You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The recent fiction of Spanish America has been widely acclaimed for its experimental and revolutionary qualities. In Reclaiming the Author, Lucille Kerr studies the sources of power of this newly emergent literature in her detailed examination of the critical concept of "the author." Kerr considers how Spanish American narratives raise questions about authorial identity and activity through the different figures of the author they propose. These author-figures, she maintains, both complement and contradict notions of authority that exist outside of the world of fiction. By focusing on works by well-known Spanish American authors--Cortazar, Donoso, Fuentes, Poniatowska, Puig, and Vargas Llosa--Kerr shows how the Spanish Americans have formed a radical poetics of the author. Her readings demonstrate how exemplary Spanish American texts, such as Rayuela, Terra nostra, and El hablador, call into question the author as a unitary or uniform, and therefore unproblematical, figure. Individually and together, Kerr's readings reclaim "the author" as a complex critical concept encompassing diverse, conflicting, even competitive roles.
Focusing on British and American novels, Rogers takes a sociological look at the business of literature, the book industry, and the experiences of novelists and readers. Viewing the novel as a vehicle of cultural meaning, the author shows how the literary canon overlooks substantial similarities among novels in favor of restrictive codes based on social as well as literary considerations. She emphasizes the kinship between the social sciences and humanities in her analysis, by reinvigorating affection for the novel and also establishing its rich cultural significance.
Describes the social and cultural transformation of seventeenth-century China through the life and work of Li Yu
First published in 1979. This volume presents Science Fiction as a coherent system, not as a collection of facts or random sequence of individual voices. The contributors are concerned with less with surveying the bare facts of the genre than with interpretating their significance. They attempt to establish the common properties of Science Fiction writing whether in the treatment of a theme or in SF of a given period or nationality.
This is a timely, comprehensive and thoroughly researched study of climate fiction from around the world, including novels, short stories, films and other formats. Informed by a sociological perspective, it will be an invaluable resource for students and scholars looking to enter and expand the field of climate fiction studies.