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Invalid Women
"A fine example of politically engaged literary criticism.--Belles Lettres "Price Herndl's compelling individual readings of works by major writers (Harriet Beecher Stowe, Hawthorne, Wharton, James, Fitzgerald) and minor ones complement her examination of germ theory, psychic and somatic cures, medicine's place in the rise of capitalism, and the cultural forms in which men and women used the trope of female illness.--Choice "A rich and provocative study of female illnesses and their textual representations. . . . A major contribution to the feminist agenda of literature and medicine.--Medical Humanities Review "[An] important book.--Nineteenth-Century Literature "[This] sophisticated new stu...
Feminisms
"Everything you might want to know about the history and practice of feminist criticism in North America". -Feminist Bookstore News
Feminisms Redux
The 1991 landmark edition of Feminisms presented the most comprehensive collection of American and British feminist literary criticism ever published. In 1997, the volume was revised to include more than two dozen new essays. Now Robyn Warhol-Down and Diane Price Herndl revisit the canon of feminist literary criticism and theory once again and re-establish the measure for representing the latest developments in the field. Feminisms Redux provides academics and general readers with a newly revised and indispensable collection of essays representing the range of feminist literary criticism.
Against Amnesia
"An important study in American literature."--
Feminist Theory Reader
The third edition of the Feminist Theory Reader anthologizes the important classical and contemporary works of feminist theory within a multiracial transnational framework. This edition includes 16 new essays; the editors have organized the readings into four sections, which challenge the prevailing representation of feminist movements as waves. Introductory essays at the beginning of each section lay out the framework that brings the readings together and provide historical and intellectual context. Instructors who have adopted the book can email SalesHSS@taylorandfrancis.com to receive test questions associated with the readings. Please include your school and location (state/province/county/country) in the email. Now available for the first time in eBook format 978-0-203-59831-3.
WOMEN'S WORLDS: The McGraw-Hill Anthology of Women's Writing in English Across the Globe
Women’s Worlds, a new anthology of women’s writing, makes available a broad range of women’s voices from across time, across classes, and across the globe in a slimmer, more flexible, and more affordable format. This new anthology includes selections from the 14th through the 21st centuries, from the first text by a woman published in English (Julian of Norwich’s Revelation of Divine Love) to selections by contemporary writers like Barbara Kingsolver, Alison Bechdel, and Zadie Smith. The selections are drawn from Britain and North America, but also from Africa, Asia, Oceania, the Middle East, and the Caribbean--wherever English is spoken. While classics of fiction, poetry, and drama are provided, the text also includes essays, song lyrics, letters, diary entries--even excerpts from domestic handbooks and a graphic memoir--to represent the full range of women’s voices. And Cultural Coordinates essays provide insights into customs and costumes from purdah to life before the Pill. To expand the choice of novels instructors wish to assign, McGraw-Hill also offers works from Library of Women's Literature at a discount.
Feminism, Bakhtin, and the Dialogic
Feminism, Bakhtin, and the Dialogic assembles thirteen essays on the intersection of Bakhtin's narrative theory, especially his concept of dialogism. The book explores the dimensions of using Bakhtin for a feminist analysis and discerns the connections between feminist dialogics and cultural materialism. The authors offer various views ranging from studies of ecofeminism, gender theories of novelistic discourse, Bakhtin and French feminism, to analyses of contemporary novelists such as Toni Morrison, Nadine Gordimer, and Pat Barker. Drawing on Bakhtin's sociolinguistics, this book provides an introduction to feminist work on Bakhtin and the development of a cultural politics of reading. Challenging questions are raised: What is dialogic feminism? Can Bakhtin's theories advance a feminist politics? How does a feminist dialogics fit into a materialist feminist practice? Can the "dialogic imagination" also describe some of the most radical moments within feminist thinking? The interdisciplinary focus of these responses represents the ongoing dialogue among literary critics, cultural theorists, and feminists.
Reading Embodied Citizenship
Reading Embodied Citizenship brings disability to the forefront, illuminating its role in constituting what counts as U.S. citizenship. Drawing from major figures in American literature, including Mark Twain, Flannery O'Connor, Carson McCullers, and David Foster Wallace, as well as introducing texts from the emerging canon of disability studies, Emily Russell demonstrates the place of disability at the core of American ideals. Russell examines literature to explore and unsettle long-held assumptions about American citizenship.
Imperialism at Home
The implicit link between white women and "the dark races" recurs persistently in nineteenth-century English fiction. Imperialism at Home examines the metaphorical use of race by three nineteenth-century women novelists: Charlotte Brontë, Emily Brontë, and George Eliot. Susan Meyer argues that each of these domestic novelists uses race relations as a metaphor through which to explore the relationships between men and women at home in England. In the fiction of, for example, Anthony Trollope and Charles Dickens, as in nineteenth-century culture more generally, the subtle and not-so-subtle comparison of white women and people of color is used to suggest their mutual inferiority. The Bronte s...
The Hermaphrodite
Written in the 1840s and published here for the first time, Julia Ward Howe's novel about a hermaphrodite is unlike anything of its time--or, in truth, of our own. Narrated by Laurence, who is raised and lives as a man, is loved by men and women alike, and can respond to neither, this unconventional story explores the understanding "that fervent hearts must borrow the disguise of art, if they would win the right to express, in any outward form, the internal fire that consumes them." Laurence describes his repudiation by his family, his involvement with an attractive widow, his subsequent wanderings and eventual attachment to a sixteen-year-old boy, his own tutelage by a Roman nobleman and hi...
