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"Pedro and George are fed up with the children of the world getting them confused. Pedro is a crocodile, and George is an alligator. There's a difference, you know. This determined pair decides to go on a mission to prove who's who, once and for all"--
When Bernard, the Big Bad Wolf, joins Louis and his grandfather on their annual trip to the beach, getting there is half the fun.
A Bear Named Bjorn takes us into the forest with Bjorn the bear and his friends. One day the animals have their eye exams and try on the humans' lost glasses. Another, they just sit, watching the leaves and playing cards on a tree stump. And on party night the animals borrow clothes hanging on the camping ground line--and return everything carefully in the morning, only a little bit used.
When the Big Bad Wolf is mistaken for a dog, he comes to live in a boy's closet and eat chocolate chip cookies.
For his birthday, Pablo receives exactly what he doesn't want: a chair. Disappointed and angry, he locks himself in his room, determined not to sit on his new chair. But he starts to play around with it and, by the end of the day, becomes a chair acrobat. Pablo sets out into the world, performing in amazing places and drawing great crowds. Eventually, he returns, chair in hand, having learned that the greatest gifts aren't always the most obvious and often lie in our imagination.
This book is an exploration of the life and art of Maryse Condi, who first won international acclaim for Segu, a novel about West African experience and the slave trade. Born in Guadeloupe in 1937, Condi lived in Guinea after it won its independence from France. Later she lived in Ghana and Senegal during turbulent, decisive moments in the histories of these countries. Her writings-novels, plays, essays, stories, and children's books-have led her to an increasingly important role within Africa and throughout the world. Frangoise Pfaff met Maryse Condi in 1981, when she first interviewed her. Their friendship grew quickly. In 1991 the two women continued recording conversations about Condi's ...
A pioneering, interdisciplinary study of how transnational novelists and critics use music as a critical device to structure narrative and to model ethical relations.
This new study brings to life the unique contribution of French women during the early nineteenth century, a key period in the history of colonialism and slavery. It offers in-depth readings of works by five antislavery writers – Germaine de Staël, Claire Duras, Marceline Desbordes-Valmore, Charlotte Dard and Sophie Doin.
Rewriting The Return to Africa: Voices of Francophone Caribbean Women Writers examines the ways Guadeloupean women writers Maryse Condé, Simone Schwarz-Bart and Myriam Warner-Vieyra demystify the theme of the return to Africa as opposed to the masculinist version by Négritude male writers from the 1930s to 1960s. Négritude, a cultural and literary movement, drew much of its strength from the idea of a mythical or cultural reconnection with the African past allegorized as a mother figure. In contrast these women writers, of the post-colonial era who are to large extent heirs of Négritude, differ sharply from their male counterparts in their representation of Africa. In their novels, the c...
This book links postcolonial theory with structuralism and poststructuralism to show how analysis of the textual illuminates the political and ideological positions of French Caribbean writers.