Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Sex Theories and the Shaping of Two Moderns
This book examines the impact of scientific and sexologic theories on the creation of character in the prose of two moderns, Hemingway and H.D.
Gertrude Stein and Wallace Stevens
This book traces the presence of the theater, both as an abstract concept and a literal space, in the plays and poetry of Gertrude Stein and Wallace Stevens as it attempts to explain the parallel depictions of consciousness that are found in both authors' work. Literary modernists inherited a self that was fallible, a self that was seen as an ultimately failed gesture of expression, and throughout much modern literature is a sense of disillusionment with more traditional notions of selfhood. As more conventional ways of thinking about consciousness became untenable, so too did conventional models of artistic expression.This book shows how Stein and Stevens provide powerful examples of this modern attempt to stage the new subject.
In the Shadows of Divine Perfection
In the Shadows of Divine Perfection provides an examination of Derek Walcott's Omeros 1990)- the St. Lucian poet's longest work, and the piece that secured his Nobel Laureate-that reveals the deep-seated bond between the root narratives of ancient Greece to the cultural products and practices of the contemporary Caribbean. This book presents the first detailed reading of Walcott's highly controversial attempt to craft a Caribbean master narrative. This book also presents an overview of the poem's ideological orientation and a far-reaching critique of current postcolonial theory. Lance Callahan engages some of the most vexing problems of authenticity by reading Walcott's work alongside ancient Greek literature and culture.
Insane Passions
In France in 1933, two sisters, presumed to be lovers, murdered the women who employed them as maids. Known as “the Papin affair,” the incident inspired not only Jean Genet's 1947 The Maids but also an essay by Jacques Lacan that presents the sisters' crime as fueled by a narcissistic, homosexual drive that culminated in the assault. In this new investigation of the roots of the twentieth-century myth of the lesbian-as-madwoman, Christine Coffman argues that the female psychotic was the privileged object of Lacan’s effort to derive a revolutionary theory of subjectivity from the study of mental illness. Examining Lacan's early writings, French surrealism, Djuna Barnes’ Nightwood, and H.D.’s homoerotic fiction in light of feminist and queer theory, Insane Passions argues that the psychotic woman that fascinates modernist writers returns with a murderous vengeance in a number of late twentieth-century films—including Basic Instinct, Sister My Sister, Single White Female, and Murderous Maids. Marking the limit of social acceptability, the “psychotic lesbian” repeatedly appears as the screen onto which the violence and madness of twentieth-century life are projected.
The New Hemingway Studies
The subject of endless biographies, fictional depictions, and critical debate, Ernest Hemingway continues to command attention in popular culture and in literary studies. He remains both a definitive stylist of twentieth-century literature and a case study in what happens to an artist consumed by the spectacle of celebrity. The New Hemingway Studies examines how two decades of new-millennium scholarship confirm his continued relevance to an era that, on the surface, appears so distinct from his—one defined by digital realms, ecological anxiety, and globalization. It explores the various sources (print, archival, digital, and other) through which critics access Hemingway. Highlighting the latest critical trends, the contributors to this volume demonstrate how Hemingway's remarkably durable stories, novels, and essays have served as a lens for understanding preeminent concerns in our own time, including paranoia, trauma, iconicity, and racial, sexual, and national identities.
Progress & Identity in the Plays of W.B. Yeats, 1892-1907
Progress and Identity in the Poems of W. B. Yeats explores the ways in which Yeats's plays offer an alternative form of progress via a philosophical system of opposites: Always seeking the opposite, the nature of which changes as we change, we continually augment our personalities, and ultimately improve society, with the inclusion of the Other. This system, which eventually became Yeats's doctrine of the mask, provided his contemporaries with a method of changing what science, Platonism, and Victorian bourgeois ideologies claimed to be inescapable qualities of self. Progress and Identityn relocates Yeats'sliterary, social, and political relevance from hisessentializing cultural nationalism to his later, morebroad-minded definitions of progress.
Joyce and the Perverse Ideal
Representations of masochism - both overt and oblique - permeate the work of James Joyce. While a number of critics have noted this, to date there has been no sustained and focused analysis of this trope in his writings. David Cotter argues that such an examination is key to understanding the meanings and messages of Joyce's work. Adding further dimensions to moral, political and aesthetic considerations in the novels and stories - particularly Ulysses - this book provides a comprehensive account of masochistic elements in James Joyce's work. Cotter draws upon psychoanalytic theory and social history to illustrate the subversive power of perversity in the literature of the modern period. This edition first Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
T.S. Eliot's Civilized Savage
T. S. Eliot's Civilized Savage revisits this poet's drafts and canonical poetry in a sometimes dismissive critical arena . While contemporary readers emphasize Eliot's charged personal life, his anti-Semitism, his political conservatism, and his misogyny, Laurie MacDiarmid argues that although Eliot's poetics are shaped by private fears and fantasies, in many ways these are the ghosts of a culture that accepts and celebrates him. Comparing early versions with finished poems, this book explores the development and ramifications of Eliot's 'impersonal' poetic without losing sight of his influential, haunting work. Examining Eliot's neurotic relationship with women and his escape into women and his escape into spirituality, this book observes how Eliot conceived and eroticized poetry of worship and a poetic that dictated a sacrificial relationship to a savage God.
Lost City
F. Scott Fitzgerald left behind a substantial body of work on New York, yet his city remains in our time terra incognita, talked about but rarely well met. Lost City takes on this important and under-examined, indeed misunderstood and misrepresented, aspect of Fitzgerald's writing. The author shows that Fitzgerald's geography amounts to more than the Plaza Hotel and a wasteland. His writing depicts a variety of districts and neighborhoods. His is not the New York of the Roaring Twenties. Locating Fitzgerald's
