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The Cambridge Companion to Milton
An accessible, helpful guide for any student of Milton, whether undergraduate or graduate, introducing readers to the scope of Milton's work, the richness of its historical relations, and the range of current approaches to it. This second edition contains several new and revised essays, reflecting increasing emphasis on Milton's politics, the social conditions of his authorship and the climate in which his works were published and received, a fresh sense of the importance of his early poems and Samson Agonistes, and the changes wrought by gender studies on the criticism of the previous decade. By contrast with other introductions to Milton, this Companion gathers an international team of scholars, whose informative, stimulating and often argumentative essays will provoke thought and discussion in and out of the classroom. The Companion's reading lists and extended bibliography offer readers the necessary tools for further informed exploration of Milton studies.
Paradise Lost and the Cosmological Revolution
This volume brings John Milton's Paradise Lost into dialogue with the challenges of cosmology and the world of Galileo, whom Milton met and admired: a universe encompassing space travel, an earth that participates vibrantly in the cosmic dance, and stars that are "world[s] / Of destined habitation." Milton's bold depiction of our universe as merely a small part of a larger multiverse allows the removal of hell from the center of the earth to a location in the primordial abyss. In this wide-ranging work, Dennis Danielson lucidly unfolds early modern cosmological debates, engaging not only Galileo but also Copernicus, Tycho, Kepler, and the English Copernicans, thus placing Milton at a rich crossroads of epic poetry and the history of science.
The Book Of The Cosmos
A sweeping history of humanity's evolving vision of the universe, as viewed through the writings of the most exceptional thinkers in history.
Paradise Lost
John Milton’s epic story of cosmic rebellion and the beginning of human history has long been considered one of the greatest and most gripping narratives ever written in English. Yet its intensely poetic language, now-antiquated syntax and vocabulary, and dense allusions to mythical and Biblical figures make it inaccessible to many modern readers. This is, as the critic Harold Bloom wrote in 2000, “a great sorrow, and a true cultural loss.” Dennis Danielson aims to open up Milton’s epic for a twenty-first-century readership by providing a fluid, accessible rendition in contemporary prose alongside the original. The edition allows readers to experience the power of the original poem without barriers to understanding.
The First Copernican
In May, 1539, a young, German mathematician named Georg Joachim Rheticus traveled hundreds of miles across Europe in the hopes of meeting and spending a few days with the legendary astronomer, Nicolas Copernicus, in Frombork, Poland. Two and a half years later, Rheticus was still there, fascinated by what he was discovering, but largely engaged in trying to convince Copernicus to publish his masterwork-De revolutionibus (On the Revolutions of the Heavens), the first book to posit that the sun was the center of the universe. That he was finally able to do so just as Copernicus was dying became a turning point for science and civilization. That he then went on to a legendary career of his own-he founded the field of trigonometry, for example-will be one of the many surprises in this eye-opening book, which will restore Rheticus to his rightful place in the history of science.
Immortality and the Body in the Age of Milton
A collection examining representations of the embodied self in the writings of Milton and his contemporaries.
The Satanic Epic
The Satan of Paradise Lost has fascinated generations of readers. This book attempts to explain how and why Milton's Satan is so seductive. It reasserts the importance of Satan against those who would minimize the poem's sympathy for the devil and thereby make Milton orthodox. Neil Forsyth argues that William Blake got it right when he called Milton a true poet because he was "of the Devils party" even though he set out "to justify the ways of God to men." In seeking to learn why Satan is so alluring, Forsyth ranges over diverse topics--from the origins of evil and the relevance of witchcraft to the status of the poetic narrator, the epic tradition, the nature of love between the sexes, and ...
The New Milton Criticism
A collection of new essays demonstrating a wholly new approach to the complexities of Milton's work.
The Lord's Prayer: Take a Closer Look
The Lord's Prayer has been called a model prayer by many good theologians. But it is also true that it is among the least scrutinized of all teachings in the Bible, and therefore one of the least studied and understood. We need to remind ourselves that when Jesus gave this teaching to us it was for the express purpose of establishing a good communication with God out in the joys and scuffles of daily life. This book is offered to take the reader back to that purpose. We need to put ourselves back in the shoes of those who heard this teaching on prayer for the first time. When we do, we find our identity, our destiny, and our purpose for living at the very foundation of what Jesus told us her...
The Poetics and Politics of Youth in Milton's England
As the notion of government by consent took hold in early modern England, many authors used childhood and maturity to address contentious questions of political representation - about who has a voice and who can speak on his or her own behalf. For John Milton, Ben Jonson, William Prynne, Thomas Hobbes and others, the period between infancy and adulthood became a site of intense scrutiny, especially as they examined the role of a literary education in turning children into political actors. Drawing on new archival evidence, Blaine Greteman argues that coming of age in the seventeenth century was a uniquely political act. His study makes a compelling case for understanding childhood as a decisive factor in debates over consent, autonomy and political voice, and will offer graduate students and scholars a new perspective on the emergence of apolitical children's literature in the eighteenth century.
