of Margaret Atwood and Anita Desai
This book highlights the everyday trauma that women experience while finding themselves as victims of a deeply masculine and prejudiced milieu. It details a kind of counter-memory, broadening readers’ awareness about women’s trauma narratives. The works analysed here are all authored by women, and have significant claims to be treated as feminist trauma fiction, that is, as novels that are preoccupied with a socio-political analysis of women’s status and that espouse social or psychological transformation. The book will serve to expand the reader’s awareness of trauma by engaging them with personalised means of narration that highlight the troubled ambivalence of traumatic memory and warn us that trauma gets reproduced if left unattended. For both Margaret Atwood and Anita Desai, trauma emerges as a major and dominating theme in their works. In spite of being culturally separate, both Atwood and Desai show striking similarities as far as their art of writing is concerned.
Domestic Abuse in the Novels of African American Women
The literary tradition begun by Zora Neale Hurston in the 1930s has since flourished and taken new directions with a diverse body of fiction by more contemporary African-American women writers. This book examines the treatment of domestic violence in Hurston's Their Eyes Were Watching God, Gayl Jones's Corregidora, Gloria Naylor's The Women of Brewster Place and Linden Hills, Alice Walker's The Color Purple, Toni Morrison's The Bluest Eye and Love, Terry McMillan's Mama and A Day Late and a Dollar Short, and Octavia Butler's Seed to Harvest. These novels have given voice to oppressed and abused women. The aims of this work are threefold: to examine how female African American novelists portray domestic abuse; to outline how literary depictions of domestic violence are responsive to cultural and historical forces; and to explore the literary tradition of novels that deal with domestic abuse within the African American community.
Ethics and Trauma in Contemporary British Fiction
Preliminary material /Editors Ethics and Trauma in Contemporary British Fiction -- INTRODUCTION /JEAN-MICHEL GANTEAU and SUSANA ONEGA -- READING TRAUMA IN PAT BARKER'S REGENERATION TRILOGY /LENA STEVEKER -- THE ETHICAL CLOCK OF TRAUMA IN EVA FIGES' WINTER JOURNEY /SILVIA PELLICER-ORTÍN -- “NOBODY'SMEAT”: REVISITING RAPE AND SEXUAL TRAUMA THROUGH ANGELA CARTER /CHARLEY BAKER -- “A NEW ALGEBRA”: THE POETICS AND ETHICS OF TRAUMA IN J.G. BALLARD'S THE ATROCITY EXHIBITION /JAKOB WINNBERG -- TRAUMA AS THE NEGATION OF AUTONOMY: MICHAEL MOORCOCK'S MOTHER LONDON /JEAN-MICHEL GANTEAU -- WHERE MADNESS LIES: HOLOCAUST REPRESENTATION AND THE ETHICS OF FORM IN MARTIN AMIS' TIME'S ARROW /MARÍA JE...
Memory, Nationalism, and Narrative in Contemporary South Asia
This book investigates the ambivalent responses to the opposing compulsions of memory and forgetting in cultural production in South Asia. Mallot reveals how writers such as Salman Rushdie, Michael Ondaatje, and Amitav Ghosh indict nationalism's sins by accessing and encoding the past.
Trauma in Medieval Society
Trauma in Medieval Society is an edited collection of articles from a variety of scholars on the history of trauma and the traumatised in medieval Europe. Looking at trauma as a theoretical concept, as part of the literary and historical lives of medieval individuals and communities, this volume brings together scholars from the fields of archaeology, anthropology, history, literature, religion, and languages. The collection offers insights into the physical impairments from and psychological responses to injury, shock, war, or other violence—either corporeal or mental. From biographical to socio-cultural analyses, these articles examine skeletal and archival evidence as well as literary substantiation of trauma as lived experience in the Middle Ages. Contributors are Carla L. Burrell, Sara M. Canavan, Susan L. Einbinder, Michael M. Emery, Bianca Frohne, Ronald J. Ganze, Helen Hickey, Sonja Kerth, Jenni Kuuliala, Christina Lee, Kate McGrath, Charles-Louis Morand Métivier, James C. Ohman, Walton O. Schalick, III, Sally Shockro, Patricia Skinner, Donna Trembinski, Wendy J. Turner, Belle S. Tuten, Anne Van Arsdall, and Marit van Cant.
Gender, Agency and Violence
Gender, Agency and Violence: European Perspectives from Early Modern Times to the Present Day centres on literary, cinematic and artistic male and female perpetrators of violence and their discourses. This volume takes an interdisciplinary and cross-European approach – covering French, German, English and Italian case-studies from the sixteenth to the twentieth century and allowing for the exploration of recurrent themes. The contributions also facilitate an insight into how the arts and media respond to historical turning points which, time and again, challenge the link between gender, agency and violence for individuals and society alike.
Silence and Rage in Miriam Toews’s Mennonite Novels
This book focuses on six of Miriam Toews’s Mennonite novels—Swing Low: A Life (2000), A Complicated Kindness (2004), Irma Voth (2011), All My Puny Sorrows (2014), Women Talking (2018), and Fight Night (2021)—, so called because they portray fictional and autobiographical events, set in Mennonite communities in Canada, Mexico, and Bolivia. Rita Dirks argues that through the exploration of difficult subjects such as the physical and emotional abuse of teenaged girls, women, and children , Toews gives a voice to victims and survivors who are otherwise silenced in that sequestered culture. In addition, Dirks shows that in the Mennonite novels, Toews’s rage at the injustices experienced by her protagonists becomes a transformative art that gives a voice to all stories, especially those of women within authoritative patriarchal communities that openly proclaim pacifism.
Violence and the Female Imagination
In the past twenty years Quebec women writers, including Aline Chamberland, Claire Dé, Suzanne Jacob, and Hélène Rioux, have created female characters who are fascinated with bold sexual actions and language, cruelty, and violence, at times culminating in infanticide and serial killing. Paula Ruth Gilbert argues that these Quebec feminist writers are "re-framing" gender. Violence and the Female Imagination explores whether these imagined women are striking out at an external other or harming themselves through acts of self-destruction and depression. Gilbert examines the degree to which women are imitating men in the outward direction of their anger and hostility and suggests that such "tough" women may be mocking men in their "macho" exploits of sexuality and violence. She illustrates the ways in which Quebec female authors are "feminizing" violence or re-envisioning gender in North American culture. Gilbert bridges methodological gaps and integrates history, sociology, literary theory, feminist theory, and other disciplinary approaches to provide a framework for the discussion of important ethical and aesthetic questions.
Crisis and Contemporary Poetry
What are the means available to poetry to address crisis and how can both poets and critics meet the conflicts and challenges they face? This collection of essays addresses poetic and critical responses to the various crises encountered by contemporary writers and our society, from the Holocaust to the ecological crisis.
