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Instead of Solitaire
INSTEAD OF SOLITAIRE is the end result of a life spent exhausting the possibilities of being big, male, smart and beautiful. Following is a Q&A with DENNIS DOPH the poet who made it happen. What is the reason for "Instead of Solitaire"? TO MAKE YOU OLD POETRY DOGS SIT UP ON YOUR HAUNCHES AND BARK. Why are Americans expected to mellow out when they past fifty? BECAUSE IT IS TRADITION. BUT THEN WE ARE NOT ALL MARRIED TO LAURA BUSH. Why are you determined to rattle everybodys cage? WHY ARE YOU DETERMINED TO LIVE IN ONE? What should the casual reader expect from "Instead of Solitaire?" THE CASUAL READER SHOULD JUST WHEEL HIS LAME BUTT DOWN THE ROAD AND NEVER CRACK IT. INSTEAD OF SOLITAIRE IS NOT ABOUT CASUAL. You have been called a Professional Gay Man. Is that true? PROFESSIONAL TOP. NEXT QUESTION. Is there a reason for "Instead of Solitaire"? IS THERE A REASON FOR VIAGRA? Come fly DENNIS DOPH if you want a long,wild, frequently rough ride.
We Know Too Much
Based on a true story, step inside the horror of one Brooklyn apartment in the mid-1970s. Ham and Von are best friends, and they believe they've found the opportunity of a lifetime-a cheap place to live in New York City. Mysteriously, the apartment has not been occupied in over forty years. They soon discover the reason for the vacancy: it is apparently inhabited by a ghost. Once settled in to their new home, the boys begin to notice wild temperature changes and witness things flying around the room of their own accord. They decide to call in a white witch to learn more about the ghost by way of a late-night séance. But nothing is quite as it seems in New York of the seventies. Surrounded b...
Stuff Keeps Happening
This is not Percy Dovetonsilis. This is Dennis Doph and this is the most roughedged seriously male SPLATTER thats been thrown on a printed page. This is two volumes (far too much material for one) covering such diverse subjects as: the fetishism of Jesus, the career arc of John Gielgud, sperm, sperm, sperm, sperm, how I got a Bristish fag fired from Macys because he told me I should be shot at sunrise, George W. Bush and his boy and girlfriends as nauseam, one memorable enema, an alternate take on THE WIZARD OF OZ, and Jimmy Stewarts Dick. Enjoy, recover, enjoy, recover, enjoy. Sort of like sex (rough sex) but with a book in your hand rather than the usual thing.
Apocalypse (Maybe)
Dennis doph has lived life in the spotlinght, from babyhood on. Featured on the ivory snow box at age six months, he morphed From perfect uberkraut baby to a serious number, pushing the Nudity envelope off-broadway, in Hollywood, and right out on The street. After a career in film restoration, Dennis doph made the leap to waiver theater as the author of controversial plays Like the day doris came out of the closet. APOCALYPSE (MAYBE) WILL BE FOLLOWED IN 2008 BY ITS ROUGH BROTHER psycho boulevard. http://www.apocalypsemaybe.com
Borrowings in Informal American English
What do 'bimbo,' 'glitch,' 'savvy,' and 'shtick' all have in common? They are all expressions used in informal American English that have been taken from other languages. This pioneering book provides a comprehensive description of borrowings in informal American English, based on a large database of citations from thousands of contemporary sources, including the press, film, and TV. It presents the United States as a linguistic 'melting pot,' with words from a diverse range of languages now frequently appearing in the lexicon. It examines these borrowings from various perspectives, including discussions of terms, donors, types, changes, functions, and themes. It also features an alphabetical glossary of 1,200 representative expressions, defined and illustrated by 5,500 usage examples, providing an insightful and practical resource for readers. Combining scholarship with readability, this book is a fascinating storehouse of information for students and researchers in linguistics as well as anyone interested in lexical variation in contemporary English.
The New Historical Dictionary of the American Film Industry
The New Historical Dictionary of the American Film Industry is a completely revised and updated edition of Anthony Slide's The American Film Industry, originally published in 1986 and recipient of the American Library Association's Outstanding Reference Book award for that year. More than 200 new entries have been added, and all original entries have been updated; each entry is followed by a short bibliography. As its predecessor, the new dictionary is unique in that it is not a who's who of the industry, but rather a what's what: a dictionary of producing and releasing companies, technical innovations, industry terms, studios, genres, color systems, institutions and organizations, etc. More than 800 entries include everything from Academy of Motion Pictures Arts and Sciences to Zoom Lens, from Astoria Studios to Zoetrope. Outstanding Reference Source - American Library Association
John Ford
This radical re-reading of Ford's work studies his films in the context of his complex character, demonstrating their immense intelligence and their profound critique of our culture.
Psycho Boulevard
THE REASON FOR PSYCHO BOULEVARD There had to be something beyond Apocalypse (Maybe). The author Has searched the bowels (?) of his soul trying to find what makes him Actually tick. Apocalypse taps into the anger and the lust. Psycho Boulevard is the dregs of the barrel. These are the things We think, then wish we hadnt. As such, they are valid. But they Cannot be taken at face value. The alternate title for this is The Face Behind the Face Behind the Face. As the legendary comedienne Renee Taylor commented in her famous Short film satire on Michaelangelo Antonioni: Sono la vite senza fine Sotto la vite senza fine. Mangila al vestro svago Dennis Doph is his own worm, living in the belly of himself, recognizing The worm beneath the worm, and feeling just fine about all of it! And if He eats his own worm, it is not cannibalism. It is Epicureanism. Grab your own worm and enjoy.
Lawrence of Arabia
Two years in the making and the winner of seven Academy Awards, David Lean's screen classic Lawrence of Arabia has been seen and enjoyed by millions since 1962. Specially compiled for the film's 30th anniversary, this volume provides, for the first time, an account of this film's remarkable genesis, artistry, and influence.
