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For fans of The Burning Girl by Claire Messud and Burnt Sugar by Avni Doshi, a stunning, gut-punch of a novel that follows a young Indian American woman who, in the wake of tragedy, must navigate her family's expectations as she grapples with a complicated love and loss. On the cusp of her eighteenth birthday, Heera and her best friends, siblings Marie and Marco, tease the fun out of life in Raleigh, North Carolina, with acts of rebellion and delinquency. They paint the town's water towers with red anarchy symbols and hang out at the local bus station to pickpocket money for their Great Escape to New York. But no matter how much Heera defies her strict upbringing, she's always avoided any re...
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Taboos & Transgressions: Stories of Wrongdoings, is an anthology that includes fiction and nonfiction. It was edited by Luanne Smith, Kerry Neville, and Devi S. Laskar, and focuses on breaking the rules with stories by Pam Houston, Bonnie Jo Campbell, Joyce Carol Oates, and Kim Addonizio alongside exceptional work by both noted and emerging writers. The anthology offers a scope of voices, styles, stories, and wrongdoings. From infidelity to family prejudices, from breaking the law to broken promises, from losing everything to finding empowerment, characters in these pieces offer a look at stepping over the line in all too human ways.Contributors:Kim Addonizio - Paco Aramburu - Lisa Lynn Biggar - Bonnie Jo Campbell - Yohanca Delgado - Walter Evans - Michael Gaspeny - Molly Giles - Pam Houston - Kyle Ingrid Johnson - Soniah Kamal - Sabina Khan-Ibarra - Jen Knox - Dalton Monk - Hadley Moore - Joyce Carol Oates - Pamela Painter - Francine Rodriguez - J.C. Sasser - C.J. Spataro Sarah Stone - Melanie Rae Thon - Chavisa Woods - Lee Zacharias
Poetry. Fiction. Literary Nonfiction. Hybrid Genre. Edited by Pallavi Dhawan, Devi S. Laskar, and Tamika Thompson. To create this inaugural anthology from artist collective POC United, the editors of GRAFFITI gave the contributors a special challenge: to write in a way that centers neither "whiteness" nor "anti-whiteness" and that is not limited by their struggle, their oppression, or how their characters will be received by the white imagination. The results are joyous and mind-expanding. Through poetry, short stories, and essays, the works in GRAFFITI expose lives that move in unexpected ways, rendering characters who don't fit the cultural tropes we cling to. GRAFFITI shows what writers of color do when they are invited to scribble, scrawl, romanticize, and speculate without being politicized or exoticized.
'A powerfully written novel' Nikesh Shukla, Guardian 'It takes place in a morning; it covers a lifetime' Booklist starred review The Atlas of Reds and Blues opens with a woman lying bleeding on her driveway, shot by police. The woman has moved her family to the wealthy suburbs, but once there was is met with the same questions: Where are you from? No, where are you really from? The American-born daughter of Bengali immigrant parents, her truthful answer, here, is never enough. The morning that opens The Atlas of Red and Blues is the morning that the woman's simmering anger breaks through. During a baseless and prejudice-driven police raid on her house, she finally refuses to be calm, complacent, polite. As she lies bleeding on her driveway, her life flashing before her eyes, she struggles to make sense of her past and decipher her present - how did she end up here?
This Washington Post "Best Book of the Year" grapples with the complexities of the second–generation American experience, what it means to be a woman of color in the workplace, and a sister, a wife, and a mother to daughters in today's America. When a woman—known only as Mother—moves her family from Atlanta to its wealthy suburbs, she discovers that neither the times nor the people have changed since her childhood in a small Southern town. Despite the intervening decades, Mother is met with the same questions: Where are you from? No, where are you really from? The American–born daughter of Bengali immigrants, she finds that her answer―Here―is never enough. Mother's simmering ange...
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Lyrical, riveting, and haunting from its opening lines, None But the Righteous is an extraordinary debut that signals the arrival of an unforgettable new voice in contemporary fiction "[A] profound debut novel . . . James captures the simple kindnesses of a cup of coffee or a shared cellphone as though they were religious acts. Where a more ponderous writer might lapse into a lengthy stream of consciousness, James uses short chapters to weave a story of fractured time and uncharted space into the fabric of life after Katrina . . . This is a book of faith aching to be claimed, of a land that dares to be redeemed, of souls searching to be free, of all spirits looking for a home. It’s a metap...
We all live lives littered with what we leave behind: places we once lived, friendships we once had, dreams we once envisioned, the people we once were. Each new day we attempt to find a way to continue living despite the absences we experience because of loss and disappointment, injustice and inequity, change and the passage of time. Autumn Song: Essays on Absence invites readers into one Black woman’s experiences encountering absences, seeing beyond the empty spaces, and grasping at the glimmers of glory that remain. In a world marred with brokenness, these glimmers speak to the possibility of grieving losses, healing heartache, and allowing ourselves to be changed.