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The House Of Serpents
When a young man dies under mysterious circumstances in a magnificent but shambling old castle, suspicion naturally devolves on a young couple whose attraction for each other appears to flout all decorum. But as the search for truth leads the criminally suspect protagonist to question the author, the boundaries of fiction and reality, of human society and personal identity, and of the nature and limits of sexuality and pleasure are blithely crossed and extended. The narrative displays a profoundly Indian sensibility while playfully exposing the various contradictions and tensions inherent in its various aspects. Thus, antique and modern, rational and supernatural, philosophical and farcial, erotic and exotic are here combined and sustained by the powerful central metaphor of the Serpent. This extraordinary novel achieves a rare blend of passion and intellect that defies literary categorisation, but relentlessly carries the reader on its own impetuous quest.
Heroes and Monsters
Literate persons world over are more or less familiar with the names of ancient Greek heroes, monsters, gods and goddesses, but many of them may not be well-informed about them. This book is an attempt to supply information about them in a pleasant manner. While enjoying the adventures of these heroes and their confrontation with different monsters, the reader may get such facts right as would enable him or her to understand and appreciate western literatures better and mention their names in their writings and conversation with greater confidence.The hero and the monster stand for opposite poles:The first represents Order,the second,the Chaos.This book narrates the story of ten noted monsters and as many heroes equal to their powers.
The Decameron on a Goan Beach : Twelve Feel-Good Stories
Four participants of an international conference on "The Art of Story-Telling"- three young persons and one not so young - prefer to remain in each other's company, decide to overstay and spend three days together in a beachside hotel in Goa before leaving for their respective home towns. While in Goa, they tell stories of their own invention, each of them telling a story every day, thereby recreating a backdrop immortalized by the 14th century writer Giovanni Boccaccio in The Decameron. Each of our group of four tells three stories in the course of three days.Some of the stories are realistic; some are magical; some are serious and comic at the same time; some modern fables have animals as characters and some of them even make sense in a curious sort of way. One thing, however, is common about these twelve stories: they celebrate life's diversities.
Simple Things of Life
Nightmares With Teasingly Symbolic Undertones, Events That Are Difficult To Disbelieve, Yet More Difficult To Believe, Obsessions That Pass Off As The Bench Marks Of Normalcy All Together Contribute To The Narrator S Confusion And Push Him Into The Outer Edge Of The Mind. This Narrator Named Debasis, A Settled, Middle-Aged, Utterly Ordinary Bloke, Becomes Aware Of His Somewhat Neurotic State Of Mind, And Tries, In His Own Eccentric Way, To Regain His Mental/Emotional Well-Being By Re-Living And Scribbling Down His Past Encounters, Events, Etc., Which Turn Out To Be Equally Confusing, Equally Engrossing. The Characters Associated With His Past Are A Curious Lot Some Crazy, Some Funny, Some Sublime, Some Bawdy But All Believably Human.It Is The Story Of Every Sensitive Individual Living In A Postmodern, Strife-Torn World Which Could Be An Enlarged Version Of The Wave Crest Lodge Situated On The Beach Of The Bay Of Bengal.The Novel Abounds In Sudden Turns And Surprises. It Ends With A Hint Of Hope : The Confusion Will Always Be There, But The Ordinary, Simple Man Living In The Valley May Not Die Of Thirst As Long As There Is A Perennial Stream On The Top Of The Mountain.
Language Change
None
Profiles in Literary Courage
With reference to the work of selected English authors, 19th and 20th centuries.
The Private Garden
None
The Cambridge Companion to Tennessee Williams
This is a collection of thirteen original essays from a team of leading scholars in the field. In this wide-ranging volume, the contributors cover a healthy sampling of Williams's works, from the early apprenticeship years in the 1930s through to his last play before his death in 1983, Something Cloudy, Something Clear. In addition to essays on such major plays as The Glass Menagerie, A Streetcar Named Desire, and Cat on a Hot Tin Roof, among others, the contributors also consider selected minor plays, short stories, poems, and biographical concerns. The Companion also features a chapter on selected key productions as well as a bibliographic essay surveying the major critical statements on Williams.
