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Robert the Devil
Samuel N. Rosenberg, one of the premier translators of Old French, presents in this volume the first modern English-language version of the thirteenth-century French romance Robert le Diable, a tale of supernatural birth and spiritual redemption. Robert is born after his mother, a childless noblewoman, secretly calls upon Satan to help her conceive. His wicked behavior as a boy and, later, as a destructive young man is so brutal that one day Robert prevails upon his mother to reveal the secret of his birth and thus the source of his wickedness. Upon learning the truth, he leaves his privileged home in Normandy to seek salvation. Robert’s lengthy penance—under the aegis of the Pope and a ...
Happiness
He's 39, a writer, dried up and waiting for better days. She's ten years younger, an arts graduate, not doing anything much. Both married, both bored. Lust at first sight. And so they fuck each other and keep fucking each other, just about everywhere in just about every way, and their desire increases. They explore every facility available to intensify their excitement; toys and films and vodka and cocaine, and peep-shows, exhibitionism and voyeurism. Drugged on each other, they want more. They don't talk much. But they do keep notes. Hers fill the left-hand pages of this short, shattering novel, his the right. Alternately dazed and lucid, shrewd and bewildered, they provide aprecise description ofsexual passion, its smells and tastes, fluids and stains. Of the rest of their lives, they record a few fading fragments: names of designers, novelists, singers; some stray ideas and concepts, and brief scenes from their marriages like clips from old films. Their erotic journey begins in a hotel room, and ends in a toilet cubicle. Happiness is not a love story.
Materiality and Organizing
This edited collection brings together leading academics in the field to explore the ways in which digital and non-digital artifacts shape how groups and collectives organize. It focuses on the idea of materiality and the interactions between the social and the technical in organizations, at work, and in technologies
The Wines of Burgundy
Ten years after the publication of the highly acclaimed, award-winning Côte D'Or: A Celebration of the Great Wines of Burgundy, the "Bible of Burgundy," Clive Coates now offers this thoroughly revised and updated sequel. This long-awaited work details all the major vintages from 2006 back to 1959 and includes thousands of recent tasting notes of the top wines. All-new chapters on Chablis and Côte Chalonnaise replace the previous volume's domaine profiles. Coates, a Master of Wine who has spent much of the last thirty years in Burgundy, considers it to be the most exciting, complex, and intractable wine region in the world, and the one most likely to yield fine wines of elegance and finesse. This book is an indispensable guide for amateur and professional alike by one of the world's leading wine experts, writing with his habitual expertise, lucidity, and unequaled firsthand knowledge.
Ha!
On 15 March 1977, with his wife's consent, celebrated writer and former terrorist Hubert Aquin blew his brains out on the grounds of a Montreal convent school. Shocked by this self-murder, a filmmaker friend feels compelled to understand why Aquin killed himself - and discovers, at the heart of the tragedy, an unforgettable love story. A "documentary fiction" - a category which includes In Cold Blood and The Executioner's Song - HA! is a seminal work that reinvents the audio-visual revolution of the last century. Interweaving photographs, documents, and images with testimony from Aquin's friends and contemporaries, Aquin himself, and the writers and artists who influenced him, this intriguing novel takes the reader on a Joycean tour of a metropolis in the midst of political and cultural turmoil.
Debrett's Illustrated Peerage and Baronetage, Titles of Courtesy and the Knightage
Includes an unpaged appendix, "royal warrant holders," and 19 a "war honours supplement."
The Analysis of Gothic Architecture
The essays in this volume reflect on and build on the remarkable legacies of Robert Mark and Andrew Tallon, who pioneered the application of high-technology research methods to the study of Gothic architecture. Combining personal reminiscences and historiographical discussions with meticulous geometrical and structural analyses based on photogrammetric and laser-scanned building surveys, this book offers valuable new perspectives not only on Mark and Tallon themselves, but also on major churches including the abbeys of Saint-Denis and Alcobaça, Santa Maria Novella in Florence, Notre-Dame in Paris, and the cathedrals of Clermont, Reims and Wells. Contributors are: Sheila Bonde, Robert Bork, Lindsay S. Cook, Michael Davis, James Hillson, Kyle Killian, Peter Kurmann, Clark Maines, Ethan Mark, Stephen Murray, Sergio Sanabria, Dany Sandron, Ellen Shortell, Elizabeth B. Smith, Rebecca Smith, Arnaud Timbert, Stefaan Van Liefferinge, and Nancy Wu. See inside the book
Sickert
Walter Richard Sickert (1860-1942) was an artist of prodigious creativity. For sixty years, in his roles as painter, teacher, and polemicist, he was a source of inspiration and influence to successive generations of British painters. With his roots in the Victorian era, Sickert broke all taboos. He was uncompromisingly truthful, revealing beauty in the squalid as in the sublime: in cockney music halls, the crumbling streets of Dieppe, the grand sites of Venice, and the low-life of Camden Town. Decades before Warhol, he exploited the potential of photo-based imagery and of studio production lines to create iconic portraits of the grandees of theatrical, social, and political life. This catalogue is divided into two parts: essay chapters describe Sickert's chronology in terms of stylistic and technical development, and a fully illustrated catalogue presents more than 2800 drawings and paintings, many of which have never been published before.
