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This is the first environmental history of Russia's steppes. David Moon focuses on the settlement of migrants from central Russia, Ukraine, and central Europe, and analyses how naturalists and scientists came to understand the steppe environment, including the origins of the fertile black earth.
How did a kremlin, a fortified monastery or a wooden church in Russia become part of the heritage of the entire world? Corinne Geering traces the development of international cooperation in conservation since the 1960s, highlighting the role of experts and sites from the Soviet Union and later the Russian Federation in UNESCO and ICOMOS. Despite the ideological divide, the notion of world heritage gained momentum in the decades following World War II. Divergent interests at the local, national and international levels had to be negotiated when shaping the Soviet and Russian cultural heritage displayed to the world. The socialist discourse of world heritage was re-evaluated during perestroika and re-integrated as UNESCO World Heritage in a new state and international order in the 1990s.
First published in 1987, Siberia examines the developments in the different sectors of Siberian economy and discusses the role of this vast and little-known region in the Soviet Union’s overall economic and defence strategy. It surveys historical developments and the geography of the region and focuses on the key problem areas such as manpower shortage, the difficulties involved in exploiting the territory’s natural resources, internal communications – including the construction of the Baikal-Amur Railway in the Far East- and considers Siberia’s place in the context of international relations and the world economy. This book is a must read for scholars of Russian history, Russian geopolitics, European politics, international relations and European history.
Featuring rumpled PIs, shyster lawyers, corrupt politicians, double-crossers, femmes fatales, and, of course, losers who find themselves down on their luck yet again, film noir is a perennially popular cinematic genre. This extensive encyclopedia describes movies from noir's earliest days – and even before, looking at some of noir's ancestors in US and European cinema – as well as noir's more recent offshoots, from neonoirs to erotic thrillers. Entries are arranged alphabetically, covering movies from all over the world – from every continent save Antarctica – with briefer details provided for several hundred additional movies within those entries. A copious appendix contains filmographies of prominent directors, actors, and writers. With coverage of blockbusters and program fillers from Going Straight (US 1916) to Broken City (US 2013) via Nora Inu (Japan 1949), O Anthropos tou Trainou (Greece 1958), El Less Wal Kilab (Egypt 1962), Reportaje a la Muerte (Peru 1993), Zift (Bulgaria 2008), and thousands more, A Comprehensive Encyclopedia of Film Noir is an engrossing and essential reference work that should be on the shelves of every cinephile.
Harry Alan Towers' reputation rests upon a corpus of 95 low-budget productions shot post-haste in every corner of the globe. He took an integral part, however, in the development of the protocols that now underpin much transnational film production and he must be regarded as a pioneer. Towers' slash and burn strategy focused on parasitic, back-to-back productions, funded by rights bundles that were pre-sold globally. This strategy was substantially derived from his early days in broadcasting wherein he acted as a go-between in the American and the British Commonwealth markets. Though he became adept at procuring funds from pariah regimes and black market economies, primarily he continued to act as a broker bringing together American equity investment and European finance under the auspices of EC co-production agreements. He was also quick to exploit the burgeoning niche markets becoming available in the wake of technological developments and government initiatives.
SINGER made the Model 221 Featherweight Sewing Machine. Everyone knows that. But have you ever wondered about who the actual person was that first designed it? Have you ever wondered who came up with all the design changes that eventually became the Singer featherweight that we know and enjoy today? This book tells all. To see my other books, visit my website at www.DarrelKaiserBooks.com
This new book sheds a much-needed light on the often hidden, yet significant, role played by chaplains within correctional facilities. Little is known of these chaplains and the work that they do. Though they are frequently depicted in television and film, many of these images are stereotypes from writers' imaginations. In this unique book, chaplains speak for themselves through the results of a survey questionnaire sent by the author to local- and state-level chaplains in New York State and to chaplains throughout the federal prison system. Chaplains to the Imprisoned begins to fill the information gap through its in-depth study of prison chaplains as seen by co-workers, inmates, and the chaplains themselves. They describe their roles, share difficulties which are encountered in their ministry, and personal methods for coping with these difficulties, especially those which may be internalized as stress. The author, a Roman Catholic priest with a doctorate in criminal justice, provides a fascinating look into the work of chaplains who serve in correctional institutions.