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Julian of Norwich's Showings
The first woman known to have written in English, the fourteenth-century mystic Julian of Norwich has inspired generations of Christians with her reflections on the "motherhood" of Jesus, and her assurance that, despite evil, "all shall be well." In this book, Denise Baker reconsiders Julian not only as an eloquent and profound visionary but also as an evolving, sophisticated theologian of great originality. Focusing on Julian's Book of Showings, in which the author records a series of revelations she received during a critical illness in May 1373, Baker provides the first historical assessment of Julian's significance as a writer and thinker. Inscribing her visionary experience in the short...
Historical Inquiries
Since its founding in 1943, Medievalia et Humanistica has won worldwide recognition as the first scholarly publication in America to devote itself entirely to medieval and Renaissance studies. Since 1970, a new series, sponsored by the Modern Language Association of America and edited by an international board of distinguished scholars and critics, has published interdisciplinary articles. In yearly hardbound volumes, the new series publishes significant scholarship, criticism, and reviews treating all facets of medieval and Renaissance culture: history, art, literature, music, science, law, economics, and philosophy.
Illuminating Jesus in the Middle Ages
In Illuminating Jesus in the Middle Ages, editor Jane Beal and other scholars analyse the reception history of images and ideas about Jesus in medieval cultures (6th–15th c.). They consider representations of Jesus in the liturgy of the medieval church, Psalters and psalm commentaries, bestiaries, the Glossa ordinaria, and Middle English vitae Christi as well as among the English, the Irish, and Europeans, adherents to the cult of the Holy Name, participants in the Feast of Corpus Christi, and medieval contemplatives, including Bede, Theophylact of Ochrid, Saint Francis, Gertrude the Great, Dante, Julian of Norwich, and medieval English and European visionaries, among others. Contributors are Jane Beal, George Hardin Brown, Aaron Canty, Tomás Ó Cathasaigh, Thomas Cattoi, Andrew Galloway, Julia Bolton Holloway, Michael Kuczynski, Rob Lutton, Vittorio Montemaggi, Paul Patterson, Linda Stone, Lesley Sullivan Marcantonio, Larry Swain, Donna Trembinski, Nancy van Deusen, and Barbara Zimbalist.
Julian of Norwich
A noted scholar examines the work of the English mystic Julian of Norwich Julian of Norwich is the late fourteenth-century and early fifteenth-century English woman theologian. With her mystical writings, she has become one of the most popular and influential spiritual figures of our times. In Julian of Norwich: In God's Sight, the eminent scholar Philip Sheldrake offers a study of the theology that Julian expresses in her writings. The author examines what is known about Julian’s mystical experience or mystical consciousness, discusses what can be surmised about Julian’s likely identity and places her writings in historical, cultural and spiritual contexts. Julian of Norwich: In God's S...
The Jewish Body
This volume explores perceptions of the "Jewish body" in variety of early modern Jewish sources. It discusses, among other topics, ideas of the ideal body in normative sources, the influence of Kabbalistic ideas on Jewish-Christian discourse and the link between melancholy and exile.
Cultivating the Heart
•Detailed close analysis of early Middle English homiletic, hagiographic, guidance, and lyrical-meditative texts: provides readers with an insight into the affective literary strategies of a body of neglected material. •Contextualization of English material in Latin and Anglo-Norman: provides readers with a deeper knowledge of the multilingual culture of medieval England in the post-Conquest centuries. •Substantial commentary on church wall paintings: provides readers with a nuanced understanding of the ways in which the affective strategies of visual resources can be mapped onto texts.
Choosing Not to Marry
This study concerns the earliest English literature encouraging women not to marry, the Katherine Group. It is a set of five early thirteenth-century devotional texts, a sermon called "Hali Meidhad" ("Holy Virginity"), the lives of three early Christian virgin martyrs, Katherine, Margaret, and Juliana, and an allegory "Sawles Warde" ("Care of the Soul"). All of the texts celebrate virginity, but they do so in a novel way. Unlike other virginity literature, which focuses on the sacred benefits that come to women who do not marry, these texts argue that marriage harms women, and they focus on the material advantages of not marrying. They are profoundly non-mystical, articulating the values of self-sufficiency and self determination. Placing the Katherine Group within the male clerical tradition of Jerome and Peter Abelard, a tradition whose concerns about marriage and domesticity have not been much appreciated before, the author shows how the texts of the Katherine Group operate not as part of a female mystical tradition, but within the male clerical tradition of anti-matrimonial literature.
The Subjective Eye
"One of the great joys of the academic life is to pay homage in a Festschrift to a scholar who has influenced both colleagues and students over years of interaction and friendship both professional and personal. This volume honors a scholar and theologian of historical theology, a theorist and a practitioner of religion and the arts, and a keen analyst of cultural trends both ancient and modern. . . . "[Margaret R.] Miles's prodigious production as a scholar has legendary qualities. Her dozen-plus books alone explore history, patristics, ancient philosophy, art and art history, spiritual formation and religious practice, critical theory, film, ethics and values, personal growth, gender and women's studies, as well as her true academic loves, Augustine and Plotinus. . . . The breadth and depth of her own work and her influence upon others demands an expansive volume, which the editors of this Festschrift unfortunately had to restrict to four categories--Historical Theology, Religion and Culture, Religion and Gender, and Religion and the Visual Arts--in order to capture the heart of our appreciation for her." --from the Introduction
The Mystics Who Came to Dinner
"Brings together St. Francis of Assisi, St. Hildegard of Bingen, Julian of Norwich, Richard Rolle, and Margery Kempe for dinner and lively conversation in a modern home setting"--
