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Pedro and George
"Pedro and George are fed up with the children of the world getting them confused. Pedro is a crocodile, and George is an alligator. There's a difference, you know. This determined pair decides to go on a mission to prove who's who, once and for all"--
A Bear Named Bjorn
A Bear Named Bjorn takes us into the forest with Bjorn the bear and his friends. One day the animals have their eye exams and try on the humans' lost glasses. Another, they just sit, watching the leaves and playing cards on a tree stump. And on party night the animals borrow clothes hanging on the camping ground line--and return everything carefully in the morning, only a little bit used.
Pablo & His Chair
For his birthday, Pablo receives exactly what he doesn't want: a chair. Disappointed and angry, he locks himself in his room, determined not to sit on his new chair. But he starts to play around with it and, by the end of the day, becomes a chair acrobat. Pablo sets out into the world, performing in amazing places and drawing great crowds. Eventually, he returns, chair in hand, having learned that the greatest gifts aren't always the most obvious and often lie in our imagination.
Pirouetting Spheres
Declaring that she cannot neglect the brilliant anthropology of the Homo sapiens and his Celestial Orientations, she earnestly reflects upon the piano composition she had been most thankful to share at the Rosicrucian Order during the '70s in San Jose, California. Due to immense hardship, however, she regrets that she was unable to attend a meeting at which she was to meet Carl Sagan. "Freewill is an underlying idealism of common convention that disadvantaged and victimized creatures are incapable of maintaining. Controlling our environment poses insurmountable limits." The thematic content of Pirouetting Spheres reflects her association with the Rosicrucian Order, the San Jose Egyptian Museum bearing her profound sentiment. "I am from such a broken home that I was truly ashamed-pathetically incapable of extending rightful hospitality to those extending invaluable moral support. I hereby reflect upon the struggles of mortal man." She maintains that accurate responses are not always possible during moments too typical and fleeting. "I hope this poetry will encourage my fellow brothers and sisters to seek Justice and Fulfillment through the History of Civil Code and Astral Appeal."
Comparative Literature in an Age of Globalization
Responding to the frequent attacks against contemporary literary studies, Comparative Literature in an Age of Globalization establishes the continuing vitality of the discipline and its rigorous intellectual engagement with the issues facing today's global society.
Imagining the Postcolonial
Imagining the Postcolonial is the first book dedicated to comparative analysis of Latin American and francophone postcolonial identity. Jaime Hanneken examines the disciplinary, theoretical, and political stakes involved in postcolonial identification in non-anglophone cultural spheres through readings of José Lezama Lima and Édouard Glissant's poetics of place, the symbolic value of Paris in modernista writing and in Congolese Sociétés des Ambianceurs et Personnes Élégantes (sape) rituals, and the scandals surrounding Rigoberta Menchú and Yambo Ouologuem. Hanneken argues that reorienting comparative critique to the priority of the object of study can transform rather than replicate existing conceptual formats of postcoloniality.
Rewriting the Return to Africa
Rewriting The Return to Africa: Voices of Francophone Caribbean Women Writers examines the ways Guadeloupean women writers Maryse Condé, Simone Schwarz-Bart and Myriam Warner-Vieyra demystify the theme of the return to Africa as opposed to the masculinist version by Négritude male writers from the 1930s to 1960s. Négritude, a cultural and literary movement, drew much of its strength from the idea of a mythical or cultural reconnection with the African past allegorized as a mother figure. In contrast these women writers, of the post-colonial era who are to large extent heirs of Négritude, differ sharply from their male counterparts in their representation of Africa. In their novels, the c...
Fathers, Daughters, and Slaves
This new study brings to life the unique contribution of French women during the early nineteenth century, a key period in the history of colonialism and slavery. It offers in-depth readings of works by five antislavery writers – Germaine de Staël, Claire Duras, Marceline Desbordes-Valmore, Charlotte Dard and Sophie Doin.
Spatial Boundaries, Abounding Spaces
Colonialism advanced its project of territorial expansion by changing the very meaning of borders and space. The colonial project scripted a unipolar spatial discourse that saw the colonies as an extension of European borders. In his monograph, Mohit Chandna engages with narrations of spatial conflicts in French and Francophone literature and film from the nineteenth to the early twenty-first century. In literary works by Jules Verne, Ananda Devi, and Patrick Chamoiseau, and film by Michael Haneke, Chandna analyzes the depiction of ever-changing borders and spatial grammar within the colonial project. In so doing, he also examines the ongoing resistance to the spatial legacies of colonial practices that act as omnipresent enforcers of colonial borders. Literature and film become sites that register colonial spatial paradigms and advance competing narratives that fracture the dominance of these borders. Through its analyses Spatial Boundaries, Abounding Spaces shows that colonialism is not a finished project relegated to our past. Colonialism is present in the here and now, and exercises its power through the borders that define us.
Writing Otherwise
Essentially a comparative and contrastive analysis, Writing Otherwise examines the prose of five French women authors: Liliane Atlan, Marguerite Duras, Liliane Giraudon, Marie Redonnet, and Monique Wittig. Through close readings of texts published after 1985, this book explores the broad concerns and preoccupations infusing the ontological enterprise that is écriture. While maintaining a sensitivity to the diversity of styles and themes, as well as the unique qualities of the poetic voice evident in the five texts under consideration, this study seeks to highlight, in very general terms, what is common to them. The intertextual ground that informs the works, the construction of subjectivity, and the ambivalence and tension inherent to the practice writing constitute significant and important areas of convergence. These features form the ground of each chapter, while specific areas of divergence complete the discussion of individual aesthetics. Inspired by feminist literary theory, Writing Otherwise is also concerned with how these five women writers negotiate their relationship to writing.
