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Lace, Not Lace
A catalog of an exhibit held at the Hunterdon Art Museum, Clinton, NJ, Sept. 23, 2018- Jan. 6, 2019. The exhibit displays contemporary fiber art made using lacemaking techniques, principally bobbin lace and needle lace. Forty-one works by twenty-eight artists representing eleven nationalities explore the range of effects possible from these very fluid textile techniques. Bobbin lace and needle lace techniques developed in the late 16th century and evolved rapidly with the demands of aristocratic fashion. No longer economically viable for use in apparel and housewares these sophisticated techniques are being used by artists in a variety of fibers and filaments in unlimited colors and textures...
The Bulletin
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Museum Objects
Museum Objects provides a set of readings that together create a distinctive emphasis and perspective on the objects which lie at the heart of interpretive practice in museums, material culture studies and everyday life. This reader brings together classic and up to date texts on the nature and definition of the object itself, the senses and embodied experience of objects. No other volume brings together such perspectives in this way, and no other volume includes such a focus on the museum context. Museum Objects incorporates both theorised and more practical readings from a range of international academic and contextual perspectives. The overall result is a definitive set of readings that offers a comprehensive understanding of objects and their place within the museum context.
The Information Web
This book deals with the major ethical and social implications of computer networking and its technological development. In this book, a number of leading thinkers—philosophers, computer scientists and researchers—address some fundamental questions posed by the new technology.
Littell's Living Age
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The Textile Reader
Addressing textiles as a distinctive area of cultural practice and field of scholarly research, The Textile Reader introduces students to the key issues essential to the exploration of the textile from both a critical and a creative perspective. The second edition brings together lectures, catalogue essays, academic articles, fiction and poetry, as well as several articles available in English translation for the first time, to capture the diversity of voices informing textile studies today. Content is organized around the themes of touch, memory, structure, politics, and production plus a new section exploring the role of community. With 22 new contributors, this revised edition includes selected work from Maria Fusco, Ursula le Guin, Elaine Igoe, Faith Ringgold, and T'ai Smith. Extended introductions and annotated suggestions for further reading by the editor Jessica Hemmings make the second edition an invaluable resource to students of textiles, craft and material culture.
Membership Handbook
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