Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Confessions of a Forger
Art forgeries are everywhere, in museums, exhibition halls, galleries. Why? Because forgeries are made with the complicity of the artists themselves (sometimes), through the collusion of the deceased artists' families (very often), and with the connivance of experts and gallery owners the world over (all the time). Eric Piedoie Le Tiec was a forger for 30 years and spent 10 years behind bars. In this extraordinary story of one of the main forgers of the last forty years, we discover the hidden world of the art market. Miró, Toulouse-Lautrec, Dufy, Chagall, Arman... and above all César, all the great masters pass through. The undisputed king of forgery created thousands of forgeries—of all the great masters—enriching many art dealers. “Everyone knew what we were doing, in Nice, Copenhagen, New York, Antwerp, Shanghai, but everyone kept quiet because there was a lot of money to be made.” The art racket finally exposed! Eric Piedoie Le Tiec, 63 years old, is today a gallery owner and art dealer in Grasse.
Red
Pastoureau offers a social and cultural European history of the color red, from antiquity to the twenty-first century. Immensely engaging and lively, it takes up interesting and difficult questions of interpretation. Chock full of entertaining and surprising observations delivered with verve, this book will delight casual admirers of cultural history and serious scholars.
Trauma and Visuality in Modernity
Essays exploring the role of trauma in modern art.
Art and Visual Culture on the French Riviera, 1956-1971
Drawing on the primary sources and little known publications from museum archives, collections in the region, and privately owned archives, Art and Visual Culture on the Riviera, 1956-1971 offers the first in-depth study of the Ecole de Nice. The author shows how artists indigenous to the region challenged the dominance of Paris as the national standard at this moment of French decentralization efforts, and growing internationalism in the arts.
Femmes et images
Etudes sur la place que les femmes ont occupée comme créatrices, commanditaires ou collectionneuses, "consommatrices" ou manipulatrices d'images. Analyses notamment de quelques figures féminines d'artistes, du mécénat féminin, des particularités des collections rassemblées ou gérées par des femmes, du contrôle des femmes sur leur image...
Neo-Avantgarde and Culture Industry
Eighteen essays written by Buchloh over the last twenty years, each looking at a single artist within the framework of specific theoretical and historical questions. Some critics view the postwar avant-garde as the empty recycling of forms and strategies from the first two decades of the twentieth century. Others view it, more positively, as a new articulation of the specific conditions of cultural production in the postwar period. Benjamin Buchloh, one of the most insightful art critics and theoreticians of recent decades, argues for a dialectical approach to these positions.This collection contains eighteen essays written by Buchloh over the last twenty years. Each looks at a single artist...
James Baldwin
None
Flash Art
None
Autopia
The reach of the car today is almost universal, and its effect on landscapes, cityscapes, cultures indeed, on the very fabric of the modern world is profound. Cars have brought benefits to individuals in terms of mobility and expanded horizons, but the cost has been very high in terms of damage to the environment and the consumption of precious resources. Despite the growing belief that a Faustian price is now being paid for the freedom cars have bestowed on us, we are none the less manufacturing them in ever greater numbers. Autopia is the first book to explore the culture of the motor car in the widest possible sense. Featuring newly commissioned essays by writers, critics, historians, art...
