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Since the 1970s I have pursued three separate but overlapping and sometimes simultaneous careers: (1) philosopher / writer / teacher / historian of the long nineteenth century, 1789-1914; (2) editor / translator / photographer / publisher / biographer / encyclopedist; (3) cataloging librarian / rare books and special collections librarian / historian of medicine. Somehow these three vocations have garnered me some acclaim, even an entry in Who's Who in America. Each of them has resulted in some published or presented works. Because these works have been scattered in a wide variety of venues, some of which have gone out of print or have otherwise become generally unavailable - and of course with the oral presentations being gone as soon as they are given - I have thought it wise to select, epitomize, and bring them together in one place - here. Thus, what follows in these volumes is what I consider to be the most important of my shorter works. All translations are my own unless otherwise indicated.
Eight centuries of poetry by Guillaume Apollinaire, Charles Baudelaire, Stephen Vincent Benét, Bruce Bennett, Bob Beru, Ambrose Bierce, Deborah Boe, Anne Bradstreet, Emily Brontë, Rupert Brooke, Elizabeth Barrett Browning, Robert Browning, Robert Burns, Hart Crane, Rob Dickenson, John Donne, Ernest Christopher Dowson, Bekka Eaton, Shloyme Ettinger, Pam Freeman, Charles Kelsey Gaines, Mozart Guerrier, Joe Hill, Ibrahim Honjo, Violet Jacob, James Weldon Johnson, John Keats, Christopher Kennedy, Letitia Elizabeth Landon, Nikolaus Lenau, K. Lee Lerner, Eric v.d. Luft, Katharyn Howd Machan, Guillaume de Machaut, Gérard de Nerval, Friedrich Nietzsche, Paracelsa, Sarah Penn, Patricia Piety, August Graf von Platen, Aleksandr Sergeevich Pushkin, Lola Ridge, Rainer Maria Rilke, Jay Rogoff, Isaac Rosenberg, Tanya Rucosky Noakes, Bonnie A. St. Andrews, David Saxton, William Shakespeare, Brielle Stanton, Bayard Taylor, Thor Vilhjálmsson, Georg Trakl, Paul Valéry, Tobias Vargrim, François Villon, Phillis Wheatley, Anna Wickham, Elinor Wylie, William Butler Yeats, and of course, everyone's favorite: Anonymous.
Since the 1970s I have pursued three separate but overlapping and sometimes simultaneous careers: (1) philosopher / writer / teacher / historian of the long nineteenth century, 1789-1914; (2) editor / translator / photographer / publisher / biographer / encyclopedist; (3) cataloging librarian / rare books and special collections librarian / historian of medicine. Somehow these three vocations have garnered me some acclaim, even an entry in Who's Who in America. Each of them has resulted in some published or presented works. Because these works have been scattered in a wide variety of venues, some of which have gone out of print or have otherwise become generally unavailable - and of course with the oral presentations being gone as soon as they are given - I have thought it wise to select, epitomize, and bring them together in one place - here. Thus, what follows in these volumes is what I consider to be the most important of my shorter works.
Essays and other short works on Hegel, Heidegger, Nietzsche, Burke, Stepelevich, Schopenhauer, Plotinus, Mary Walker, Edgar Bauer, mental imagery, the principle of sufficient reason, special collections librarianship, psychiatry, time, contract bridge, etc.
Essays , poems, and other short works on Heidegger, Nietzsche, the ontological argument, Hegel, Schopenhauer, logic, the philosophy of religion, the philosophy of art, socialism, metaphysics, and the principle of sufficient reason
This book is unique in its critical inquiry into the new woman warrior's appropriation of violence and the Western war narrative. Informed by feminist theoretical debates regarding women's new roles, the authors delve into the meaning of that appropriation for alternative storytelling. To date, television's "ferocious few" have received little scholarly attention. By inviting a variety of perspectives, editors Frances Early and Kathleen Kennedy provide a cutting-edge forum to recognize women's increasing role in popular culture as they are cast as action heroes. As a timely and accessible work, this book will appeal to scholars, feminists, cultural critics, and the general reader.
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