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For the first time in almost half a century, the world of Hopkins is examined as an indivisible whole. The Split World of Gerard Manley Hopkins is a synthetic study of Hopkins's writings, written within a framework of semiotic phenomenology.
This collection of essays covers a hundred-year history of Russian-language literature in Israel, including the pre-state period. Some of the studies are devoted to an overview of the literary process and the activities of its participants, others—to individual genres and movements. As a result, a complex and multifaceted picture emerges of a not quite fully defined, but very lively and dynamic community that develops in the most difficult conditions. The contributors trace the paths of Russian-Israeli prose, poetry and drama, various waves of avant-garde, fantasy, and critical thought. Today, in Russian-Israeli literature, the voices of writers of various generations and waves of repatriation are intertwined: from the "seventies" to the "war aliyah" of the recent times. Both the Russian-Israeli authors and their critics often hold different opinions of their respective roles in Israel’s historical and literary storms. While disagreeing on the definition of their place on the map of modern culture, Russian-Israeli writers are united by a shared bond with the fate of the Jewish state.
If you love poetry, this book is about you and for you. It doesn't matter whether you are a scholar or a lover of beautiful poetry, this book brings everyone together by responding to a current crisis: the falling interest in and support for the humanities, especially poetry. This book argues that the most fruitful place to begin to reinvigorate literary reading, and thus the humanities, is with the close and careful attention to the experience of non-academic readers. This book explores their experiences, listening carefully to what they have to say, how they--you!--respond to poetry, why you love it. The book shows, in other words, at least a partial cure for that falling interest in the humanities which gets so much attention in newspapers and on TV. The book employs the poetry of Gerard Manley Hopkins and lets him supply the illustrative material. Hopkins is one of the seven most-read poets in the English language, but you do not have to know Hopkins well to understand the revolutionary approach to poetry and literary study that this book offers.
This collection of essays offers a comparative perspective on different forms of representation of social hybridity in contemporary novels through various cultural and linguistic lenses. It explores the various subcategories of their interdependent relationships, including power and domination between hegemony and marginality. The book revolves around five axes: namely, writing strategies and reterritorialization; marginality and intermediary spaces; revisited urban spaces; when periphery becomes center; and the modality of confrontation and construction of identity. It focuses on the identification and classification of spaces in order to understand their function in relation to the thematic strategy of the novel. Its main objective is identifying the textual representation of the challenge of center and periphery, as well as these concepts’ role and significance in diegesis. Thus, new light is shed on the subject and on the contemporary novel as a whole.
Around the Point is a unique collection that brings to readers the works of almost thirty scholars dealing with Jewish literature in various Jewish and non-Jewish languages, such as Hebrew, Yiddish, Ladino, French, Italian, German, Hungarian, Serbian, Polish, and Russian. Although this volume does not cover all the languages of Jewish letters, it is a significant endeavor in establishing the realm of multilingual international study of Jewish literature and culture. Among the questions under discussion, are the problems of the definition of Jewish identity and literature, literary history, language choice and diglossy, lingual and cultural influences, intertextuality, Holocaust literature, Kabbala and Hassidism, Jewish poetics, theatre and art, and the problems of the acceptance of literature.
Wordplay can be seen as a genuine interface phenomenon. It can be found both in everyday communication and in literary texts, and it can fulfil a range of functions – it may be entertaining and comical, it may be used to conceal taboo, and it may influence the way in which the speaker’s character is perceived. Moreover, wordplay also reflects on language and communication: it reveals surprising alternative readings, and emphasizes the phonetic similarity of linguistic signs that also points towards relations on the level of content. Wordplay unravels characteristics of literary language in everyday communication and opens up the possibility to analyze literary texts from a linguistic per...
The Oxford Handbook of Victorian Poetry offers an authorative collection of original essays and is an essential resource for those interested in Victorian poetry and poetics.
Edited by Maxim D. Shrayer, a leading specialist in Russia’s Jewish culture, this definitive anthology of major nineteenth- and twentieth-century fiction, nonfiction and poetry by eighty Jewish-Russian writers explores both timeless themes and specific tribulations of a people’s history. A living record of the rich and vibrant legacy of Russia’s Jews, this reader-friendly and comprehensive anthology features original English translations. In its selection and presentation, the anthology tilts in favor of human interest and readability. It is organized both chronologically and topically (e.g. “Seething Times: 1860s-1880s”; “Revolution and Emigration: 1920s-1930s”; “Late Soviet...
Worlds of Common Prayer explores book-length poems based on the Anglican liturgical calendar written between 1827 and 1935. John Keble created a new type of English poetry when he wrote his poetic companion to the Book of Common Prayer, The Christian Year (1827), which went on to become the single bestselling book of poetry in the English century. Drawing off of recent scholarship on both secularization studies and nineteenth-century conceptions of time, Worlds of Common Prayer exposes the surprisingly radical potential of liturgical poetry. The detective novelist and poet Dorothy L. Sayers wrote of her desire to find a “brick” that could smash the order of clock time, and discovered one in the liturgy. For major authors as dissimilar as Christina Rossetti and T.S. Eliot, the Anglican liturgical calendar served as a means of dismantling industrial capitalism’s time clock, and thereby of destabilizing the secular world order as a whole.
The first book to explore rhetorical refusals—instances in which speakers and writers deliberately flout the conventions of rhetoric and defy their audiences’ expectations— Rhetorical Refusals: Defying Audiences’ Expectations challenges the reader to view these acts of academic rebellion as worthy of deeper analysis than they are commonly accorded, as rhetorical refusals can simultaneously reveal unspoken assumptions behind the very conventions they challenge, while also presenting new rhetorical strategies. Through a series of case studies, John Schilb demonstrates the deeper meanings contained within rhetorical refusals: when dance critic Arlene Croce refused to see a production th...