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Two Years in the Forbidden City by Princess Der Ling (with photographs by Xun Ling) is an account of the Princess Der Ling's time as First Lady-in-Waiting to the Empress Dowager of China."Princess" Der Ling (1885 – 1944) was a Manchu, the daughter of Yu Keng. Yu Keng was a member of the Manchu Plain White Banner Corps and according to his daughter was a Lord. He was known for his progressive, reformist views, as well as for his unvarying support of the Empress Dowager Cixi.Yu Keng's daughters Der Ling and Rong Ling (1882–1973, the future Madame Dan Paochao of Beijing) received a western education, having studied dance in Paris with Isadora Duncan. Upon return from France, Der Ling became...
"Imperial Masquerade: The Legend of Princess Der Ling, the first biography of one of the twentieth century's most intriguing cross-cultural personalities, traces not only the life of Princess Der Ling, in all its various transformations, but offers a fresh look at the woman she lionized and, ultimately, betrayed - the Empress Dowager Cixi, to whom, like Der Ling, many legends have been affixed over the past century. The book also depicts the changing worlds of Paris, Tokyo and the other international stages of Der Ling's development as woman and as mystery, and deals with the many teachers who made her who she was." --Book Jacket.
Der Ling became the First lady-in-waiting to Empress Dowager Cixi, as well as a translator, and was highly trusted by the Empress-Dowager to share many memories and opinions with her. In this fascinating story, Der Ling reveals the history and true story behind the character of the Empress-Dowager Cixi - not the monster of depravity depicted in the popular press. but an aging woman who loved beautiful things and had many regrets about the past. Originally published as "Old Buddha" this thoughtful and well written account reveals the tragic story of the end of the Qing Dynasty, compassionately and truthful told through the articulate writing of a trusted friend.
Excerpt from Two Years in the Forbidden City The author of the following narrative has pe culiar qualifications for her task. She is a daughter of Lord Yii Keng, a member of the Manchu White Banner Corps, and one of the most advanced and progressive Chinese officials of his generation. Lord Yii Keng entered the army when very young, and served in the Tai ping rebellion and the Formosan war with France, and as Vice Minister of War during the china-japan war m 1895. Later he was Min ister to Japan, which post he quitted in 1898 to become President of the Tsung-li-yamen (chi nese Forelgn Office). In 1899 he was ap pointed Minister to France, where he remained four years At a period when the Chi...
Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - MY father and mother, Lord and Lady Yu Keng, and family, together with our suite consisting of the First Secretary, Second Secretary, Naval and Military Attaches, Chancellors, their families, servants, etc., - altogether fifty-five people, - arrived in Shanghai on January 2, 1903, on the S.S. "Annam" from Paris, where for four years my father had been Chinese Minister. Our arrival was anything but pleasant, as the rain came down in torrents, and we had the greatest difficulty getting our numerous retinue landed and safely housed, no...
Two Years in the Forbidden City is the memoir by Princess Der Ling about her life in the service of Empress Dowager Cixi, where she was the First lady-in-waiting, as well as interpreter for her when she received foreign visitors. The book provides unique insights into life at the Manchu court and the character of the Empress, a world that ended abruptly with the 1911 revolution that overthrew the Manchu or Qing dynasty.
Emotion takes place. Rather than an interior state of mind in response to the outside world, emotion per se is spatial, at turns embedding us from without, transporting us somewhere else, or putting us ahead of ourselves. In this book, Ling Hon Lam gives a deeply original account of the history of emotions in Chinese literature and culture centered on the idea of emotion as space, which the Chinese call “emotion-realm” (qingjing). Lam traces how the emotion-realm underwent significant transformations from the dreamscape to theatricality in sixteenth- to eighteenth-century China. Whereas medieval dreamscapes delivered the subject into one illusory mood after another, early modern theatric...