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In 1917, at the tender age of sixteen Matilda Mary Twiss married Sapper James Devine, an Aussie Digger who spent more time AWOL and in detention than carrying out his military duties. Two years later, she arrived on Australian shores as a war bride. Making their home in East Sydney, the Devines involved themselves within Sydney’s criminal underworld. After tolerating years of an abusive marriage,Tilly decided to challenge the inferior status of women in society and set out to prove that you didn’t need to be born with a set of testicles to rule Sydney’s underworld! When women were considered nothing more than breeding stock and houseslaves in a patriarchal society, Tilly worked her way...
Arguing that we ought to look to psychedelic aesthetics of the 1960s in relation to current crises in liberal democracy, this book emphasizes the intersection of European thought and the psychedelic. The first half of the book focuses on philosophical influences of Herbert Marcuse and Antonin Artaud, while the second half shifts toward literary and theoretical influences of Aldous Huxley on psychedelic aesthetics. Framed within an emergent discourse of political theology, it suggests that taking a postsecular approach to psychedelic aesthetics helps us understand deeper connections between aesthetics and politics.
Matriarch of the criminal underworld ... or the Robin Hood of inner Sydney? The legend of Kate Leigh, Sydney's famed brothel madam, sly grog seller and drug dealer, has loomed large in TV's Underbelly and every other account of Sydney's criminal history from the 1920s to the 1960s. But she has never had a biography of her own. Despite having more than 100 criminal convictions to her name, Kate Leigh is also remembered as a local hero, giving money to needy families and supporting her local community through the hard times of Depression and war. Here, novelist and historian Leigh Straw teases out the full story of how this wayward Reformatory girl from Dubbo made a fortune in eastern Sydney and defied the gender stereotyping of the time to become a leading underworld figure.
Longlisted for McIlvanney Scottish Crime Book of the Year In 1752, Seamus a'Ghlynne, James of the Glen, was executed for the murder of government man Colin Campbell. He was almost certainly innocent. When banners are placed at his gravesite claiming that his namesake, James Stewart, is innocent of murder, reporter Rebecca Connolly smells a story. The young Stewart has been in prison for ten years for the brutal murder of his lover, lawyer and politician Murdo Maxwell, in his Appin home. Rebecca soon discovers that Maxwell believed he was being followed prior to his murder and his phones were tapped. Why is a Glasgow crime boss so interested in the case? As Rebecca keeps digging, she finds herself in the sights of Inverness crime matriarch Mo Burke, who wants payback for the damage caused to her family in a previous case. Set against the stunning backdrop of the Scottish Highlands, A Rattle of Bones is a tale of injustice and mystery, and the echo of the past in the present. 'An intriguing Highland mystery peopled with quirky characters and peppered with wit' - Times Crime Club, Pick of the Week '[a] compelling thriller, laced with dark humour' - Sunday Post
When a loved one dies we mourn our loss. We take comfort in the rituals that mark the passing, and we turn to those around us for support. But what happens when there is no closure, when a family member or a friend who may be still alive is lost to us nonetheless? How, for example, does the mother whose soldier son is missing in action, or the family of an Alzheimer's patient who is suffering from severe dementia, deal with the uncertainty surrounding this kind of loss? In this sensitive and lucid account, Pauline Boss explains that, all too often, those confronted with such ambiguous loss fluctuate between hope and hopelessness. Suffered too long, these emotions can deaden feeling and make ...
From a look at classics like Psycho and Double Indemnity to recent films like Traffic and Thelma & Louise, Nicole Rafter and Michelle Brown show that criminological theory is produced not only in the academy, through scholarly research, but also in popular culture, through film. Criminology Goes to the Movies connects with ways in which students are already thinking criminologically through engagements with popular culture, encouraging them to use the everyday world as a vehicle for theorizing and understanding both crime and perceptions of criminality. The first work to bring a systematic and sophisticated criminological perspective to bear on crime films, Rafter and Brown's book provides a fresh way of looking at cinema, using the concepts and analytical tools of criminology to uncover previously unnoticed meanings in film, ultimately making the study of criminological theory more engaging and effective for students while simultaneously demonstrating how theories of crime circulate in our mass-mediated worlds. The result is an illuminating new way of seeing movies and a delightful way of learning about criminology.
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The Grapes of Wrath is a novel written by John Steinbeck that tells the story of the Joad family's journey from Oklahoma to California during the Great Depression. The novel highlights the struggles and hardships faced by migrant workers during this time, as well as the exploitation they faced at the hands of wealthy landowners. Steinbeck's writing style is raw and powerful, with vivid descriptions that bring the characters and their surroundings to life. The novel has been widely acclaimed for its social commentary and remains a classic in American literature. Despite being published over 80 years ago, the novel still resonates with readers today, serving as a reminder of the importance of empathy and compassion towards those who are less fortunate.