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Sooner or later, everyone eventually asks questions about end of life. What happens to me when my physical body dies? Is there an afterlife? If so, where do I go? Do my loved ones meet me? Will they usher me to the next plane of existence? In Diary of a Death Doula, psychic medium, and near-death experience researcher Debra Diamond presents the story of life as a hospice 'Death Doula', revealing 25 critical life lessons from those at the threshold of the afterlife, and those who have already crossed over, ultimately revealing a new way of understanding death.
Life After Near Death is the only book to explore the deeper meaning of the near-death experience (NDE) through the prism of its miraculous aftereffects. You don’t need to be declared clinically dead to experience an NDE. Nor must you experience many of Raymond Moody’s nine elements, including a life review, an out-of-body experience, encounters with deceased loved ones, and a decision to return to one’s body. The key is whether you return from the experience permanently transformed. Life After Near Death profiles a dozen cases of specific cognitive and physiological near-death aftereffects, including newfound musical and artistic talents, mathematical gifts, enhanced hearing, elevated...
Power -- Purity -- Hierarchy -- Discipline -- Non-harm -- Austerity -- Chastity.
"Published by the Freer Gallery of Art and the Arthur M. Sackler Gallery on the occasion of the exhibition Yoga: The Art of Transformation, October 19, 2013 - January 26, 2014. Organized by the Arthur M. Sackler Gallery, the exhibition travels to the Asian Art Museum of San Francisco, February 22-May 18, 2014, and the Cleveland Museum of Art, June 22-September 7, 2014."
"This book reconstructs the tantalizing tale of Sri Sabhapati Swami (ca. 1828-1923/4), today a little-known swami who was originally from Tamil Nadu in southern India, and historically contextualizes a fascinating type of yoga that Sabhapati claimed would lead to an experience of being "like a tree universally spread." The practical method of having this experience, in technical terms called the samadhi or "composure" of sivarajayoga or the "Royal yoga for siva," was published in English and multiple Indic languages and lavishly illustrated in diagrams on subtle and physical bodies. This book is the first book-length treatment on Sabhapati Swami, scholarly or otherwise, and uses critically-e...
The Routledge Handbook of Material Religion places objects and bodies at the center of scholarly studies of religious life and practice. Propelling forward the study of material religion, the Handbook first reveals the deep philosophical roots of its key categories and then advances new critical analytics, such as queer materialities, inescapable material entanglements, and hyperobjects that explode the small-scale personal view on religions. The Handbook comprises thirty chapters, written by an international team of contributors who offer a global perspective of religious pasts and presents, divided into four thematic parts: Genealogies of Material Religion Materializing the Terms of the St...
The Truth about Angels is the one book you need to discover the angels within. With the world in turmoil, spiritual forces are needed more than ever before. Harnessing the angel and new age movement can help you make sense of life when it feels directionless. Angels provide us with hope and illuminate a new path forward. They are appearing with more frequency and intensity in both our daily lives and our dreams as they're wanting us to see, hear and know them because, consciously or unconsciously, we have collectively been asking for them. Rather than visiting or becoming dependent on gurus, psychics or mediums, expert Theresa Cheung is here to show you how to directly communicate with angel...
Accounts of paintings produced during the Mughal dynasty (1526–1857) tend to trace a linear, “evolutionary” path and assert that, as European Renaissance prints reached and influenced Mughal artists, these artists abandoned a Persianate style in favor of a European one. Kavita Singh counters these accounts by demonstrating that Mughal painting did not follow a single arc of stylistic evolution. Instead, during the reigns of the emperors Akbar and Jahangir, Mughal painting underwent repeated cycles of adoption, rejection, and revival of both Persian and European styles. Singh’s subtle and original analysis suggests that the adoption and rejection of these styles was motivated as much ...
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