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They were the most unlikely alliance East Africa had ever seen: O'Flynn and Oldsmith, the legendary gin-swilling elephant poacher and the overgrown schoolboy. Together they braved the terrors of savage Mozambique to make a private paradise, fighting only for family and fortune in the days before World War I. But when Germany's shadow fell across the dark continent, O'Flynn and Oldsmith set their sights on new prey -- the black boots and warships of the Kaiser.
Why do the innocent suffer in a world created by a loving God? Does this mean that God cannot prevent this suffering, despite His supposed omnipotence? Or is God not loving after all? This in brief is 'the problem of evil'. The Devil provides one solution to this problem: his rebellion against God and hatred of His works is responsible for evil. The Christian Devil has fascinated writers and theologians since the time of the New Testament, and inspired many dramatic and haunting works of art. Today he remains a potent image in popular culture. The Devil: A Very Short Introduction presents an introduction to the Devil in the history of ideas and the lives of real people. Darren Oldridge shows...
Children and old women have told themselves so many frightful things of the Devil, and have form'd ideas of him in their minds, in so many horrible and monstrous shapes, that really it were enough to fright the Devil himself, to meet himself in the dark, dress'd up in the several figures which imagination has form'd for him in the minds of men; and as for themselves, I cannot think by any means that the Devil would terrify them half so much, if they were to converse face to face with him. It must certainly therefore be a most useful undertaking to give the true history of this Tyrant of the air, this God of the world, this terror and aversion of mankind, which we call Devil; to shew what he ...
Pitched somewhere between Almost Famous and Withnail & I, Apathy for the Devil is a unique document of this most fascinating and troubling of decades - a story of inspiration, success and serious burn out. As a 20-something college dropout Nick Kent's first five interviews as a young writer were with the MC5, Captain Beefheart, The Grateful Dead, Iggy Pop and Lou Reed. Along with Charles Shaar Murray and Ian MacDonald he would go on to define and establish the NME as the home of serious music writing. And as apprentice to Lester Bangs, boyfriend of Chrissie Hynde, confidant of Iggy Pop, trusted scribe for Led Zeppelin and the Rolling Stones, and early member of the Sex Pistols, he was witness to both the beautiful and the damned of this turbulent decade.
Charles Carter, dubbed Carter the Great by Houdini himself, was born into privilege but became a magician out of need: only when dazzling an audience can he defeat his fear of loneliness. But in 1920s America the stakes are growing higher, as technology and the cinema challenge the allure of magic and Carter's stunts become increasingly audacious. Until the night President Harding takes part in Carter's act only to die two hours later, and Carter finds himself pursued not only by the Secret Service but by a host of others desperate for the terrible secret they believe Harding confided in him. Seamlessly blending reality and fiction, Gold lays before us a glittering and romantic panorama of our modern world at a point of irrevocable change.
Reproduction of the original: The Devil in Britain and America by John Ashton
Autobiography has been an essential element of the London Review of Books since its founding in 1979. This volume collects many outstanding pieces of memoir that first appeared in the LRB's pages.