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In Company
This collection brings together for the first time three generations of poets associated with New Mexico, representing a variety of styles and personalities. The first group--beginning with the distinguished East Coast emigre to Santa Fe Witter Bynner and ending with the New Mexico-born MacArthur fellow Jay Wright--came into their maturities by the 1960s. This era's distinguished roster includes such figures as Charles Tomlinson, Robert Creeley, Nathaniel Tarn, and Simon Ortiz. The second group, including nationally known figures like Joy Harjo, Jimmy Santiago Baca, N. Scott Momaday, and Arthur Sze, became famous in the 1970s and 1980s. The third group, dating mostly to the 1990s, includes some writers familiar only to audiences who frequent coffee houses and poetry slams, as well as authors whose names are familiar both nationally and regionally, among them Demetria Martinez and Kate Horsley. V. B. Price is general editor of the Mary Burritt Christiansen Poetry series. All three editors of In Company are poets.
City of Slow Dissolve
Before recovery comes the preparation to recover. In City of Slow Dissolve, John Chávez takes readers through this journey—the “slow dissolve,” the unpacking and re-packing of self that must take place before healing can begin. Fusing language poetry, lyric, and narrative, Chávez uses syntactical play, rhythm, and repetition of key words and lines to lend immediacy to emotions and actions. He tips words and images on their heads and invites readers to reexamine people and places that are at once familiar and utterly unfamiliar.
A Radiant Curve
A collection of stories and poems by Navajo author and poet, Luci Tapahonso, that reflects her own memories along with the voices of her Navajo ancestors. Includes an audio CD of the author reading aloud from her book.
Ruins
In this poetry collection, Margaret Randall uses the metaphor of ruins to meditate on time's movement--through memory, through cities, through the leavings of history, and through the bodies of people who have experienced time's transformations and traumas. Randall's ruins include not only Chaco Canyon, Hovenweep, Teotihuacan, Machu Picchu, Kiet Siel, Petra, and sites in ancient Greece and Egypt, but also Auschwitz-Birkenau and lives shattered by torture and oppression. "Always there is that moment of arrival, as another reality rises before me, superimposed upon the one I live today. Sometimes the membrane is torn, and I find myself moving in and out. Boundaries dissolve. A mysterious space, between then and now, warns as it invites: promising revelation and maybe also fresh trauma if I am willing to risk its secrets."--Margaret Randall, in the Introduction
Refuge of Whirling Light
One bright winter afternoon along an empty New Mexico road, Mary Beath discovered these inexplicable words painted on a peeling wooden sign: Refuge of Whirling Light. That moment could stand for what she offers the reader: the pleasures and insights of the unexpected, the sensations of freedom and belonging that have always drawn her to wander the land alone. "Beath's intensely visual story poems are utterly transporting, taking you out to longed-after landscapes and, at the exact same time, into the terrain of our hearts and souls. In the tradition of other keen-eyed, gutsy women who have bound themselves to the Southwest, Beath expresses for all of us--men and women--our desires for love a...
Losing the Ring in the River
Spare and incisive, the poems in Losing the Ring in the River deal with three strong women—Clara, Emma, and Liz, women who are tough, often sassy, and have dreams that aren’t quelled by the realities they face. Saiser deftly explores the undercurrents connecting three generations and is at her most powerful when she explores how lives are restricted and sometimes painfully damaged by what people cannot or will not share with one another. Saiser’s poetry is as harsh as it is beautiful; she avoids resolutions and easy endings, focusing instead on the small, hard-won victories that each woman experiences in her life and in her love of those around her.
Say That
Caton Garcia’s poems layer sound and image to offer a tangible point of access into the complex and often contradictory ideas contained within the work. Love, loss memory, and the hidden lives of a range of speakers and characters become the interwoven themes of this book, each presented in raw and unflinching narrative and metaphor. Say That is divided into two sections. The first presents the lived experience of the speakers, while the second strips the “story” to unveil a dreamlife where memory and history haunt the lives they lead.
Breaths
Breaths is a poetic exploration of Budo (the Japanese martial arts) and Zen. It delves into the relationship between these two traditions and projects their spirit onto the textures of everyday life. The poems balance action, energy, meditation, and contemplation on how to live attentively and actively in the world. Accompanied by Yoshiko Shimano's eloquent prints, these poems will energize and captivate readers while inviting them to seek their own paths to illumination.
¿De Veras?
A collection of poetry, stories, and essays by New Mexico teens who have been part of the Voces creative writing program.
Begging for Vultures
The poetry of Lawrence Welsh crosses many borders, from South Central Los Angeles, where he was raised, to El Paso, where he has lived for almost twenty years. A newspaper man turned poet, a punk rock songwriter who became an English teacher, an Irishman at home in Texas, Welsh gives voice to the famous, the infamous, and the forgotten.
