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English Church Dedications
People assume that parish church dedications are ancient, but many of those in use today are inventions of the eighteenth and nineteenth centuries, and the original dedications were entirely different. This startling discovery reveals fresh information about the history of English parish churches and throws light on religion in England in all periods of history. Part One of English Church Dedications is a general history of Church dedications in England from Roman times to the present day. Part Two provides a gazetteer of dedications in Cornwall and Devon, with dates and references, showing how far each one can be traced back and what changes and misunderstandings have occurred. It offers totally new evidence about the Cornish saints and provides a guide and model for similar research in other counties.
Austenland
Jane is a young New York woman who can never seem to find the right man-perhaps because of her secret obsession with Mr. Darcy, as played by Colin Firth in the BBC adaptation of Pride and Prejudice. When a wealthy relative bequeaths her a trip to an English resort catering to Austen-obsessed women, however, Jane's fantasies of meeting the perfect Regency-era gentleman suddenly become more real than she ever could have imagined. Is this total immersion in a fake Austenland enough to make Jane kick the Austen obsession for good, or could all her dreams actually culminate in a Mr. Darcy of her own?In this addictive, charming and compassionate story, Shannon Hale brings out the Jane Austen obsessive in all of us.
Archaic Greek Epigram and Dedication
By the end of the Archaic period, Greek sanctuaries were bursting with dedications, including many that bore epigrams. This study views dedications comprehensively as sites of ritual efficacy, and in particular it recovers epigrams' reflections of and contributions to that efficacy and restores them to an important place in the panorama of Greek religious practice. In order to reconstruct the Archaic experience of reading and viewing, the book draws on studies of traditional poetic language as resonant with immanent meaning, early Greek poetry as socially and religiously effective performance, and viewing art as an active response of aesthetic appreciation. It argues that reading epigrams while viewing dedications generated effects of religious ritual and poetic performance, and that visual and verbal representation of the dedicator's act of offering associated that rite with similar effects, thereby framing the experiences of readers and viewers as reperformances of the earlier occasion.
7th Circle
"Orginally self-published in 2020 by Tate James."--Copyright page.
Dedications of Monastic Houses in England and Wales, 1066-1216
The first systematic investigation of monastic dedications in England and Wales. Each entry provides information on the monastery's foundation, together with details of its dedication and any changes in the patron saints of the house. The information is drawn from a variety of sources, including monastic charters and obituary rolls, monastic seals, national and local chronicles, and benedictionals and pontificals. It encompasses houses, dependent monasteries, cells and alien priorities of major orders.
The Moorchild
Feeling that she is neither fully human nor "Folk," a changeling learns her true identity and attempts to find the human child whose place she has been given.
Beethoven’s Dedications
The dedication of a piece of music is a feature generally overlooked, but it can reveal a great deal about the work, the composer, the society and the music world in which the composer lived. This book explores the musical, biographical and sociological aspects of the practice of dedicating new compositions in the late 18th and early 19th centuries, and makes a significant contribution towards a better understanding of the impact these tributes had on Beethoven’s life and work, and their function within the context of the musical, cultural and economic environments in which they appeared. As the first of its kind, this study demonstrates that, as a result of their different functions, published dedications and handwritten inscriptions are distinct from one another, and for that reason they have been classified in different categories. This book, therefore, challenges the idea of what exactly can be termed as a ‘dedication’, a concept which extends far beyond the dedication of musical works.
