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Diamela Eltit
Diamela Eltit’s literary work emerged on the Chilean cultural scene in the 1980s when the Pinochet regime (1973-1990) had consolidated its project of extermination, censorship, and neoliberal shock therapy. Forced to write in a suffocating atmosphere of restriction and violence, Eltit boldly cultivated a radical, insurrectional poetics aimed at questioning the very underpinnings of authoritarian power and discourse. While Eltit’s novels, published between 1983 and the present, provide a remarkable vision of Chile that has evolved over the past decades, she offers a different vantage point through her prolific and rigorous cultivation of literary essays. Translated for the first time into English, this collection of Eltit’s essays allows readers to delve into her key concerns as a writer and intellectual: the neoliberal marketplace; the marginalization of bodies in society; questions of gender and power; struggles for memory, truth, and justice after dictatorship; and the ever-complex relationships among politics, ethics, and aesthetics.
E. Luminata
Chile's prize-winning novel of rebellious defiance in revolutionary prose--a feminist triumph of Joycean stature.
Marginalities
"This collection of essays, written in clear critical discourse, is a practical tool for first-time or hesitant Eltit readers who seek discussion of a particular book or books and are not familiar with the author's entire production."--BOOK JACKET.
Diamela Eltit
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The Fourth World
"Gerdes' brief but informative introduction makes clear that he has been a sensitive reader of El cuarto mundo. The two narrators, although twins - one male, one female, tell different tales and use language very differently. Translation is competent, but Gerdes' own language lacks the dynamic energy of Eltit's, perhaps because he follows the Spanish structures so closely"--Handbook of Latin American Studies, v. 58.
Custody of the Eyes
A victimized woman victimizes by identical means: alienating surveillance, of her son and herself.
Sacred Cow
Ana spent one perfect night with Manuel. She told me about it quite unexpectedly, knowing in advance how hopelessly caught up I would become in her reminiscences. She went into a detailed description of her expensive, provocative outfit, and I could visualise her walking forward, her legs deliberately restricted by her shiny black dress. Ana confessed that she was so driven by her depraved desire that night that she consciously sought to focus people's looks on the violent rippling of her thighs, barely disguised beneath the shiny black material. I watched her smiling and it hurt.'As the forces of political repression encircle Santiago, the capital of Chile, the narrator raises the question of the relationship between her sexual cravings and fantasies and the domination of women in Chilean society. Sacred Cow is an intense, erotic unveiling of the human psyche.
Afterlives of Confinement
During the age of dictatorships, Latin American prisons became a symbol for the vanquishing of political opponents, many of whom were never seen again. In the postdictatorship era of the 1990s, a number of these prisons were repurposed into shopping malls, museums, and memorials. Susana Draper uses the phenomenon of the "opening" of prisons and detention centers to begin a dialog on conceptualizations of democracy and freedom in post-dictatorship Latin America. Focusing on the Southern Cone nations of Uruguay, Chile, and Argentina, Draper examines key works in architecture, film, and literature to peel away the veiled continuity of dictatorial power structures in ensuing consumer cultures. T...
Holy Terrors
DIVTranslations of texts by important Latin American women playwrights, and performance artists, together with essays about their work./div
National Trauma in Postdictatorship Latin American Literature
National Trauma in Postdictatorship Latin American Literature: Chile and Argentina examines the traumatic experiences of Chile and Argentina under authoritarian regimes and argues that in order for postdictatorship countries to successfully implement transitions to democracy, they must confront the past. This book employs the research of psychologists Bessel van der Kolk, Judith Herman, Donald Dutton, Elizabeth Loftus, and Cathy Caruth, in order to better understand the emotional and psychological effects of national trauma in the works of Chileans Diamela Eltit and Ariel Dorfman, and Argentines Ricardo Piglia and Griselda Gambaro. The themes and characters transcend national boundaries - the abuse, torture, paranoia, anguish, and shame are common to all human beings oppressed by tyranny. The inclusion of theater is necessary in global times for the art of drama has the power to ignite a repressed consciousness to emerge and contribute to progress and change. National Trauma in Postdictatorship Latin American Literature: Chile and Argentina proceeds with the reality that it is possible to heal from past trauma and become - once again - dignified citizens of the world.
