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Trial Stories in Jewish Antiquity is the first book to examine what early Jewish courtroom narratives can tell us about the capacity and limits of human justice. Drawing from affect theory and feminist legal thought, Chaya T. Halberstam offers original readings of some of the most famous trials in the ancient Jewish tradition.
Drawing on novel case studies, this book provides the first substantive theoretical framework for understanding transitional justice and visual art.
An interdisciplinary history of standardized measurements. Measurement is all around us—from the circumference of a pizza to the square footage of an apartment, from the length of a newborn baby to the number of miles between neighboring towns. Whether inches or miles, centimeters or kilometers, measures of distance stand at the very foundation of everything we do, so much so that we take them for granted. Yet, this has not always been the case. This book reaches back to medieval Italy to speak of a time when measurements were displayed in the open, showing how such a deceptively simple innovation triggered a chain of cultural transformations whose consequences are visible today on a globa...
Concepts of visual communication form an explanatory framework for discussing the visual expressions of urban symbolic communication in urban life in towns in the center of Europe in the late medieval and early modern period, including the dramatic times of the Reformation and Counter-Reformation. This book examines the role of images and visual representation by concentrating on the varieties of symbolic communication in towns that made a range of relationships visual: the status and role of urban civic, professional, and religious communities and the relations between the town and its lord or powerful families and individuals. The geographical framework of this book is the region in the fo...
The public understanding of law is gleaned from the cultural representation of justice which, in turn, reflects popular culture. Movies, caricatures, portrayal of trials by media or crime fiction shape the image of justice. However these representations play an important role in the legal system itself through the representation of truth as conveyed by litigating parties in their arguments. Studying how justice is represented in society is thus interesting for citizens who want to understand the popular culture but also for lawyers who want to understand theirs clients' expectations. This book explores in a multidisciplinary way the aspects of those representations of justice in their various forms in popular culture and in economics.
Despite their inherent seriousness, the law and those who practice it, be it lawyers, judges, politicians, or bureaucrats, are amongst the most popular objects of comedy and humour. Sometimes even the mention of the law, or the mere use of legal vocabulary, can trigger laughter. This is deeply counterintuitive, but true across cultures and historical eras: while the law is there to prevent and remedy injustice, it often ends up becoming the butt of comedy. But laughter and comedy, too, are also infused with seriousness: as universal social phenomena, they are extremely complex objects of study. This book maps out the many intersections of the law and laughter, from classical Greece to the present day. Taking on well-known classical and modern works of literature and visual culture, from Aristophanes to Laurel and Hardy and from Nietzsche to Totò and Fernandel, laughter and comedy bring law back to the complexity of human soul and the unpredictability of life.