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Deepa Mehta is an acclaimed Indo-Canadian script writer and film director. She challenges conservative social mores and attempts to rewrite history, representing her story instead of his. Mehta has been a controversial figure ever since 1998 when her film Fire was banned in India for its explicit portrayal of lesbianism. Her next film Earth spoke of the Partition of India and how it affected the lives of women. With her third film Water, Mehta again ran into trouble with fundamentalists when she tried to focus on the shabby treatment meted out to widows by traditional Hindu society. This book makes a critical study of Deepa Mehta's Elemental Trilogy— Fire, Earth and Water. Focusing on the film texts, it examines the silent spaces in-between the signifiers and tunes into the unheard voices that patriarchy has been deaf to. It also studies the impact of Mehta's work, critically analyzing the hostile reception accorded to her work, and the by-and-large-favourable response of the female section of the society.
"The best book on high school dynamics I have ever read."--Jay Mathews, Washington Post An award-winning professor and an accomplished educator take us beyond the hype of reform and inside some of America's most innovative classrooms to show what is working--and what isn't--in our schools. What would it take to transform industrial-era schools into modern organizations capable of supporting deep learning for all? Jal Mehta and Sarah Fine's quest to answer this question took them inside some of America's most innovative schools and classrooms--places where educators are rethinking both what and how students should learn. The story they tell is alternately discouraging and hopeful. Drawing on ...
Diasporic Identities and Empire: Cultural Contentions and Literary Landscapes explores traditional theories on hybridity, generated in consideration of multicultural infusions, and at times profusions, of colonial migrations. Arguments on defining Englishness and the insinuations of a ‘fixed centre’ for the marginalised are now considered on a global scale as postmodernity defies imperial homogeneity. Although postcolonial studies have largely been Anglocentric and Western in focus, developments elsewhere have opened up theoretical applications on cultural shifters such as that of the diaspora. The Arabian world, the Caribbean, North and Latin America, Australia, and more recently, count...
This book introduces a 'Big History' perspective to understand the acceleration of social, technological and economic trends towards a near-term singularity, marking a radical turning point in the evolution of our planet. It traces the emergence of accelerating innovation rates through global history and highlights major historical transformations throughout the evolution of life, humans, and civilization. The authors pursue an interdisciplinary approach, also drawing on concepts from physics and evolutionary biology, to offer potential models of the underlying mechanisms driving this acceleration, along with potential clues on how it might progress. The contributions gathered here are divid...
An exploration of how and why food matters in the culture and literature of the South Asian diaspora.
The Companion to Contemporary Black British Culture is the first comprehensive reference book to provide multidisciplinary coverage of the field of black cultural production in Britain. The publication is of particular value because despite attracting growing academic interest in recent years, this field is still often subject to critical and institutional neglect. For the purpose of the Companion, the term 'black' is used to signify African, Caribbean and South Asian ethnicities, while at the same time addressing the debates concerning notions of black Britishness and cultural identity. This single volume Companion covers seven intersecting areas of black British cultural production since 1...
Identity is considered prima facie the most important philosophical principle in traditional logic and metaphysics. The reflexive ability of the subject implies that he or she can relate to himself or herself and to others, thus establishing the basis for the formation of individual and social identity. The present essays, which contains papers held at the conference of the "Institut International de Philosophie" at the University of Zadar, in 2007, present a range of positions and arguments regarding the possibilities of philosophical interpretation of identity.
Urdu Literary Culture examines the impact of political circumstances on vernacular (Urdu) literary culture through an in-depth study of the writings of Muhammad Hasan Askari, who lived during the Partition of India.
The essays in Killing Women: The Visual Culture of Gender and Violence find important connections in the ways that women are portrayed in relation to violence, whether they are murder victims or killers. The book’s extensive cultural contexts acknowledge and engage with contemporary theories and practices of identity politics and debates about the ethics and politics of representation itself. Does representation produce or reproduce the conditions of violence? Is representation itself a form of violence? This book adds significant new dimensions to the characterization of gender and violence by discussing nationalism and war, feminist media, and the depiction of violence throughout society.