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Since the break-up of the Soviet Union in 1991, Russia's party system has suffered a difficult and turbulent infancy. Moscow based parties have had only very limited territorial penetration, and fragmentation has been one of its most significant features. Based on extensive fieldwork in three Russian regions, this book examines the development of the country's party system and the role played by parties in regional politics. Using a comparative approach, it scrutinises the internal structures and activities of the parties, looks at their decision-making processes, their everyday party life, the activities of party members, and the role of regional party organisations in federal and local election campaigns.
Muriel Spark's bracingly salty memoir is a no-holds-barred trip through an extraordinary writer's life.
Annotation Applying contemporary critical theory to Thomas's prose works, Mayer (English, U. of Western Ontario) illuminates the author's continual exploration of his own writing process. She studies the artist figures in and, to reveal his changing conceptions of language, his relationship to his modernist peers, and how he linked his poetry and prose by blending lyric and narrative strategies. The analyses investigate often neglected work, and progress beyond the New Critical approaches dominating Thomas scholarship. Annotation c. by Book News, Inc., Portland, Or.
Emily Brontë's Wuthering Heights, set among the rugged beauty of the English moors, is the tragic and passionate story of Catherine and Heathcliff, two lovers drawn together from the moment they meet. Their love is consuming and destructive, forbid
This book explores the concept of the creative imagination in Mid- and Late Victorian England. In these times of transition, as the age of the Industrial Revolution was regarded, aesthetic considerations became involved in the broader debate on the shape of the modern world. Thus, the approach to the artistic imagination was closely connected with the shifting beliefs concerning the essence of beauty, and the role of religion, not to mention attitudes towards nature and society. These aspects defined the aims furthered by painters and poets alike and set the direction for their artistic endeavours. Five people have been chosen as representatives of their time in the discussion about artistic...
How did eighteenth-century aesthetics come to so strongly influence not only the theology but also the practice of Christianity by the late nineteenth century? The twelve essays in Sublimer Aspects seek to answer this question by examining interfaces between literature, aesthetics, and theology from 1715-1885. In doing so, they consider the theological import of canonical writers–such as Daniel Defoe, Alexander Pope, Voltaire, and Immanuel Kant–as well as writers whose work is now experiencing a revival, namely women writers–including Mary Anne Schimmelpenninck, Anne Brontë, Frances Ridley Havergal, Elizabeth Stuart Phelps, and Adelaide Procter. The volume concludes with essays on the...
Recent critics have affirmed the difficulty—perhaps the impossibility—of defining modern comedy; at the same time, some feminist scholars are seeking to understand the special comedy often present in literature written by women. Comedy and the Woman Writer responds to both these concerns of recent criticism: feminist literary theory and theories of comedy. Judy Little develops a critical apparatus for identifying feminist comedy in recent fiction, especially the radical political and psychological implications of this comedy, and then applies and tests her theory by examining the novels of Virginia Woolf and Muriel Spark. Despite recent scholarly attention to Woolf, the profound comedy o...
Includes entries for maps and atlases.
This interdisciplinary collection presents new research on the Brontës' intense and varied relationship to the wider world of the arts. With essays by scholars who represent the fields of literary studies, music, art, theatre studies, and material culture, the volume brings together the strongest current research and suggests areas for future work on the Brontës and their cultural contexts.
Muriel Spark’s bracingly salty memoir is a no-holds-barred trip through an extraordinary writer’s life. It is no surprise that one of Muriel Spark’s most lively and entertaining works would be her own memoir, Curriculum Vitae. Born to a Scottish Jewish father and an English Presbyterian mother, Spark describes her childhood in 1930s Edinburgh in brief, dazzling anecdotes. In one she recalls a cherished schoolteacher, Christina Kay, who would later be used as the prototype for Miss Jean Brodie. Spark boldly details her disastrous first marriage to Sydney Oswald Spark (S.O.S.) — himself thirty-two, she just nineteen — whom she followed to Rhodesia (now Zimbabwe) and left behind to re...