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Collecting Music in the Aran Islands, a critical historiographical study of the practice of documenting traditional music, is the first to focus on the archipelago off the west coast of Ireland. Deirdre Ní Chonghaile argues for a framework to fully contextualize and understand this process of music curation.
Much has been written about the songs gathered in North America in the first half of the 20th century. However, there is scant information on those individuals responsible for gathering these songs. The Ballad Collectors of North America: How Gathering Folksongs Transformed Academic Thought and American Identity fills this gap, documenting the efforts of those who transcribed and recorded North American folk songs. Both biographical and topical, this book chronicles not only the most influential of these “song catchers” but also examines the main schools of thought on the collection process, the leading proponents of those schools, and the projects that they shaped. Contributors also con...
"Publication of the International Council for Traditional Music, Ireland."
‘An interesting and important account.’ Daily Telegraph Have you ever stopped and wondered where your jeans came from? Who made them and where? Ever wondered where they end up after you donate them for recycling? Following a pair of jeans, Clothing Poverty takes the reader on a vivid around-the-world tour to reveal how clothes are manufactured and retailed, bringing to light how fast fashion and clothing recycling are interconnected. Andrew Brooks shows how recycled clothes are traded across continents, uncovers how retailers and international charities are embroiled in commodity chains which perpetuate poverty, and exposes the hidden trade networks which transect the globe. Stitching together rich narratives, from Mozambican markets, Nigerian smugglers and Chinese factories to London’s vintage clothing scene, TOMS shoes and Vivienne Westwood’s ethical fashion lines, Brooks uncovers the many hidden sides of fashion.
Anáil an Bhéil Bheo brings together a stimulating range of interdisciplinary essays considering the connections between orality and modern Irish culture. From literature to song, folklore to the visual arts, contributors examine not only the connections between oral and textual traditions in Ireland, but also the theoretical concept of “orality” itself and the corresponding significance of oral texts in Irish society. Featuring work by emerging scholars in the fields of history, literature, folklore, music, women’s studies, film and theatre studies and disciplines contributing to Irish Studies, this multifaceted volume also includes contributions from scholars long engaged with issues of orality such as Gearóid Ó Crualaoich and Henry Glassie.
De la fin du XIXe au premier tiers du XXe siècle, la recherche d'une folk music propre aux États-Unis préoccupait nombre d'intellectuels et de musiciens soucieux de construire, par la musique, l'identité culturelle de la jeune nation. Les entreprises de collecte, d'étude et de dissémination des musiques folk impliquaient alors de choisir, parmi les différents groupes ethniques et raciaux du pays, un peuple à même de représenter la nation tout entière. Cet ouvrage suit le parcours de la collectrice Sidney Robertson (1903-1995). Son attachement à ne pas discriminer les musiques de populations non anglophones récemment immigrées reflète le glissement, opéré sur près d'un demi-...
Music, the Moving Image and Ireland, 1897–2017 constitutes the first comprehensive study of music for screen productions from or relating to the island. It identifies and interprets tendencies over the first 120 years of a field comprising the relatively distinct yet often overlapping areas of Irish-themed and Irish-produced film. Dividing into three parts, the book first explores accompaniments and scores for 20th-century Irish-themed narrative features that resulted in significant contributions by many Hollywood, British, continental European and, to a lesser extent, Irish composers, along with the input of many orchestras and other musicians. Its second part is framed by a consideration...
This book situates harping activity as a vital aspect of music making in traditions around the world.
Sean O Riada (1931-1971) was a major factor in the rise of Irish traditional music in the second half of the twentieth century. He is one of Ireland's most fascinating and significant characters--composer, musician (jazz, classical, and traditional), director of music for the Abbey Theatre, raconteur, film-maker, and academic--and the man most influential in changing the direction, and popularity, of traditional music that set the stage for the success of bands like The Chieftains and Planxty. In this wide-ranging account of his life and work a friend and colleague looks behind the mask O Riada held up to the world and reveals the complex personality of a unique individual, the first composer of modern Ireland.
Cultural Studies -- Ethnomusicology Why would a punk band popular only in Indonesia cut songs in no other language than English? If you're rapping in Tanzania and Malawi, where hip hop has a growing audience, what do you rhyme in? Swahili? Chichewa? English? Some combination of these? Global Pop, Local Language examines how performers and audiences from a wide range of cultures deal with the issue of language choice and dialect in popular music. Related issues confront performers of Latin music in the U.S., drum and bass MCs in Toronto, and rappers, rockers, and traditional folk singers from England and Ireland to France, Germany, Belarus, Nepal, China, New Zealand, Hawaii, and beyond. For p...