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A Sunday Times Book of the Year Winner of the Polari Prize 'A book about love, identity, acceptance and the freedom to write, paint, compose and wear corduroy breeches with gaiters. To swear, kiss, publish and be damned. It is vastly entertaining and often moving... There isn't a page without an entertaining vignette' The Times. The extraordinary story of how a singular group of women in a pivotal time and place – Paris, Between the Wars – fostered the birth of the Modernist movement. Sylvia Beach, Bryher, Natalie Barney, and Gertrude Stein. A trailblazing publisher; a patron of artists; a society hostess; a groundbreaking writer. They were all women who loved women. They rejected the patriarchy and made lives of their own – forming a community around them in Paris. Each of these four central women interacted with a myriad of others, some of the most influential, most entertaining, most shocking and most brilliant figures of the age. Diana Souhami weaves their stories into those of the four central women to create a vivid moving tapestry of life among the Modernists in pre-War Paris. 'One of the best books I've read this year.' James Bridle
Edith Cavell was born in 1865, daughter of a Norfolk vicar, and shot in Brussels on 12 October 1915 by the Germans for sheltering British and French soldiers and helping them escape over the Belgian border. Following a traditional village childhood in 19th century England, Edith worked as a governess in the UK and abroad, before training as a nurse in London in 1895. To Edith, nursing was a duty, a vocation, but above all a service. By 1907, she had travelled most of Europe and become matron of her own hospital in Belgium, where, under her leadership, a ramshackle hospital with few staff and little organization became a model nursing school. When war broke out, Edith helped soldiers to escap...
Murder at Wrotham Hill takes the killing in October 1946 of Dagmar Petrzywalski as the catalyst for a compelling and unique meditation on murder and fate. Dagmar, a gentle, eccentric spinster, was the embodiment of Austerity Britain's prudence and thrift. Her murderer Harold Hagger's litany of petty crimes, abandoned wives, sloughed-off identities and desertion was its opposite. The texture of their lives and the impression their experiences made on their characters fated their meeting on that bleak autumn morning - and determined the manner in which both would meet their death. Featuring England's first celebrity policeman, Fabian of the Yard, the celebrated forensic scientist, Keith Simpson, and history's most famous and dedicated hangman, Albert Pierrepoint, this is a gripping and deeply moving book.
As stubborn as she was gifted, as fierce as she was tender, and notorious for her mannish dress that was provocative and chic in equal measure, Gluck was an artist and a rebel. Born Hannah Gluckstein in 1895 into the family that founded the J. Lyons & Co. catering company, she had passionate affairs with society women such as Constance Spry and exhibited her portraits, flower paintings and landscapes in 'one man' shows that captivated the beau monde of the 1920s and 30s. But Gluck's success was never unmixed with controversy: at the height of her fame she stopped working, caught in a bitter campaign over the quality of artists' materials, and her personal life was rarely less than torrid. In Gluck Diana Souhami captures this paradoxical, talented and unusual woman in all her complexity.
Radclyffe Hall was born in 1880 in Bournemouth in a house inappropriately named 'Sunny Lawn'. Her mother drank gin in an attempt to terminate the pregnancy, and her father fled the family home. At the mercy of a violent mother and sexually abusive stepfather, her life changed when at the age of eighteen she inherited her father's estate of £100,000. She was free to travel, pursue women and write - most notably The Well of Loneliness, her famous novel about 'congenital inverts', which was declared 'inherently obscene' by the Home Secretary and banned. In this brilliantly written, witty and satirical biography Diana Souhami brings a fresh and irreverent eye to the life of this intriguing and troubled woman.
Alice Keppel, lover of Queen Victoria's son Edward VII and great-grandmother of Camilla Parker-Bowles, was the acceptable face of Edwardian adultery. It was her art to be the King's mistress yet to laud the Royal Family and the institution of marriage. She partnered the King for yachting at Cowes and helped him choose presents for his wife Queen Alexandra while remaining calmly married to her complaisant husband George. But for her daughter Violet, passionately in love with Vita Sackville-West, romance proved tragic and destructive. Mrs Keppel used all the force at her command to repress the relationship. This fascinating and intense mother-daughter relationship highlights Edwardian and contemporary duplicity and double standards. It goes to the heart of questions about the monarchy, family values and sexual freedoms.
Wild Girls is the critically acclaimed true story of two wealthy American heiresses---one an artist, the other a writer---whose stormy, passionate love affair captivated Paris’s salon set between the wars. Natalie Barney and Romaine Brooks were rich, American, eccentric, and grandly lesbian. They met in Paris in 1915, and their relationship lasted more than fifty years, despite infidelity, separation, and temperamental differences. Romaine Brooks, a painter, was the product of an unhappy childhood and trusted no one but Natalie. Natalie Barney was passionate about life, sex, and love. Her Friday afternoon salons, attended by Gertrude Stein, and Colette and Edith Sitwell, were a magnet for ...
When Alexander Selkirk was abandoned by his shipmates on the remote island of Juan Fernandez in 1704 he could not have know that he wouldn't see another human soul for four long years, could not have anticipated the lonely and fierce existence to which he had been condemned, nor could he have ever guessed that his plight - recreated in the form of Robinson Crusoe - would be immortalised by Daniel Defoe. In this startlingly original book, award-winning author Diana Souhami brings new life to this story, evoking the abandoned sailor's struggle with solitude, God and the savage new home into which he had been so brutally thrust.
Gertrude Stein and Alice B. Tokas were the talk of pre-war Paris. Photographed by Cecil Beaton and Man Ray, painted by Picasso and written about by Hemingway, they were at the heart of Parisian cultural and literary life. Alice, convinced that Gertrude was a genius, cooked for her, typed her manuscripts and fought to obtain the fame she was convinced Gertrude was due. Alice said Gertrude was the happiest person she had ever known, and was besotted with her for the many years they were together. They were indomitable, charismatic, and wildly eccentric, driving around in ‘Auntie', their Ford, with Basket, their cherished poodle. In Gertrude and Alice, award-winning writer Diana Souhami brings these two extraordinary women, and the fascinating world in which they moved, to vivid life.
At dawn on 27 April 1789 Fletcher Christian, master's mate on HMS Bounty, took a coconut to quench his thirst from the supply on the quarterdeck. This seemingly insignificant act resulted in mutiny, chaos and a chain of events that leads right up to the present day. With a story driven by hazardous and extraordinary sea voyages and a cast that includes the Bounty mutineers, an eccentric lesbian aristocrat, Pitcairn Island sex offenders and the narrator's ancient mother, this sparkling and original book weaves together fact and fiction, history and autobiography, humour and danger in inimitable style.