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A broad range of cultural works produced in traditional and modern African communities shows a fundamental preoccupation with the concepts of communal solidarity and hospitality in societies driven by humanistic ideals. African Cultural Production and the Rhetoric of Humanism is an inaugural attempt to focus exclusively and extensively on the question of humanism in African art and culture. This collection brings together scholars from different disciplines who deftly examine the deployment of various forms of artistic production such as oral and written literatures, paintings, and cartoons to articulate an Afrocentric humanist discourse. The contributors argue that the artists, in their representation of civil wars, massive corruption, poverty, abuse of human rights, and other dehumanizing features of post-independence Africa, call for a return to the traditional African vision of humanism that is relentlessly being eroded by the realities of postcolonial nationhood.
Indian writers of English such as G. V. Desani, Salman Rushdie, Amit Chaudhuri, Amitav Ghosh, Vikram Seth, Allan Sealy, Shashi Tharoor, Arundhati Roy, Vikram Chandra and Jhumpa Lahiri have taken the potentialities of the novel form to new heights. Against the background of the genre’s macro-history, this study attempts to explain the stunning vitality, colourful diversity, and the outstanding but sometimes controversial success of postcolonial Indian novels in the light of ongoing debates in postcolonial studies. It analyses the warp and woof of the novelistic text through a cross-sectional scrutiny of the issues of democracy, the poetics of space, the times of empire, nation and globaliza...
Greed, frustrated love, traffic jams, infertility, politics, polygamy. These--together with depictions of traditional village life and the impact of colonialism made familiar to Western readers through Chinua Achebe's writing--are the stuff of Nigerian fiction. Bearing Witness examines this varied content and the determined people who, against all odds, write, publish, sell, and read novels in Africa's most populous nation. Drawing on interviews with Nigeria's writers, publishers, booksellers, and readers, surveys, and a careful reading of close to 500 Nigerian novels--from lightweight romances to literary masterpieces--Wendy Griswold explores how global cultural flows and local conflicts me...
Les questions de sécurité et de criminalité sont devenues de nouveaux objets d'études en Afrique, essentiellement en raison de la multiplication récente des formes de criminalité urbaine ou organisée et de la privatisation avancée de grandes portions d'espaces urbains, phénomènes que l'on pouvait croire limités aux Amériques. L'endémicité de la crise économique, l'accroissement de la pauvreté, la criminalisation de l'État et la faillite des polices tropicales ont considérablement accru les sentiments d'insécurité et accéléré le développement d'agences privées qui prennent le relais d'États incapables d'assumer le contrôle du corps social. Les auteurs de ce livre in...
The study shows, in chronological fashion, how African women writers in the past five decades have introduced a new, autobiographical discourse around their experience of excision, bringing nuance and vitality to the FGM debate.
Born in London in 1879 and raised in the Cape of Good Hope, Beatrice Hastings was one of those talented marginal figures who are major witnesses to their times, but whose testimony has been sadly neglected. After an early marriage and almost immediate widowhood, she had a false start as a showgirl in New York before taking London by storm as the literary editor of, and leading contributor to, the progressive The New Age. With HG Wells, Bernard Shaw, GK Chesterton and Arnold Bennett she kept up well publicised differences of opinion. She also launched the careers of Ezra Pound and Katherine Mansfield. During the First World War she became the journal's Paris correspondent, gaining acclaim for...
This book presents a series of essays by leading English and French scholas examining the politics, economics, international relations and defects of the literary scene of France and the former territories of francophone West Africa since 1965. The approach is emphatically a thematic one rather than a country-by-country analysis.
This second collection, complementing ASNEL Papers 9.1, covers a similar range of writers, topics, themes and issues, all focusing on present-day transcultural issues and their historical antecedents: TOPICS TREATED Preparing for post-apartheid in South African fiction; Maori culture and the New Historicism; Danish-New Zealand acculturation; linguistic approaches to 'void'; women's overcoming in Southern African writing; new post-apartheid approaches to literary studies; Afrikanerdom; postmodern psychoanalytic interpretations of Indian religion and identity; transcultural identity in the encounter with London: Malaysian, Nigerian, Pakistani; hypertextual postmodernism; fictionalized multicul...
Up-to-date biographies with a list of works for each of the writers, detailed annotations to the original text and a glossary complete this edition."--BOOK JACKET.