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The Chosen One
  • Language: en
  • Pages: 268

The Chosen One

Alton Davis had reached the pinnacle of success as the National Basketball Association’s leading superstar. When his Step-Sister is mistakenly shot dead by a DEA agent during a drug raid, Davis finds himself thrust into the role of leader against the drug war. He aligns with his pastor, the racially divisive Reverend McGinnis to seek justice. A trial ensues against the DEA which grips the nation as protests and rallies are staged across the nation. On the other side, an ambitious drug czar, John White is unapologetic as he heads up Operation Door-to-Door, a nation wide militant drug investigation. Alton Davis is caught between challenging authority or remaining silent to appease his sponsors. Through this struggle, he earns the title of the Chosen One.

The Doctor's Protégé
  • Language: en
  • Pages: 340

The Doctor's Protégé

  • Type: Book
  • -
  • Published: 1879
  • -
  • Publisher: Unknown

None

The Young Sharpshooter at Antietam
  • Language: en
  • Pages: 214

The Young Sharpshooter at Antietam

Reproduction of the original: The Young Sharpshooter at Antietam by Everett T. Tomlinson

The Young Sharpshooter at Antietam
  • Language: en
  • Pages: 317

The Young Sharpshooter at Antietam

None

Emergency Cervidae Tuberculosis Protection Act
  • Language: en
  • Pages: 108
Increase in Deer and Elk Tuberculosis
  • Language: en
  • Pages: 184
Ballou's Monthly Magazine
  • Language: en
  • Pages: 1166

Ballou's Monthly Magazine

  • Type: Book
  • -
  • Published: 1871
  • -
  • Publisher: Unknown

None

Annual Report of the City Auditor and of the City Messenger
  • Language: en
  • Pages: 240

Annual Report of the City Auditor and of the City Messenger

  • Type: Book
  • -
  • Published: 1872
  • -
  • Publisher: Unknown

None

The Jew in American Cinema
  • Language: en
  • Pages: 478

The Jew in American Cinema

Placing cinematic representations of the "Jew" within their historical context, Bartov demonstrates the powerful political, social, and cultural impact of these images on popular attitudes. He argues that these representations generally fall into four categories: the "Jew" as perpetrator, as victim, as hero, and as anti-hero. Examples range from film's early days to the present, from Europe, Israel, and the United States.