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Two civilizations confront each other on the banks of the River Indus in 7th century India. Their world views could not be more different. One is an ancient civilization with many esoteric rituals and beliefs that have evolved over thousands of years. The other is less than hundred years old with a singular belief in the supremacy of its one true God. One has a glorious past but an uncertain future. The other's future is filled with promise and opportunities. One is polytheistic, and extols pluralism. The other is ardently monotheistic and insists on submission to the one true faith. These world views are irreconcilable and in the 7th century there is only one way to harmonize such disparate...
This is an autobiography. The author is a 24x7 Consensual Slave and these are specific incidents that happened in her life. When Swami and I attend a friend's party, we run into a woman, who seems to take an inordinate interest in us and the relationship I share with my Swami. Who is she? Why is she so interested? Could she expose us in front of our friends?
This is an autobiography. The author is a 24x7 Consensual Slave and these are specific incidents that happened in her life My Swami tests my faith and trust in him by inviting another couple into our home and inviting them to have sex with me.
Indian cinema is the only body of world cinema that depicts courtesans as important characters. In early films courtesan characters transmitted Indian classical dance, music and aesthetics to large audiences. They represent the nation's past, tracing their heritage to the fourth-century Kamasutra and to nineteenth-century courtly cultures, but they are also the first group of modern women in Hindi films. They are working professionals living on their own or in matrilineal families. Like male protagonists, they travel widely and develop networks of friends and chosen kin. They have relations with men outside marriage and become single mothers. Courtesan films are heroine-oriented and almost e...
Vol. 5 has also special t.-p.: V.S. Sukthankar memorial volume, 21st January 1944.
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