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Da Capo
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Manifesta 2
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Once in the XX Century
This publication is produced on the occasion of the first one-person exhibition in the UK, "Once in the XX Century", by Lithuanian artist Deimantas Narkevicius held 6 May-2 July, 2006 at the Arnolfini Gallery, Bristol.
Her Noise
"Her Noise is a season of exhibitions, performances and screenings that maps the activity of international artists whose practice involves the use of sound as a medium. This catalogue forms an invaluable resource, highlighting the often overlooked contribution of women artists to the development of genres as disparate as Fluxus, performance art, punk and sound-based installation."--BOOK JACKET.
Skulptur Projekte Münster 07
In late 2006, the Münster Art Academy initiated a discussion on public sculpture with 12 of the 35 artists featured in Skulptur Projekte Münster 07. In a series of interviews, Guy Ben-Ner, Martin Boyce, Dominique Gonzalez-Foerster, Marko Lehanka, Eva Meyer and Eran Schaerf, Deimantas Narkevicus, Susan Philipsz, Andreas Siekmann, Silke Wagner, Clemens von Wedemeyer and Annette Wehrmann all talk about their work, their questions regarding public and urban space and their specific approaches to the exhibition. These insightful conversations are complemented by a discussion with the exhibition curators, Brigitte Franzen, Kasper König and Carina Plath.
The Oxford Handbook of Communist Visual Cultures
Looking at monuments, murals, computer games, recycling campaigns, children's books, and other visual artifacts, The Oxford Handbook of Communist Visual Cultures reassesses communism's historical and cultural legacy.
The Role of a Lifetime
The Role of a Lifetime combines three disparate elements. The first is an interview with the British filmmaker Peter Watkins, recorded in Lithuania.... The second is a sequence of drawings of the Lithuanian landscape, some depicting an unusual theme park, Gruto Park.... The third comprises footage of Brighton life, shot by an amateur film enthusiast....
East Art Map
A reconstruction of the missing history of contemporary art, art networks, and art conditions in Eastern Europe from the East European perspective. The artistic map of Europe contains different degrees of detail and resolution. Italy, France, and Spain are presented in fine grain, but the Balkan peninsula is little more than a vague outline. England, Germany, and Scandinavia have many features filled in, but to the east of Germany things are blurred. Until recently, cities like Sofia, Odessa, Skopje, and Belgrade had next to no definition. Further to the East, Moscow comes into focus, but this is no compensation for the Baltics, sentenced for the last half-century to blank space. In the West...
